|
Date
|
Venue
|
Generation
|
Length
|
Source
|
Comments
|
|
75/01/12
|
Brussels
|
unknown
gen
|
108
|
aud
|
1st
source, cassette (first half runs slower than second - correct speed is
ca. 105 mins.)
|
|
75/01/12
|
Brussels
|
master
|
106
|
aud
|
2nd
source, runs just a tiny bit slow?
|
|
75/01/12
|
Brussels
|
2nd
gen
|
105
|
aud
|
2nd
source, runs just a tiny bit slow?
|
|
75/01/12
|
Brussels
|
3rd
gen
|
107
|
aud
|
2nd
source, runs just a tiny bit slow?
|
|
75/01/12
|
Brussels
|
master
|
108
|
aud
|
3rd
source, Sony Rec>BASF LH Super C120 master cassette (runs a bit slow
- correct speed is 105 mins.) (same taper as Brussels May 28th, 1972 and
June 20th, 1980)
|
|
75/01/20
|
Chicago
|
2nd
gen
|
109
|
aud
|
1st
source, cassette (songs out of propoer sequence). The intro up to 2:44
into Rock And Roll, How Many More Times and the introduction of Stairway
To Heaven are from January 21st, 1975.
|
|
75/01/20
|
Chicago
|
3rd
gen
|
76
|
aud
|
1st
source, much incomplete
|
|
75/01/20
|
Chicago
|
1st
gen
|
107
|
aud
|
2nd
source (Memorex Type 1 MRX2 Oxide 90 1st gen cassette x2)
|
|
75/01/21
|
Chicago
|
2nd
gen
|
16
|
aud
|
The
intro up to 2:44 into Rock And Roll, How Many More Times and the introduction
of Stairway To Heaven only.
|
|
75/01/21
|
Chicago
|
unknown
gen
|
15
|
aud
|
color
amateur video with actual sound
|
|
75/01/22
|
Chicago
|
1st
gen
|
122
|
aud
|
Memorex
Type 1 MRX2 Oxide 90 1st gen cassette x2
|
|
75/01/24
|
Cleveland
|
master?
|
149
|
aud
|
said
to be the master but still not verified at all, goes slower and slower
then towards the end it seems to go back up - correct speed is ca. 157
mins.
|
|
75/01/24
|
Cleveland
|
1st
gen
|
155
|
aud
|
runs
a hair slow but hasn't speed issues
|
|
75/01/25
|
Indianapolis
|
4th
gen
|
95
|
aud
|
-
|
|
75/01/29
|
Greensboro
|
1st
gen
|
137
|
aud
|
taped
by Billy Bradham (runs slow - correct speed is near 128 mins.)
|
|
75/01/29
|
Greensboro
|
2nd
gen
|
137
|
aud
|
runs
slow
|
|
75/01/31
|
Detroit
|
master?
|
131
|
aud
|
-
|
|
75/01/31
|
Detroit
|
unknown
gen
|
134
|
aud
|
more
complete than supposed master but has some speed issues in latter part
(Stairway To Heaven incorrrectly placed before How Many More Times)
|
|
75/02/03
|
New
York
|
1st
gen
|
152
|
aud
|
taped
by Artie Costanzo, Sony TC120>1st gen cassette (some copies may run
fast)
|
|
75/02/03
|
New
York
|
2nd
gen
|
150
|
aud
|
Sony
TC120>1st gen cassette>2nd gen cassette (runs a hair fast, correct
is 152 mins.)
|
|
75/02/04
|
New
York
|
master
|
80
|
aud
|
Taped
by Ed A. (runs a bit slow - correct speed is 76 mins.). Realistic C60
x 2 Master Cassette>Panasonic RQ209S portable cassette recorder (the
taper recorded it complete on four cheap cassettes while sitting in the
300s on the side directly perpendicular to the stage; the reason there
are only fragments of the show is because he lost one or two of the tapes
and the other reason is because back then he didn't want to spend the
money to buy new cassettes so actually recorded over segments of the show)
|
|
75/02/04
|
New
York
|
1st
gen
|
80
|
aud
|
1st
gen Type II cassette (runs a bit slow). It's very bassy, the 3rd gen has
high end but sounds distorted. This one is a bit smoother and has more
intro before Rock And Roll.
|
|
75/02/04
|
New
York
|
2nd
gen
|
78
|
aud
|
the
sound is bassy - it lacks the high end that the 3rd gen has
|
|
75/02/04
|
New
York
|
3rd
gen
|
Near
82
|
aud
|
cassette
(distant and hissy, runs a bit fast but has high end)
|
|
75/02/06
|
Montreal
|
2nd
gen
|
164
|
aud
|
faked
stereo
|
|
75/02/06
|
Montreal
|
unknown
gen
|
25
|
aud
|
colour
amateur video without actual sound, taped by Jim Speedy
|
|
75/02/07
|
New
York
|
unknown
gen
|
107
|
aud
|
1st
source, original tapes have been lost possibly, released on LP only (the
first two sides plays a hair faster)
|
|
75/02/07
|
New
York
|
1st
gen
|
110
|
aud
|
2nd
source, taped by Artie Costanzo (Sony TC120>1st gen cassette - some
copies are missing 40 seconds more Artie's screaming at the beginning
and does not include the announcer saying "the American return of
Led Zeppelin", also some runs a hair fast)
|
|
75/02/07
|
New
York
|
unknown
gen
|
18
|
live-on-stage
|
Color
professional video with actual sound (shot by a local TV crew for documentary).
Available as a standard three-song set and as a brief portion of Rock
And Roll in excellent quality, filming of the crowd, plus a brief interview
with Peter Grant and NBC commentary.
|
|
75/02/08
|
Philadelphia
|
1st
gen
|
151
|
aud
|
1st
source, cassette
|
|
75/02/08
|
Philadelphia
|
2nd
gen
|
155
|
aud
|
1st
source
|
|
75/02/08
|
Philadelphia
|
3rd
gen
|
155
|
aud
|
1st
source
|
|
75/02/08
|
Philadelphia
|
2nd
gen
|
128
|
aud
|
2nd
source, cassette
|
|
75/02/08
|
Philadelphia
|
unknown
gen
|
Almost
13
|
aud
|
color
amateur video without actual sound
|
|
75/02/10
|
Landover
|
master
|
169
|
aud
|
1st
source, Heartbreaker has speed issues from tape deterioration - correct
speed is 176 mins.
|
|
75/02/10
|
Landover
|
2nd
gen
|
108
|
aud
|
1st
source?
|
|
75/02/10
|
Landover
|
unknown
gen
|
82
|
aud
|
2nd
source (Maxell XL II 90 Type II cassette)
|
|
75/02/10
|
Landover
|
unknown
gen
|
3
|
aud
|
color
amateur video without actual sound
|
|
75/02/12
|
New
York
|
master
|
176
|
aud
|
1st
source, taped by Jerry Moore, Sony ECM33p's>SONY TC152>master Advent
Chrome C-90 cassettes, Center Rear Orchestra Six Rows Behind Soundboard.
Microphones On Pole Two Feet Above Head level
|
|
75/02/12
|
New
York
|
1st
gen
|
172
|
aud
|
2nd
source, taped by Artie Costanzo
|
|
75/02/12
|
New
York
|
master?
|
172
|
sbd
|
no
source tape available, only silver pressed bootlegs
|
|
75/02/13
|
New
York
|
master
|
149
|
aud
|
1st
source
|
|
75/02/13
|
New
York
|
1st
gen
|
182
|
aud
|
2nd
source (not sure if complete transfer is in circulation)
|
|
75/02/14
|
New
York
|
master
|
Almost
187
|
aud
|
1st
source, cassette (taped by Gregory Gunter)
|
|
75/02/14
|
New
York
|
1st
gen
|
Near
185
|
aud
|
1st
source
|
|
75/02/14
|
New
York
|
2nd
gen
|
183
|
aud
|
1st
source
|
|
75/02/14
|
New
York
|
low
gen
|
102
|
aud
|
2nd
source, supposed to be 5th gen
|
|
75/02/14
|
New
York
|
master?
|
196
|
sbd
|
no
source tape available, only silver pressed bootlegs
|
|
75/02/16
|
St.
Louis
|
master
|
108
|
aud
|
1st
source, 1969 Craig cassette recorder>Pasport Norm Bias C60 master cassette
x3
|
|
75/02/16
|
St.
Louis
|
master
|
Almost
152
|
aud
|
2nd
source (Handheld mic>Craig recorder>3M MFRD C60 normal bias master
cassette)
|
|
75/02/16
|
St.
Louis
|
master?
|
174
|
sbd
|
no
source tape available, only silver pressed bootleg
|
|
75/02/28
|
Baton
Rouge
|
master?
|
174
|
aud
|
taped
by Art Parr, runs a bit slow (reported to be no master for this show in
circulation, only low gen copies)
|
|
75/02/28
|
Baton
Rouge
|
1st
gen?
|
172
|
aud
|
runs
a bit slow?
|
|
75/02/28
|
Baton
Rouge
|
1st
gen?
|
166
|
sbd
|
-
|
|
75/02/28
|
Baton
Rouge
|
unknown
gen
|
30
|
aud
|
color
amateur video with actual sound
|
|
75/03/03
|
Fort
Worth
|
unknown
gen
|
4
|
aud
|
taped
by Andy (color amateur video without actual sound)
|
|
75/03/04
|
Dallas
|
master?
|
162
|
sbd
|
no
source tape available, only silver pressed bootlegs
|
|
75/03/04
|
Dallas
|
unknown
gen
|
9
|
aud
|
color
amateur video with actual sound
|
|
75/03/05
|
Dallas
|
master
|
181
|
aud
|
-
|
|
75/03/05
|
Dallas
|
1st
gen
|
186
|
aud
|
commonly
circulated as master, available as a version with noise reduction that
also runs a tiny bit slow and as clean version with tape hiss
|
|
75/03/05
|
Dallas
|
2nd
gen
|
185
|
aud
|
cassette
(sounds almost identical to the clean 1st gen however this one doesnt
saturate, the spectrum is clean here also)
|
|
75/03/05
|
Dallas
|
master?
|
178
|
sbd
|
no
source tape available, only silver pressed bootlegs
|
|
75/03/10
|
San
Diego
|
4th
gen
|
168
|
aud
|
Stairway
To Heaven through Black Dog slowed down. Seems after the last tape flip
the tape ran too fast making the band and Plant sound almost chipmunkish.
|
|
75/03/10
|
San
Diego
|
unknown
gen
|
158
|
aud
|
Maxell
XLL II 90 cassette x2 (speed issues throughout - correct speed is ca.
169 mins.)
|
|
75/03/11
|
Long
Beach
|
master
|
Near
164
|
aud
|
1st
source, taped by Mike Millard (AKG Mics>Nakamichi Deck>master cassette)*
|
|
75/03/11
|
Long
Beach
|
1st
gen
|
Near
163
|
aud
|
1st
source, AKG Mics>Nakamichi Deck>master cassette>1st gen Maxell
XL II C-90 cassette x2
|
|
75/03/11
|
Long
Beach
|
3rd
gen
|
162
|
aud
|
1st
source
|
|
75/03/11
|
Long
Beach
|
unknown
gen
|
94
|
aud
|
2nd
source, cassette (first half runs a bit slower than other - correct speed
is 92 mins.)
|
|
75/03/11
|
Long
Beach
|
master?
|
159
|
sbd
|
no
source tape available, only silver pressed bootlegs (runs a bit fast -
correct speed is 161 mins.)
|
|
75/03/12
|
Long
Beach
|
1st
gen
|
175
|
aud
|
1st
source, cassette (some copies differs a little bit with edits)
|
|
75/03/12
|
Long
Beach
|
3rd
gen
|
180
|
aud
|
1st
source
|
|
75/03/12
|
Long
Beach
|
master
|
Almost
34
|
aud
|
2nd
source, taped by Mike Millard (AKG Mics>Nakamichi Deck>master cassette)*
|
|
75/03/12
|
Long
Beach
|
1st
gen
|
Almost
34
|
aud
|
2nd
source, AKG Mics>Nakamichi Deck>master cassette>1st gen VHS
|
|
75/03/12
|
Long
Beach
|
3rd
gen
|
35
|
aud
|
2nd
source
|
|
75/03/12
|
Long
Beach
|
master
|
153
|
aud
|
3rd
source, end of Dazed And Confused, Stairway To Heaven and Whole Lotta
Love/Out On The Tiles Intro/Black Dog were recorded but due to big distortion
of tape removed from the transfer
|
|
75/03/11
|
Long
Beach
|
unknown
gen
|
3
|
aud
|
color
amateur video without actual sound
|
|
75/03/14
|
San
Diego
|
master?
|
174
|
sbd
|
no
source tape available, only silver pressed bootlegs
|
|
75/03/17
|
Seattle
|
3rd
gen
|
Near
32
|
aud
|
1st
source
|
|
75/03/17
|
Seattle
|
unknown
gen
|
34
|
aud
|
1st
source
|
|
75/03/17
|
Seattle
|
master
|
Almost
153
|
aud
|
2nd
source, taped by Stan Gutowski (external mic>Tandberg mono R2R>master
reel) (same taper as Seattle March 21st, 1975 1st source)
|
|
75/03/17
|
Seattle
|
master?
|
182
|
sbd
|
no
source tape available, only silver pressed bootlegs (runs a hair fast
- correct speed is 185 mins.)
|
|
75/03/17
|
Seattle
|
unknown
gen
|
3
|
aud
|
Color
amateur video without actual sound (commonly but incorrectly attributed
to March 21st, 1975 - some copies have sound synched). The official DVD
has a snippet of this clip in the credits video as well as in the Audio
menu of disc #2.
|
|
75/03/19
|
Vancouver
|
unknown
gen
|
?
|
aud
|
1st
source
|
|
75/03/19
|
Vancouver
|
master?
|
131
|
aud
|
2nd
source, some sources says claimed to be master but it's not verified (runs
just a tiny bit slow - correct speed is 129 mins.)
|
|
75/03/19
|
Vancouver
|
1st
gen
|
131
|
aud
|
2nd
source, runs a bit slow
|
|
75/03/19
|
Vancouver
|
2nd
gen
|
128
|
aud
|
2nd
source
|
|
75/03/19
|
Vancouver
|
master?
|
182
|
sbd
|
no
source tape available, only silver pressed bootlegs
|
|
75/03/20
|
Vancouver
|
1st
gen
|
165
|
aud
|
1st
source
|
|
75/03/20
|
Vancouver
|
1st
gen
|
Near
164
|
aud
|
2nd
source, cassette (runs a bit slow - correct speed is 157 mins.). At the
3/4 of Dazed And Confused sound progresses significantly so it likely
might be taken off from another source. The Rain Song and Trampled Underfoot
have also snippets of this tape. Not confirmed if these comes from lower
gen or new source though.
|
|
75/03/20
|
Vancouver
|
master
|
157
|
aud
|
3rd
source, taped by Lawrence Russell (extended figure 8 mic>Memorex MRX2
Oxide C90 & Sony FeCr C60 master cassettes). He also recorded Vancouver
July 18th, 1973 show.
|
|
75/03/20
|
Vancouver
|
master?
|
184
|
sbd
|
no
source tape available, only silver pressed bootlegs
|
|
75/03/21
|
Seattle
|
master
|
182
|
aud
|
1st
source (ext mic>Tandberg mono R2R @ 7 1/2 ips master reels) (same taper
(Stan Gutowski) as Seattle March 17th, 1975?). The taper said that he
simply situated recorder on top of a nearby stack of unused folding chairs
in the second tier of the huge arena and left recording while he returned
to his seat. The taper also transferred his March 21st, 1975 Seattle master
reel back in the early 1990's for a guy to analog cassette, and we got
a dub from him. (so some copies are master reel>1st gen cassette>2nd
gen cassette). Other than it being a bit bass heavy, it's superb. About
five years later, the taper had the master reel transferred again - this
time to DAT for we believe Mike Wolf. The later transfer to DAT sounds
as if either there was some alignment problems, or that the reel had deteriorated.
We've never seen or heard of the taper transferring his master reel to
VHS, but we could be wrong.
|
|
75/03/21
|
Seattle
|
2nd
gen
|
?
|
aud
|
1st
source (same taper (Stan Gutowski) as Seattle March 17th, 1975?)
|
|
75/03/21
|
Seattle
|
4th
gen
|
184
|
aud
|
1st
source, shorter Stairway To Heaven (same taper (Stan Gutowski) as Seattle
March 17th, 1975?) (ext mic>Tandberg mono R2R @ 7 1/2 ips master reels
(Stan Gutowski)>1st gen>2nd gen)
|
|
75/03/21
|
Seattle
|
1st
gen
|
193
|
aud
|
2nd
source, called Mike Tate and Mark Gorelick source (master cassettes>1st
gen open reels (two reels were used - the first recorded at 3.75 ips (9.5cm/sec),
the second at 7.5 ips (19cm/sec)), reported that master cassettes have
been lost)
|
|
75/03/10
|
San
Diego
|
unknown
gen
|
Almost
10
|
aud
|
Color
amateur video without actual sound. Often attributed to San Diego March
10th, 1975 (original song order incorrect - Trampled Underfoot placed
after Dazed And Confused).
|
|
75/03/24
|
Los
Angeles
|
master
|
186
|
aud
|
1st
source, taped by Mike Millard (AKG mics>Nakamichi Deck>master cassette)*
|
|
75/03/24
|
Los
Angeles
|
1st
gen
|
176
|
aud
|
1st
source, taped by Mike Millard (AKG Mics>Nakamichi Deck>master cassette>1st
gen cassette)
|
|
75/03/24
|
Los
Angeles
|
2nd
gen
|
153
|
aud
|
2nd
source
|
|
75/03/24
|
Los
Angeles
|
unknown
gen
|
24
|
aud
|
1st
color amateur video with actual sound (runs fast)
|
|
75/03/24
|
Los
Angeles
|
unknown
gen
|
8
|
aud
|
2nd
color amateur video without actual sound
|
|
75/03/25
|
Los
Angeles
|
master
|
184
|
aud
|
1st
source, taped by Mike Millard (AKG mics>Nakamichi Deck>master cassette)*
|
|
75/03/25
|
Los
Angeles
|
1st
gen
|
Almost
183
|
aud
|
1st
source, taped by Mike Millard (AKG Mics>Nakamichi Deck>master cassette>1st
gen cassette)
|
|
75/03/25
|
Los
Angeles
|
3rd
gen
|
186
|
aud
|
1st
source, taped by Mike Millard
|
|
75/03/25
|
Los
Angeles
|
unknown
gen
|
120
|
aud
|
2nd
source
|
|
75/03/25
|
Los
Angeles
|
unknown
gen
|
25
|
aud
|
1st
movie, color amateur video with actual sound (song order incorrect - Over
The Hills And Far Away placed after Trampled Underfoot)
|
|
75/03/25
|
Los
Angeles
|
unknown
gen
|
12
|
aud
|
2nd
movie, color amateur video with actual sound (Dazed And Confused out of
place)
|
|
75/03/25
|
Los
Angeles
|
unknown
gen
|
2
|
aud
|
3rd
movie, color amateur video without actual sound (most versions are either
silent either dubbed with sound form the March 27th, 1975 and they give
this clip the date of March 27th, 1975)
|
|
75/03/27
|
Los
Angeles
|
master
|
215
|
aud
|
1st
source, taped by Mike Millard (AKG mics>Nakamichi Deck>master cassette)*
|
|
75/03/27
|
Los
Angeles
|
1st
gen
|
Almost
218
|
aud
|
1st
source, taped by Mike Millard (AKG Mics>Nakamichi Deck>master cassette>1st
gen cassette)
|
|
75/03/27
|
Los
Angeles
|
1st
gen
|
214
|
aud
|
2nd
source, cassette (not verified if it is a low or high gen)
|
|
75/03/27
|
Los
Angeles
|
unknown
gen
|
226
|
aud
|
2nd
source, the Length is quite suspended
|
|
75/03/27
|
Los
Angeles
|
unknown
gen
|
10
|
aud
|
color
amateur video without actual sound (sometimes attributed to March 24th,
1975)
|
|
75/05/17
|
London
|
master
|
Near
196
|
aud
|
1st
source, cassette
|
|
75/05/17
|
London
|
master
|
Near
167
|
aud
|
2nd
source
|
|
75/05/17
|
London
|
master?
|
194
|
aud
|
2nd
source, the length is quite suspended
|
|
75/05/18
|
London
|
unknown
gen
|
Almost
40
|
aud
|
1st
source, reported that vinyl is the only true recording for this source
but still not confimred at all (supposed master clocks at 101 mins. and
surfaced only on silver pressed bootlegs)
|
|
75/05/18
|
London
|
master
|
Almost
56
|
aud
|
2nd
source
|
|
75/05/18
|
London
|
master
|
Near
142
|
aud
|
3rd
source
|
|
75/05/18
|
London
|
master
|
200
|
aud
|
4th
source, taped by Nigel Bradder (Cardioid Mics>portable Sanyo>BASF
LH-120 master cassette x2)
|
|
75/05/23
|
London
|
1st
gen
|
209
|
aud
|
1st
source
|
|
75/05/23
|
London
|
2nd
gen
|
198
|
aud
|
1st
source
|
|
75/05/23
|
London
|
4th
gen
|
202
|
aud
|
1st
source (runs a bit slow)
|
|
75/05/23
|
London
|
unknown
gen
|
198
|
aud
|
1st
source (TDK D 90 Type I cassette x 2 & TDK D 60 Type I cassette)
|
|
75/05/23
|
London
|
master
|
140
|
aud
|
2nd
source
|
|
75/05/23
|
London
|
1st
gen
|
Almost
137
|
aud
|
2nd
source
|
|
75/05/23
|
London
|
master
|
203
|
aud
|
3rd
source, cassette
|
|
75/05/24
|
London
|
unknown
gen
|
Near
106
|
aud
|
1st
source (also available No Quarter in much more worse quality but still
not confirmed if this track is taken from low gen or tapes have been lost
and released on LP only)
|
|
75/05/24
|
London
|
master
|
163
|
aud
|
2nd
source (No Quarter is from the 1st source and clocks with it at almost
187 minutes)
|
|
75/05/24
|
London
|
1st
gen
|
161
|
aud
|
2nd
source, 1st gen cassette (No Quarter is from the 1st source, with it clocks
at almost 185 minutes)
|
|
75/05/24
|
London
|
1st
gen
|
143
|
aud
|
3rd
source
|
|
75/05/24
|
London
|
master?
|
204
|
sbd
|
only
old source tape available as video soundtrack, new transfers only as silver
pressed bootlegs
|
|
75/05/24
|
London
|
unknown
gen
|
220
|
pro
|
Color
professional video with actual sound shot to feed the large screens. The
picture is degenerated on all of pre-2005 versions. The new version has
Trampled Underfoot, Moby Dick, Dazed And Confused, Stairway To Heaven
and Whole Lotta Love-Out On The Tiles Intro-Black Dog in really good quality
which means that tape generation is far closer to the master. DVD only
features In My Time Of Dying with some inserts edited.
|
|
75/05/25
|
London
|
2nd
gen
|
206
|
aud
|
1st
source, cassette (runs fast)
|
|
75/05/25
|
London
|
master
|
55
|
aud
|
2nd
source
|
|
75/05/25
|
London
|
master?
|
219
|
sbd
|
only
old source tape available as video soundtrack, new transfers only as silver
pressed bootlegs
|
|
75/05/25
|
London
|
unknown
gen
|
226
|
pro
|
Color
professional video with actual soundshot to feed the large screens. The
picture is degenerated on all of pre-Toasted Condor videos, also all of
videos were very incomplete. This newest version has the quality much
better and is obvious that it comes from very close to the master. The
footage of the songs used on the official DVD are slightly edited from
the original cut that can be seen on the bootlegs.
|
| *Important Note: As reported,
Millard hated bootleg companies and never willingly gave access to any of
his tapes to be used. However the tapes he traded did find there way into
the hands of various bootleg companies. Many of copies he did are marked
by several micro cuts to protect the original tapes and not to gave any
chance to the potential bootleggers to have a true, complete master recording. It is claimed that Millard destroyed some of his Led Zeppelin master tapes, though it is still believed his family have posession of a bulk of the tapes. As for now no bootleg was sourced from any of Millard master tapes. All were sourced directly from several 1st gen copies and every bootleg that stated its recording comes from Millard master is a false claim. |