Date	Venue	Generation	Length	Source	Comments
77/04/03	Oklahoma City	master	180	aud	taped by Terry Coppage (Sony TC-55>Sony F27S external mic>master cassette)
77/04/03	Oklahoma City	2nd gen	180	aud	-
77/04/06	Chicago	1st gen	171	aud	Panasonic recorder>master cassette>1st gen cassette, Trampled Underfoot cut at the beginning (recorded from 12th row)
77/04/06	Chicago	2nd gen	177	aud	Trampled Underfoot cut at the beginning (recorded from 12th row)
77/04/06	Chicago	3rd gen	176	aud	w/complete Trampled Underfoot (still suspended) (recorded from 12th row)
77/04/07	Chicago	master	121	aud	master cassette (the Length is quite suspended)
77/04/07	Chicago	1st gen	101	aud	master cassette>1st gen reel
77/04/07	Chicago	5th gen	?	aud	-
77/04/09	Chicago	1st gen	62	aud	1st source
77/04/09	Chicago	4th gen	61	aud	1st source
77/04/09	Chicago	1st gen	62	aud	2nd source, master>1st gen Maxell XLII60 cassette
77/04/09	Chicago	2nd gen	60	aud	2nd source
77/04/09	Chicago	3rd gen	Near 59	aud	2nd source
77/04/09	Chicago	unknown gen	Almost 17	aud	color amateur video with actual sound
77/04/10	Chicago	1st gen	Near 149	aud	1st source, 1st gen cassette
77/04/10	Chicago	3rd gen	153	aud	1st source, missing Rock And Roll
77/04/10	Chicago	unknown gen	151	aud	1st source, missing Rock And Roll
77/04/10	Chicago	master	76	aud	2nd source
77/04/10	Chicago	1st gen	80	aud	2nd source (Darrin Muggli?)
77/04/10	Chicago	2nd gen	80	aud	2nd source, 2nd gen cassette
77/04/10	Chicago	unknown gen	4	aud	color amateur video without actual sound (taped by Jim Speedy)
77/04/19	Cincinnati	master?	96	aud	cannot be sure if master really exists
77/04/19	Cincinnati	1st gen	95	aud	1st gen cassette
77/04/19	Cincinnati	2nd gen	Near 96	aud	master>1st gen cassette>2nd gen 120 minute cassette
77/04/19	Cincinnati	3rd gen	60	aud	-
77/04/20	Cincinnati	3rd gen	99	aud	1st source, master>1st gen>2nd gen>3rd gen Maxell cassette
77/04/20	Cincinnati	1st gen	41	aud	2nd source, 1st gen cassette
77/04/23	Atlanta	1st gen	177	aud	-
77/04/23	Atlanta	2nd gen	180	aud	2nd gen cassette
77/04/25	Louisville	1st gen	168	aud	taped by Danny, Dual mic boom box>mster cassettes>1st gen back-up Type I cassettes (runs a bit slow)
77/04/27	Cleveland	1st gen	165	sbd	Master cassette>1st gen Maxell XLII cassettes. Two persons responsible for the transfer would coach the Seattle Kingdome video director on songs to be played at upcoming major shows. Basically he was "studying up" on song placement and solos to be expected. Having worked at both the Superdome and in Cleveland, he had friends at other venues. He simply asked a friend working the show in Cleveland to get him a copy of the show and fire it off to these people in Seattle. The guy brought in his home deck, walked up to the board, and being on the crew they plugged him in.
77/04/28	Cleveland	master?	165	aud	cassette (not confirmed it is really a master, runs a bit slow - the reason for cuts is because taper only had 60min. tapes)
77/04/28	Cleveland	2nd gen	165	aud	master cassette>1st gen cassette>2nd gen cassette (runs a hair slow - correct speed is near 163 mins.)
77/04/30	Pontiac	2nd gen	172	aud	Available as a 2nd gen cassette that runs a bit slow (clocks at 179:14) and as a 2nd gen with a fuller sound and correct speed (clocks at 172:37).
77/05/18	Birmingham	master	168	aud	1st source, taped by Terry Coppage (Sony TC-55>external mic>master cassette)
77/05/18	Birmingham	master	24	aud	color amateur video without actual sound, taped by Jim Speedy (master reel to reel - copy filmed off a white wall during a projection of the original reels is the only one being in circulation)
77/05/18	Birmingham	1st gen	171	aud	1st source, taped by Terry Coppage, runs a bit slow? (1st gen cassette)
77/05/18	Birmingham	master	171	aud	2nd source (the Length should be longer so it's supsended if real master really still exists or it's due to the old transfer as 2nd gen)
77/05/18	Birmingham	2nd gen	184	aud	2nd source, master>1st gen cassette>2nd gen cassette (this a new 2007 transfer - the old transfer is February 2004 and clocks at 165:16)
77/05/18	Birmingham	unknown gen	Almost 10	aud	color amateur video with actual sound (the official DVD has a snippet of this clip in the credits video)
77/05/19	Baton Rouge	unknown gen	Near 13	aud	color amateur video without actual sound
77/05/21	Houston	1st gen?	184	sbd	no source tape available, only silver pressed bootlegs
77/05/22	Fort Worth	master	60	aud	1st source
77/05/22	Fort Worth	3rd gen	62	aud	1st source
77/05/22	Fort Worth	2nd gen	72	aud	2nd source, 1st gen cassette>2nd gen cassette
77/05/22	Fort Worth	2nd gen	103	aud	3rd source, 1st gen cassette>2nd gen cassette
77/05/25	Landover	master	Almost 182	aud	Phillips handheld w/int cond mic>TDK D120 master cassette
77/05/25	Landover	2nd gen	178	aud	-
77/05/26	Landover	master	193	aud	Philips handheld w/int cond mic>TDK D120 master cassette
77/05/26	Landover	1st gen?	180	sbd	house mix (no source tape available, only silver pressed bootlegs)
77/05/26	Landover	1st gen	38	sbd	monitor mix (master>1st gen cassette)
77/05/28	Landover	master	191	aud	Philips handheld w/int cond mic>TDK D120 master cassette
77/05/28	Landover	1st gen?	184	sbd	no source tape available, only silver pressed bootleg
77/05/30	Landover	master	185	aud	Taped by Randy Faulkner, Phillips handheld w/int cond mic>Maxwell master cassette (runs a bit slow).
77/05/31	Greensboro	unknown gen	3	aud	color amateur video without actual sound
77/06/03	Tampa	master	17	aud	1st source, Aiwa mics>Marantz master cassette
77/06/03	Tampa	master	18	aud	2nd source, John Tsalikes source
77/06/03	Tampa	master	21	aud	3rd source, Cal's source
77/06/07	New York	master	175	aud	1st source, Artie's source (Sony TC-120 cassette) (reported to be not the master)
77/06/07	New York	1st gen	173	aud	1st source, Artie's source
77/06/07	New York	2nd gen	178	aud	2nd source, runs a bit fast
77/06/07	New York	3rd gen	172	aud	2nd source
77/06/08	New York	unknown gen	212	aud	1st source, Type II cassette (the Length is very supsended, it could be clocks at 189 mins.)
77/06/08	New York	master	?	aud	2nd source
77/06/08	New York	1st gen	119	aud	2nd source
77/06/08	New York	3rd gen	117	aud	2nd source, 3rd gen cassette
77/06/08	New York	3rd gen	117	aud	2nd source, 3rd gen cassette
77/06/10	New York	1st gen	215	aud	1st source, Artie's source (1st gen cassette) (originally it was taped on two separate cassettes and each side has a large amount of blank space after recording, but music clocks at 184 mins.)
77/06/10	New York	1st gen	126	aud	2nd source, 1st gen cassette
77/06/10	New York	unknown gen	152	aud	3rd source, cassette
77/06/10	New York	unknown gen	3	aud	color amateur video with actual sound
77/06/11	New York	master	126	aud	1st source, Panasonic RQ314S w/built-in condenser mic>TDK C-120 master cassette
77/06/11	New York	unknown low gen	170	aud	2nd source, Type I cassette (Sean is the owner of this low tape)
77/06/11	New York	2nd gen	180	aud	3rd source (2nd gen cassette) (originally it was taped on two Maxell XLII 90 cassettes and each side has some amount of blank space after recording, music clocks at 175 mins.)
77/06/11	New York	3rd gen	175	aud	3rd source, 2nd gen cassette>3rd gen VHS (has some parts cut that unknown gen doesn't and vice versa)
77/06/11	New York	unknown gen	168	sbd	3rd source, less complete and more hissy/muffled but has better high end (TDK D90 Type I cassette x2)
77/06/11	New York	1st gen	45	sbd	-
77/06/11	New York	unknown gen	30	aud	color amateur video with actual sound (some songs are from June 14th, 1977 and recorded by the same person)
77/06/13	New York	1st gen	190	aud	1st source, Artie's source (available as a Sony TC-120>master cassette>1st gen cassette (clocks at 190:39) and as a Sony TC-120>master cassette>1st gen cassette that is much clearer and 4 minutes shorter (clocks at 186:32))
77/06/13	New York	2nd gen	190	aud	1st source, Artie's source (Sony TC-120>master cassette>2nd gen cassette
77/06/13	New York	master	Near 137	aud	2nd source, taped by Tom Stanko (Memorex 120 and TDK SD C60 master cassettes). Per taper Moby Dick, Guitar Solo, Achilles Last Stand and Heartbreaker were recorded but they have been lost immediatley.
77/06/13	New York	unknown gen	58	aud	color amateur video with actual sound
77/06/14	New York	1st gen	Almost 118	aud	1st gen cassette
77/06/14	New York	2nd gen	121	aud	2nd gen AXIA PS2 high bias 90's cassette (sounds a bit brighter with more bass but also more distant than 1st gen)
77/06/14	New York	unknown gen	117	aud	Type I Cass (it slightly better than the 2nd gen and has also a much better high end but runs fast)
77/06/14	New York	unknown gen	30	aud	1st move, color amateur video with actual sound (some songs are from June 11th, 1977 and recorded by the same person)
77/06/14	New York	unknown gen	7	aud	2nd movie, color amateur video with and without actual sound
77/06/19	San Diego	master	160	aud	taped by Mike Millard (AKG mics>Nakamichi Deck>master cassette)*
77/06/19	San Diego	1st gen	160	aud	taped by Mike Millard (available as VHS and cassette transfers and length varies), runs slow a bit
77/06/19	San Diego	2nd gen	160	aud	taped by Mike Millard (runs slow a bit)
77/06/21	Los Angeles	master	196	aud	1st source, called Mike Millard source (AKG mics>Nakamichi Deck>master cassette)*
77/06/21	Los Angeles	1st gen	197	aud	1st source, called Mike Millard source (AKG mics>Nakamichi Deck>master cassette>1st gen Maxwell XLII 90 cassette
77/06/21	Los Angeles	unknown gen	?	aud	2nd source (only Ten Years Gone is common circulation)
77/06/22	Los Angeles	1st gen	45	aud	1st source, called Carl Gabe source (cassette)
77/06/22	Los Angeles	unknown gen	?	aud	2nd source, called Barry Goldberg source (cassette)
77/06/22	Los Angeles	unknown gen	?	aud	3rd source, called E. F. source (cassette)
77/06/22	Los Angeles	unknown gen	8	aud	4th source
77/06/22	Los Angeles	unknown gen	8	aud	color amateur video without actual sound
77/06/23	Los Angeles	vinyl	173	aud	1st source, original master tapes have been lost (the first two songs have some channel problems)
77/06/23	Los Angeles	master	168	aud	2nd source, taped by Mike Millard (AKG mics>Nakamichi Deck>master cassette) (reported that the show is incomplete because Mike forgot to press record until Since I've Been Loving You)*
77/06/23	Los Angeles	1st gen	Near 166	aud	2nd source, taped by Mike Millard (AKG mics>Nakamichi Deck>master cassette>1st gen VHS) (reported that the show is incomplete because Mike forgot to press record until Since I've Been Loving You)
77/06/23	Los Angeles	2nd gen	181	aud	3rd source, called Carl Gabe source
77/06/23	Los Angeles	2nd gen	189	aud	4th source, called Barry Goldberg source (cassette)
77/06/23	Los Angeles	2nd gen	Near 76	aud	5th source
77/06/23	Los Angeles	unknown gen	?	aud	6th source (can merely be a mislabeled version of one of the other known sources)
77/06/23	Los Angeles	unknown gen	12	sbd	7th source (aopy of tape from Page given to laser operator for Knebworth show)
77/06/23	Los Angeles	unknown gen	11	aud	1st movie, color amateur video without actual sound
77/06/23	Los Angeles	unknown gen	12	aud	2nd movie, color amateur video without actual sound
77/06/25	Los Angeles	master	212	aud	taped by Mike Millard (AKG mics>Nakamichi Deck>master cassette)*
77/06/25	Los Angeles	1st gen	Near 211	aud	taped by Mike Millard (AKG mics>Nakamichi Deck>master cassette>1st gen VHS)
77/06/25	Los Angeles	unknown gen	154	aud	called Goldberg's source but in fact this is a copy of Millard's source and has more tape hiss, better clarity and instrument separation (sometimes incorrectly attributed as 1st gen)
77/06/26	Los Angeles	1st gen	190	aud	1st source, The Song Remains The Same cut
77/06/26	Los Angeles	2nd gen	Almost 191	aud	1st source, sounds a bit brighter than the 1st gen but gets very hissy because of it - the 1st gen has little hiss while this one, runs noticeably too slow but has the complete The Song Remains The Same
77/06/26	Los Angeles	3rd gen	189	aud	1st source
77/06/26	Los Angeles	unknown gen	?	aud	2nd source
77/06/26	Los Angeles	unknown gen	21	aud	color amateur video taken from two different cameras with and without actual sound (shot by a roadie)
77/06/27	Los Angeles	master	219	aud	called Mike Millard source (AKG mics>Nakamichi Deck>master cassette)*
77/06/27	Los Angeles	1st gen	219	aud	called Mike Millard source (AKG mics>Nakamichi Deck>master cassette>1st gen VHS)
77/06/27	Los Angeles	unknown gen	184	aud	called Goldberg's source but in fact this is a copy of Millard's source and has more tape hiss, better clarity and instrument separation
77/07/17	Seattle	master	127	aud	1st source
77/07/17	Seattle	unknown gen	207	aud	2nd source (taped by Stan Gutowski)
77/07/17	Seattle	master	213	aud	3rd source, taped by Bill Bratton (Nakamichi mics>Sony portable cassette deck>BASF master cassette from 3/4 way back, 1/2 way up, stage right)
77/07/17	Seattle	unknown gen	210	sbd	only old source tape available as video soundtrack, new transfers only as silver pressed bootlegs
77/07/17	Seattle	2nd gen	210	pro	color professional video with actual sound shot to feed the large screens (the picture is degenerated a bit)
77/07/17	Seattle	unknown gen	18	pro	color professional video with actual sound shot to feed the large screens (the picture is degenerated a hair but much better than 2nd gen)
77/07/20	Tempe	1st gen	Near 90	aud	master>1st gen cassette, less tape hiss but more bassy (speed varies throughout)
77/07/20	Tempe	2nd gen	85	aud	master>1st gen cassette>2nd gen cassette (speed varies throughout)
77/07/23	Oakland	1st gen	163	aud	1st source, Bobby Whitfield source, master>1st gen VHS (runs a hair fast, correct speed is 167 mins.)
77/07/23	Oakland	3rd gen	167	aud	1st source
77/07/23	Oakland	4th gen	167	aud	1st source
77/07/23	Oakland	1st gen	139	aud	2nd source (radio shack mono tape recorder>master TDK low bias two 90-minute cassettes>1st gen Maxwell high bias two 100-minute cassettes)
77/07/23	Oakland	3rd gen	135	aud	2nd source
77/07/23	Oakland	unknown gen	Near 9	aud	1st source (color amateur video without actual sound)
77/07/23	Oakland	unknown gen	1	aud	2nd source (color amateur video without actual sound)
77/07/24	Oakland	master?	148	aud	1st source, Bobby Whitfield source (EV 635 mics>SONY TCD-153SD>master cassette). Cannot be sure if master really exists.
77/07/24	Oakland	1st gen	149	aud	1st source, Bobby Whitfield source (available as a EV 635 mics>SONY TCD-153SD>master cassette>1st gen cassette with noise reduction (clocks at 149:24) and as a EV 635 mics>SONY TCD-153SD>master cassette>1st gen VHS without noise reduction (clocks at 148:10))
77/07/24	Oakland	3rd gen	146	aud	1st source, Bobby Whitfield source (EV 635 mics>SONY TCD-153SD>master cassette>2nd gen>3rd gen)
77/07/24	Oakland	unknown gen	145	aud	2nd source (no source tape available, only silver pressed bootleg)
77/07/24	Oakland	master	160	aud	3rd source, 8-track
77/07/24	Oakland	1st gen	158	aud	3rd source

 

*Important Note: As reported, Millard hated bootleg companies and never willingly gave access to any of his tapes to be used. However the tapes he traded did find there way into the hands of various bootleg companies. Many of copies he did are marked by several micro cuts to protect the original tapes and not to gave any chance to the potential bootleggers to have a true, complete master recording. It is claimed that Millard destroyed some of his Led Zeppelin master tapes, though it is still believed his family have posession of a bulk of the tapes. As for now no bootleg was sourced from any of Millard master tapes. All were sourced directly from several 1st gen copies and every bootleg that stated its recording comes from Millard master is a false claim.