Date	Venue	Generation	Length	Source	Comments
77/04/03	Oklahoma City	master	180	aud	taped by Terry Coppage, Sony TC-55>Sony F27S external mic>master cassette (runs fast - correct speed is ca. 194 mins.)
77/04/03	Oklahoma City	1st gen	187	aud	1st gen cassette
77/04/03	Oklahoma City	2nd gen	180	aud	-
77/04/06	Chicago	1st gen	171	aud	Panasonic recorder>master cassette>1st gen cassette, Trampled Underfoot cut at the beginning (recorded from 12th row)
77/04/06	Chicago	2nd gen	177	aud	Trampled Underfoot cut at the beginning (recorded from 12th row)
77/04/06	Chicago	3rd gen	176	aud	w/complete Trampled Underfoot (still suspended) (recorded from 12th row)
77/04/07	Chicago	master	Near 97	aud	cassette
77/04/07	Chicago	1st gen	89	aud	master cassette>1st gen reel (missing Rock And Roll)
77/04/07	Chicago	2nd gen	?	aud	includes Rock And Roll
77/04/07	Chicago	5th gen	?	aud	-
77/04/09	Chicago	1st gen	62	aud	1st source
77/04/09	Chicago	4th gen	61	aud	1st source
77/04/09	Chicago	1st gen	62	aud	2nd source, master>1st gen Maxell XLII60 cassette
77/04/09	Chicago	2nd gen	60	aud	2nd source
77/04/09	Chicago	3rd gen	Near 59	aud	2nd source
77/04/09	Chicago	unknown gen	?	aud	cassette
77/04/09	Chicago	unknown gen	Almost 17	aud	color amateur video with actual sound (some versions have audio synched)
77/04/10	Chicago	1st gen	148	aud	1st source, cassette
77/04/10	Chicago	3rd gen	153	aud	1st source
77/04/10	Chicago	unknown gen	151	aud	1st source, missing Rock And Roll?
77/04/10	Chicago	master	76	aud	2nd source
77/04/10	Chicago	1st gen	80	aud	2nd source
77/04/10	Chicago	2nd gen	80	aud	2nd source, cassette
77/04/10	Chicago	unknown gen	4	aud	color amateur video without actual sound (taped by Jim Speedy)
77/04/19	Cincinnati	master?	96	aud	cannot be sure if master really exists
77/04/19	Cincinnati	1st gen	95	aud	TDK MA-110 cassette
77/04/19	Cincinnati	2nd gen	Near 96	aud	master>1st gen cassette>2nd gen 120 minute cassette
77/04/19	Cincinnati	3rd gen	60	aud	-
77/04/20	Cincinnati	3rd gen	99	aud	master>1st gen>2nd gen>3rd gen Maxell cassette
77/04/20	Cincinnati	unknown gen	41	aud	Maxell UD XLII 60 cassette, often labelled as 1st gen this is in fact higher gen and much incomplete/dull sounding dub of verified gen listed above
77/04/23	Atlanta	1st gen	177	aud	-
77/04/23	Atlanta	2nd gen	180	aud	cassette
77/04/25	Louisville	1st gen	168	aud	taped by Danny, Dual mic boom box>mster cassettes>1st gen back-up Type I cassettes (runs a tiny bit slow)
77/04/27	Cleveland	1st gen	165	sbd	Master cassette>1st gen Maxell XLII cassettes. Two persons responsible for the transfer would coach the Seattle Kingdome video director on songs to be played at upcoming major shows. Basically he was "studying up" on song placement and solos to be expected. Having worked at both the Superdome and in Cleveland, he had friends at other venues. He simply asked a friend working the show in Cleveland to get him a copy of the show and fire it off to these people in Seattle. The guy brought in his home deck, walked up to the board, and being on the crew they plugged him in.
77/04/27	Cleveland	2nd gen	?	sbd	master cassette>1st gen cassette>2nd gen VHS (some copies are also on 2nd gen cassette)
77/04/27	Cleveland	3rd gen	?	sbd	3rd gen cassette>4th gen VHS
77/04/28	Cleveland	master?	165	aud	1st source, cassette (not confirmed it is really a master, runs a bit slow - correct speed is near 163 mins.). The reason for cuts is because taper only had 60 mins. tapes. Runs a bit slow - correct speed is 158 mins.
77/04/28	Cleveland	2nd gen	165	aud	1st source, master cassette?>1st gen cassette>2nd gen cassette
77/04/28	Cleveland	master	195	aud	2nd source, taped by Brett Hope (Memorex Tracks 90 & Memorex Tracs 120 master cassette). Recorded with batteries loose in the compartment, slowing the motor speed throughout - correct speed is ca. 185 mins. Taped on platform usually used for television camera for sports broadcasts.
77/04/30	Pontiac	2nd gen	172	aud	cassette, runs a tiny bit fast
77/05/18	Birmingham	master	168	aud	1st source, taped by Terry Coppage (Sony TC-55>external mic>master cassette)
77/05/18	Birmingham	1st gen	Near 174	aud	1st source, master>1st gen cassette
77/05/18	Birmingham	master	171	aud	2nd source (not sure if real master still exists)
77/05/18	Birmingham	2nd gen	184	aud	2nd source, master>1st gen cassette>2nd gen cassette (old transfer is shorter)
77/05/18	Birmingham	master	152	aud	3rd source, 8 track tapes, suffers from multiple speed fluctuations (runs fast - correct speed is ca. almost 164 mins.)
77/05/18	Birmingham	unknown gen	Almost 10	aud	1st color amateur video with actual sound (film was used in The Song Remains The Same clip in a menu of the official DVD)
77/05/18	Birmingham	master	24	aud	2nd color amateur video without actual sound, taped by Jim Speedy (master reel to reel - copy filmed off a white wall during a projection of the original reels is the only one being in circulation)
77/05/19	Baton Rouge	unknown gen	Near 13	aud	color amateur video without actual sound (the official DVD has a snippet of this clip in the credits video as well as in The Song Remains The Same clip)
77/05/21	Houston	master?	184	sbd	no source tape available, only silver pressed bootlegs
77/05/22	Fort Worth	master	60	aud	1st source
77/05/22	Fort Worth	3rd gen	62	aud	1st source
77/05/22	Fort Worth	2nd gen	72	aud	2nd source, 1st gen cassette>2nd gen cassette
77/05/22	Fort Worth	2nd gen	103	aud	3rd source, 1st gen cassette>2nd gen cassette
77/05/25	Landover	master	Almost 182	aud	Phillips handheld w/int cond mic>TDK D120 master cassette
77/05/25	Landover	2nd gen	178	aud	-
77/05/25	Landover	master?	167	sbd	no source tape available, only silver pressed bootleg
77/05/26	Landover	master	193	aud	Philips handheld w/int cond mic>TDK D120 master cassette
77/05/26	Landover	master?	Almost 181	sbd	house mix (no source tape available, only silver pressed bootlegs)
77/05/26	Landover	1st gen	38	sbd	monitor mix (master>1st gen cassette)
77/05/28	Landover	master	191	aud	Philips handheld w/int cond mic>TDK D120 master cassette
77/05/28	Landover	master?	184	sbd	no source tape available, only silver pressed bootleg
77/05/30	Landover	master	185	aud	taped by Randy Faulkner, Phillips handheld w/int cond mic>Maxwell master cassette (runs a bit slow - correct speed is 176 mins.)
77/05/30	Landover	master?	167	sbd	no source tape available, only silver pressed bootleg
77/05/30	Landover	master	4	aud	Color amateur video without actual sound (master reel). Ttaped by Vince, who was thrown out by a huge security guard who warned him a few times to stop filming but luckily he was able to buy a scalper ticket and got back in; he had several reels of film ready for the show and was only able to do one.
77/05/31	Greensboro	master	3	aud	color amateur video without actual sound (master reel)
77/06/03	Tampa	master	17	aud	1st source, Aiwa mics>Marantz master cassette
77/06/03	Tampa	master	18	aud	2nd source, John Tsalikes source
77/06/03	Tampa	master	21	aud	3rd source, Cal's source
77/06/00	New York	unknown gen	3	aud	color amateur video without actual sound
77/06/07	New York	master	175	aud	1st source, taped by Artie Constanzo (Sony TC-120 cassette) (most likely not the master)
77/06/07	New York	1st gen	173	aud	1st source
77/06/07	New York	2nd gen	178	aud	2nd source, runs a bit fast
77/06/07	New York	3rd gen	172	aud	2nd source
77/06/07	New York	master?	190	sbd	no source tape available, only silver pressed bootlegs
77/06/08	New York	unknown gen	189	aud	1st source, Type II cassette (the unknown low gen runs at near 161 mins. and missing Over The Top while silver boot does not)
77/06/08	New York	master	?	aud	2nd source
77/06/08	New York	1st gen	119	aud	2nd source
77/06/08	New York	3rd gen	117	aud	2nd source, cassette
77/06/10	New York	1st gen	215	aud	1st source, taped by Artie Constanzo (cassette) (originally it was taped on two separate cassettes and each side has a large amount of blank space after recording, but music clocks at 184 mins.)
77/06/10	New York	unknown gen	?	aud	1st source, cassette
77/06/10	New York	1st gen	126	aud	2nd source, cassette
77/06/10	New York	unknown gen	152	aud	3rd source, cassette (runs a bit slow and varies a hair throughout - correct speed is ca. almost 149 mins.)
77/06/10	New York	unknown gen	3	aud	color amateur video with actual sound
77/06/11	New York	master	126	aud	1st source, Panasonic RQ314S w/built-in condenser mic>TDK C-120 master cassette
77/06/11	New York	3rd gen	?	aud	2nd source, 2nd gen cassette>3rd gen VHS (a bit more complete than unknown gen [end of Kashmir to beginning of Moby Dick] but worse sounding)
77/06/11	New York	unknown gen	170	aud	2nd source, Type I cassette
77/06/11	New York	2nd gen	180	aud	3rd source (cassette) (originally it was taped on two Maxell XLII 90 cassettes and each side has some amount of blank space after recording, music clocks at 175 mins.)
77/06/11	New York	3rd gen	175	aud	3rd source, 2nd gen cassette>3rd gen VHS (some copies are a bit more complete that the others made from these stint of tapes)
77/06/11	New York	1st gen?	45	sbd	sometimes labelled as master reel but still unverified at all
77/06/11	New York	unknown gen	30	aud	color amateur video with actual sound (some songs are from June 14th, 1977 and recorded by the same person)
77/06/13	New York	1st gen	186	aud	1st source, taped by Artie Constanzo (available as a Sony TC-120>master cassette>1st gen cassette
77/06/13	New York	2nd gen	190	aud	1st source, Sony TC-120>master cassette>1st gen>2nd gen cassette
77/06/13	New York	master	Near 137	aud	2nd source, taped by Tom Stanko (Memorex 120 and TDK SD C60 master cassettes). Per taper Moby Dick, Guitar Solo, Achilles Last Stand and Heartbreaker were recorded but they have been lost immediatley.
77/06/14	New York	1st gen	Almost 118	aud	cassette
77/06/14	New York	2nd gen	121	aud	AXIA PS2 high bias 90's cassette (sounds a bit brighter with more bass but also more distant than 1st gen)
77/06/14	New York	unknown gen	117	aud	Type I cassette (it slightly better than the 2nd gen and has also a much better high end but runs fast)
77/06/14	New York	unknown gen	30	aud	1st source, color amateur video with actual sound (some songs are from June 11th, 1977 and recorded by the same person)
77/06/14	New York	unknown gen	8	aud	2nd source, color amateur video with and without sound
77/06/19	San Diego	master	160	aud	taped by Mike Millard (AKG mics>Nakamichi Deck>master cassette)*
77/06/19	San Diego	1st gen	160	aud	available as VHS and cassette transfers and length varies, runs slow a bit
77/06/19	San Diego	2nd gen	160	aud	runs slow a bit
77/06/21	Los Angeles	master	196	aud	1st source, taped by Mike Millard (AKG mics>Nakamichi Deck>master cassette)*
77/06/21	Los Angeles	1st gen	197	aud	1st source (AKG mics>Nakamichi Deck>master cassette>1st gen Maxwell XLII 90 cassette
77/06/21	Los Angeles	unknown gen	?	aud	2nd source (not sure if complete transfer is in circulation)
77/06/22	Los Angeles	unknown gen	Near 39	aud	1st source, taped by Barry Goldebrg (circulated copy is a mix of this and March 24th, 1975 Millard source also)
77/06/22	Los Angeles	1st gen	44	aud	2nd source, taped by Carl Gabe (cassette)
77/06/22	Los Angeles	1st gen	Almost 115	aud	3rd source, taped by Ed F. (cassette)
77/06/22	Los Angeles	1st gen?	167	aud	4th source (cassette). Some copies may have White Summer/Black Mountain Side/Kashmir from June 23rd, 1977 and Over The Top from June 27th, 1977.
77/06/22	Los Angeles	unknown gen	8	aud	color amateur video without actual sound
77/06/23	Los Angeles	unknown gen	173	aud	1st source, original master tapes have been lost (released on LP only)
77/06/23	Los Angeles	master	168	aud	2nd source, taped by Mike Millard (AKG mics>Nakamichi Deck>master cassette) (reported that the show is incomplete because taper forgot to press record until Since I've Been Loving You)*
77/06/23	Los Angeles	1st gen	Near 166	aud	2nd source, AKG mics>Nakamichi Deck>master cassette>1st gen VHS
77/06/23	Los Angeles	2nd gen	181	aud	3rd source, taped by Carl Gabe
77/06/23	Los Angeles	2nd gen	189	aud	4th source, taped by Barry Goldberg (cassette)
77/06/23	Los Angeles	2nd gen	Almost 76	aud	5th source, runs just a little bit slow
77/06/23	Los Angeles	unknown gen	12	sbd	a copy of tape from Page given to laser operator for Knebworth show in 1979
77/06/23	Los Angeles	unknown gen	9	aud	1st movie, color amateur video without actual sound
77/06/23	Los Angeles	unknown gen	12	aud	2nd movie, color amateur video without actual sound
77/06/25	Los Angeles	master	212	aud	taped by Mike Millard (AKG mics>Nakamichi Deck>master cassette)*
77/06/25	Los Angeles	1st gen	Near 211	aud	AKG mics>Nakamichi Deck>master cassette>1st gen VHS (at least three different copies available, speed varies a tiny bit between all of them)
77/06/25	Los Angeles	2nd gen	?	aud	-
77/06/25	Los Angeles	unknown gen	154	aud	called Goldberg's source but in fact this is a copy of Millard's source and has more tape hiss
77/06/26	Los Angeles	1st gen	190	aud	1st source, The Song Remains The Same cut
77/06/26	Los Angeles	2nd gen	Almost 191	aud	1st source, sounds a bit brighter than the 1st gen but gets very hissy because of it - the 1st gen has little hiss while this one, runs noticeably too slow but has the complete Rock And Roll
77/06/26	Los Angeles	3rd gen	189	aud	1st source
77/06/26	Los Angeles	unknown gen	?	aud	2nd source
77/06/26	Los Angeles	unknown gen	18	aud	1st movie, color amateur video (shot by a roadie)
77/06/26	Los Angeles	unknown gen	2	aud	2nd movie, color amateur video
77/06/27	Los Angeles	master	219	aud	taped by Mike Millard (AKG mics>Nakamichi Deck>master cassette)*
77/06/27	Los Angeles	1st gen	221	aud	AKG mics>Nakamichi Deck>master cassette>1st gen VHS
77/06/27	Los Angeles	unknown gen	184	aud	called Goldberg's source but in fact this is a copy of Millard's source and has more tape hiss
77/07/17	Seattle	master	127	aud	1st source
77/07/17	Seattle	unknown gen	207	aud	2nd source, taped by Stan Gutowski
77/07/17	Seattle	master	213	aud	3rd source, taped by Bill Bratton (Nakamichi mics>Sony portable cassette deck>BASF master cassette from 3/4 way back, 1/2 way up, stage right)
77/07/17	Seattle	master	209	sbd	pre-remix master tape (still not verified at all) taken from genuine video soundtrack and initially planned to be overdubbed by Page with Puff Daddy rapping over the actual music with the end result to be broadcast on BET, the project was aborted for some reasons
77/07/17	Seattle	2nd gen	210	pro	color professional video with actual sound shot to feed the large screens (the picture is degenerated a bit)
77/07/17	Seattle	unknown gen	18	pro	color professional video with actual sound shot to feed the large screens (the picture is degenerated a hair but much better than 2nd gen)
77/07/20	Tempe	1st gen	Near 90	aud	master>1st gen cassette, less tape hiss but more bassy (speed varies throughout)
77/07/20	Tempe	2nd gen	85	aud	master>1st gen cassette>2nd gen cassette (speed varies throughout)
77/07/23	Oakland	1st gen	163	aud	1st source, Bobby Whitfield source, master>1st gen VHS (runs a hair fast, correct speed is 167 mins.)
77/07/23	Oakland	3rd gen	167	aud	1st source, runs slow?
77/07/23	Oakland	4th gen	167	aud	1st source, runs a bit fast?
77/07/23	Oakland	unknown gen	Near 168	aud	1st source, cassette
77/07/23	Oakland	1st gen	139	aud	2nd source (radio shack mono tape recorder>master TDK low bias two 90-minute cassettes>1st gen Maxwell high bias two 100-minute cassettes)
77/07/23	Oakland	3rd gen	135	aud	2nd source
77/07/23	Oakland	1st gen	166	aud	3rd source, master cassette>1st gen cassette
77/07/23	Oakland	unknown gen	Near 9	aud	1st source, color amateur video without actual sound (some songs are out of order)
77/07/23	Oakland	unknown gen	1	aud	2nd source (color amateur video without actual sound)
77/07/24	Oakland	master?	148	aud	1st source, taped by Bobby Whitfield (EV 635 mics>SONY TCD-153SD>master cassette). Cannot be sure if master really exists.
77/07/24	Oakland	1st gen	149	aud	1st source, EV 635 mics>SONY TCD-153SD>master cassette>1st gen cassette (some copies appeared on VHS also)
77/07/24	Oakland	3rd gen	146	aud	1st source
77/07/24	Oakland	unknown gen	145	aud	2nd source (no source tape available, only silver pressed bootleg)
77/07/24	Oakland	master?	160	aud	3rd source, 8-track (supposed to be fake)
77/07/24	Oakland	1st gen	158	aud	3rd source

 

*Important Note: As reported, Millard hated bootleg companies and never willingly gave access to any of his tapes to be used. However the tapes he traded did find there way into the hands of various bootleg companies. Many of copies he did are marked by several micro cuts to protect the original tapes and not to gave any chance to the potential bootleggers to have a true, complete master recording. It is claimed that Millard destroyed some of his Led Zeppelin master tapes, though it is still believed his family have posession of a bulk of the tapes. As for now no bootleg was sourced from any of Millard master tapes. All were sourced directly from several 1st gen copies and every bootleg that stated its recording comes from Millard master is a false claim.