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My Collection

      This is my own list of what can be called 'a collection'. Any of the items included here is not for sale and I haven't got any information how these recordings may be found. I'm a trader and fan of music. Trading means free, legal exchange of fan-made concert tapes, radio or TV broadcasts and material that was never - and will never be - officially released. Below is my own collection of Led Zeppelin underground tapes and also this is my personal view of how the professional bootleg collection should be look like. (For more detailed informations about how to collect bootlegs please visit Collector's Guide of ZeppelinArt site.)

      As I said before, I don't collect Led Zeppelin's music for 'having' them on my shelf. I'm a connosieur of their music and if I decide to buy an original silver, I do it very, very carefuly and slowly. Further more, I'm still searching for more complete versions of tapes listed here so most of my collection is 'movable' as well. Many titles presented here are now out of my collection and they will be replaced by an upgrated versions very soon.

      At this moment I am not an active trader but I am always very interest of having any new titles. Due to the time required to manage my own responsibilities I am usually very busy and trading will take me some time although all requests will be fulfilled. Below list is sorted by date. All the titles are marked blue and media marked red means an original.

My Own Trade Rules

General

1. I trade at a 1/1 rate, be they CD-R or DVD-R. I'd now prefer to trade CD-R/DVD-R full of FLAC/SHN/APE files, but I'll happily still do the odd CD-R audio trade here and there. I'm also up for online trades (via Bittorrent, FTP, DC++ etc).
2. I use EAC (Exact Audio Copy) in Secure Mode (read/write offsets corrected) to extract WAV files onto my hard drive and then burn using DAO (Disc-At-Once) at 4x speed. When it comes to live recordings, please always use the DAO mode to avoid the 2 second gaps between the tracks.
3. No MP3 sourced material. In the past I was not intentionally trading with MP3 sourced material, but now I have the ability to detect (in most cases) whether a show has an MP3 lineage or not. There still may be some of my shows that are actually sourced that way (unknown to me at the time) and it will be indicated in the comments section, these will be removed whenever I come across them. If I find what you have sent me is from MP3 I will stop trading with you automatically.
4. Use a decent media to burn onto please. I use, in most cases, only high quality Japanese media but I'd also now prefer few of other media such as Verbatim. Anyway I expect the people to trade with to do the same.
5. Any faulty discs from my side will be replaced by me and I expect the same from you.
6. Do not use jewel cases. Just paper sleeves and envelopes. Please do not write on the discs, either a post-it or a slip of paper in the case will suffice. Before sending discs, please take so care with the package.
7. I do not trade any offficial material. Please support the artist(s) and buy their official output from your local store(s).

B&P Policy

At this moment (due to many personal resposibilities) I haven't got the time and energy to undertake any B&Ps. This may change in the future. When it does it will appear here.

Sound Quality

One person's ear may hear things differently to someone else so there's no "set rules" regarding sound quality. My ratings are given based on the same used on my Help! section, but here's a qucik guide so you have a rough ide where I'm coming from:

  • SUPERB (12-11) - usually reserved for "official release quality" material only
  • EXCELLENT (10-09) - top quality, no noise/distortion at all
  • VERY GOOD (8-7) - generally good but not professional quality, possible very slight noise/distortion
  • GOOD (6-5) - all instruments audible with excessive hiss, some compressed sound or distortion or fair instruments balance and sound quality below average
  • FAIR (4-3) - poor balance, at least one instrument inaudible, bad distortion
  • POOR (2-1) - only main instrument clearly audible, very distorted with bad hall ambience or virtually inaudible

Select the year that you are ineterested in and try to choose the title you are looking for or just browse each section to find the one you are interested.

The Yardbirds feat. Jimmy Page
Led Zeppelin 1968
Led Zeppelin 1969
Led Zeppelin 1970
Led Zeppelin 1971
Led Zeppelin 1972
Led Zeppelin 1973
Led Zeppelin 1975
Led Zeppelin 1977
Led Zeppelin 1979
Led Zeppelin 1980
Led Zeppelin Studio Sessions & Rehearsals
Led Zeppelin Compilations

 

 


Unless explicitly stated otherwise, Led Zeppelin Database is © 2006-2008 Argenteum Astrum. All rights reserved.

No part of this site, including design and graphics, may be reproduced or transmitted in any form, by any means (electronic, mechanical, or otherwise), without the prior written permission of the publisher of this site.

The term Bootleg, as used herein, refers to any release that is not authorized by the artist, record company, or their representatives. The use of this term does not imply any illegal deed or intention; many manufacturers pay royalties in compliance with the laws of their respective countries.

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