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|
|
|
Date
|
Venue
|
Generation
|
Lenght
|
Source
|
Comments
|
|
75/01/12
|
Brussels
|
unknown
gen
|
108
|
aud
|
1st
source, cassette?
|
|
75/01/12
|
Brussels
|
2nd
gen
|
105
|
aud
|
2nd
source, runs a bit slow
|
|
75/01/12
|
Brussels
|
3rd
gen
|
107
|
aud
|
2nd
source, runs a bit slow?
|
|
75/01/12
|
Brussels
|
master
|
108
|
aud
|
3rd
source, Sony Rec>LH BASF120 master cassette (runs slow) (same taper
as Brussels May 28th, 1972 and June 20th, 1980)
|
|
75/01/20
|
Chicago
|
2nd
gen
|
Almost
126
|
aud
|
2nd
gen cassette
|
|
75/01/20
|
Chicago
|
3rd
gen
|
76
|
aud
|
-
|
|
75/01/21
|
Chicago
|
unknown
gen
|
14
|
aud
|
color
amateur video with actual sound
|
|
75/01/24
|
Cleveland
|
master?
|
Almost
157
|
aud
|
said
to be the master but still not verified at all, goes slower and slower
then towards the end it seems to go back up
|
|
75/01/24
|
Cleveland
|
1st
gen
|
158
|
aud
|
goes
slower and slower then towards the end it seems to go back up
|
|
75/01/25
|
Indianapolis
|
4th
gen
|
95
|
aud
|
-
|
|
75/01/29
|
Greensboro
|
1st
gen
|
137
|
aud
|
runs
slow
|
|
75/01/29
|
Greensboro
|
2nd
gen
|
137
|
aud
|
runs
slow
|
|
75/01/31
|
Detroit
|
master
|
131
|
aud
|
-
|
|
75/02/03
|
New
York
|
1st
gen
|
Near
144
|
aud
|
Artie's
source, available as a Sony TC120>1st gen cassette and runs a bit fast
(clocks at 142:42) and as a Sony TC120>1st gen cassette and it also
runs fast (clocks at 143:49)
|
|
75/02/03
|
New
York
|
2nd
gen
|
150
|
aud
|
Artie's
source, Sony TC120>2nd gen cassette (runs hair fast)
|
|
75/02/04
|
New
York
|
1st
gen
|
80
|
aud
|
1st
gen Type II cassette (runs a bit slow). It's very bassy, the 3rd gen has
highend but sounds distorted. This one is a bit smoother and has more
intro before Rock And Roll.
|
|
75/02/04
|
New
York
|
2nd
gen
|
78
|
aud
|
the
sound of this is more bassy - it lacks the highend that the 3rd gen has
|
|
75/02/04
|
New
York
|
3rd
gen
|
Near
82
|
aud
|
3rd
gen cassette (distant and hissy, runs a bit fast)
|
|
75/02/06
|
Montreal
|
2nd
gen
|
165
|
aud
|
stereo
reported to be faked
|
|
75/02/07
|
New
York
|
1st
gen
|
110
|
aud
|
Artie's
source, Sony TC120>1st gen cassette (clocks at 110:25) and as a Sony
TC120>1st gen cassette and there is 40 seconds more Artie's screaming
in the beginning and includes the announcer saying "the American
return of Led Zeppelin" which is missing on the other 1st gen so
this is a better choic, it runs a bit faster than other 1st gen (clocks
at 108:55)
|
|
75/02/07
|
New
York
|
unknown
gen
|
152
|
aud
|
-
|
|
75/02/07
|
New
York
|
unknown
gen
|
5
|
live-on-stage
|
Color
professional video with actual sound (shot by a local TV crew for documentary).
Available as a standard three-song set and with a brief portion of Rock
And Roll in excellent quality, filming of the crowd, plus a brief interview
with Peter Grant and NBC commentary. Half of the footage has a stamp on
the picture. Cosmic Energy's "Assemblage" is the only one featuring
footage of the crowd, after the gig.
|
|
75/02/08
|
Philadelphia
|
1st
gen
|
151
|
aud
|
1st
source, 1st gen cassette
|
|
75/02/08
|
Philadelphia
|
2nd
gen
|
155
|
aud
|
1st
source
|
|
75/02/08
|
Philadelphia
|
3rd
gen
|
155
|
aud
|
1st
source
|
|
75/02/08
|
Philadelphia
|
2nd
gen
|
128
|
aud
|
2nd
source, 2nd gen cassette
|
|
75/02/08
|
Philadelphia
|
unknown
gen
|
Almost
13
|
aud
|
color
amateur video without actual sound
|
|
75/02/10
|
Landover
|
master
|
169
|
aud
|
1st
source, speed problems during Heartbreaker, also tape married by some
distortions throughout
|
|
75/02/10
|
Landover
|
2nd
gen
|
108
|
aud
|
1st
source?
|
|
75/02/10
|
Landover
|
4th
gen
|
84
|
aud
|
2nd
source?
|
|
75/02/10
|
Landover
|
unknown
gen
|
3
|
aud
|
color
amateur video without actual sound
|
|
75/02/12
|
New
York
|
master
|
176
|
aud
|
1st
source, taped by Jerry Moore, Sony ECM33p's>SONY TC152>master Advent
Chrome C-90 cassettes, Center Rear Orchestra Six Rows Behind Soundboard.
Microphones On Pole Two Feet Above Head level
|
|
75/02/12
|
New
York
|
1st
gen
|
171
|
aud
|
2nd
source, Artie's source. Aavailable as a Sony TC-120 cassettes that runs
a bit fast (clocks at 161:50) and as a Sony TC-120 cassettes>1st gen
cassette that sounds lots better than other 1st gen and has less hiss
and is more complete and runs at correct speed (clocks at 172:03).
|
|
75/02/13
|
New
York
|
master
|
149
|
aud
|
1st
source, missing The Song Remains The Same, The Rain Song, Kashmir, Roll
Over Beethoven tease and Communication Breakdown
|
|
75/02/13
|
New
York
|
1st
gen
|
149
|
aud
|
1st
source, Sm's 2 x Maxell XLII 100's cassettes
|
|
75/02/13
|
New
York
|
1st
gen
|
182
|
aud
|
2nd
source
|
|
75/02/13
|
New
York
|
unknown
gen
|
?
|
?
|
3rd
source
|
|
75/02/14
|
New
York
|
master?
|
Almost
187
|
aud
|
1st
source, possibly low gen not the real master
|
|
75/02/14
|
New
York
|
1st
gen
|
Near
185
|
aud
|
1st
source, 1st gen tape
|
|
75/02/14
|
New
York
|
2nd
gen
|
183
|
aud
|
1st
source, 2nd tape
|
|
75/02/14
|
New
York
|
low
gen
|
102
|
aud
|
2nd
source, supposed to be 5th gen
|
|
75/02/16
|
St.
Louis
|
master
|
108
|
aud
|
1st
source, master cassette
|
|
75/02/16
|
St.
Louis
|
master
|
Almost
152
|
aud
|
2nd
source (Handheld mic>Craig recorder>3M MFRD C60 normal bias master
cassette)
|
|
75/02/16
|
St.
Louis
|
1st
gen?
|
174
|
sbd
|
-
|
|
75/02/28
|
Baton
Rouge
|
master?
|
174
|
aud
|
taped
by Freezer, runs a bit slow (reported to be no master of this show, only
high gen copies)
|
|
75/02/28
|
Baton
Rouge
|
1st
gen?
|
172
|
aud
|
taped
by Freezer, runs a bit slow? (reported to be no low gens of this show,
only high gen copies)
|
|
75/03/04
|
Dallas
|
1st
gen?
|
162
|
sbd
|
-
|
|
75/03/04
|
Dallas
|
unknown
gen
|
4
|
aud
|
color
amateur video with actual sound
|
|
75/03/05
|
Dallas
|
master
|
181
|
aud
|
-
|
|
75/03/05
|
Dallas
|
1st
gen
|
186
|
aud
|
Ccommonly
circulated as master, available as a version with noise reduction that
also runs a tiny bit slow (clocks at 185:12) and a clean version with
tape hiss (clockst at 186:02).
|
|
75/03/05
|
Dallas
|
2nd
gen
|
185
|
aud
|
2nd gen cassette (sounds almost identical to the clean 1st gen however
this one doesnt saturate, the spectrum is clean here also - I suspect
the other 1st gen is actually a remastered version of this 2nd gen)
|
|
75/03/05
|
Dallas
|
1st
gen?
|
174
|
sbd
|
-
|
|
75/03/10
|
San
Diego
|
4th
gen
|
168
|
aud
|
Stairway
To Heaven through Black Dog slowed down -4.00%. Seems after the last tape
flip the tape ran too fast making the band and Plant sound almost chipmunkish.
Also available as Presence (Jason Peterson) remaster.
|
|
75/03/10
|
San
Diego
|
unknown
gen
|
158
|
aud
|
-
|
|
75/03/10
|
San
Diego
|
unknown
gen
|
Almost
10
|
aud
|
color
amateur video without actual sound (original song order incorrect - Trampled
Underfoot placed after Dazed And Confused)
|
|
75/03/11
|
Long
Beach
|
master
|
Near
164
|
aud
|
1st
source, called Mike Millard source (AKG Mics>Nakamichi Deck>master
cassette)*
|
|
75/03/11
|
Long
Beach
|
1st
gen
|
160
|
aud
|
1st
source, called Mike Millard source (AKG Mics>Nakamichi Deck>master
cassette>1st gen cassette) (at least two different copys of the master
exists, one has longer introduction but sounds a touch worse than the
other one)
|
|
75/03/11
|
Long
Beach
|
3rd
gen
|
162
|
aud
|
1st
source, called Mike Millard source
|
|
75/03/11
|
Long
Beach
|
master
|
92
|
aud
|
2nd
source (runs a bit slow)
|
|
75/03/11
|
Long
Beach
|
unknown
gen
|
3
|
aud
|
color
amateur video without actual sound
|
|
75/03/12
|
Long
Beach
|
1st
gen
|
175
|
aud
|
1st
source, 1st gen cassette
|
|
75/03/12
|
Long
Beach
|
3rd
gen
|
180
|
aud
|
1st
source
|
|
75/03/12
|
Long
Beach
|
master
|
34
|
aud
|
2nd
source, called Mike Millard source (AKG Mics>Nakamichi Deck>master
cassette)*
|
|
75/03/12
|
Long
Beach
|
1st
gen
|
36
|
aud
|
2nd
source, called Mike Millard source (AKG Mics>Nakamichi Deck>master
cassette>1st gen VHS)
|
|
75/03/12
|
Long
Beach
|
3rd
gen
|
35
|
aud
|
2nd
source, called Mike Millard source
|
|
75/03/14
|
San
Diego
|
1st
gen?
|
174
|
sbd
|
-
|
|
75/03/17
|
Seattle
|
3rd
gen
|
Near
32
|
aud
|
1st
source
|
|
75/03/17
|
Seattle
|
unknown
gen
|
34
|
aud
|
1st
source
|
|
75/03/17
|
Seattle
|
master
|
Almost
153
|
aud
|
2nd
source (ext mic>Tandberg mono R2R>master reel) (same taper (Stan
Gutowski) as Seattle March 21st, 1975?)
|
|
75/03/17
|
Seattle
|
unknown
gen
|
3
|
aud
|
Color
amateur video without actual sound (commonly but incorrectly attributed
to March 21st, 1975). The official DVD has a snippet of this clip in the
credits video as well as in the Audio menu of DVD #2.
|
|
75/03/19
|
Vancouver
|
master?
|
131
|
aud
|
1st
source, some sources reportrs that claimed to be master but is not verified,
also runs just a bit slow
|
|
75/03/19
|
Vancouver
|
1st
gen
|
131
|
aud
|
1st
source, runs a bit slow
|
|
75/03/19
|
Vancouver
|
2nd
gen
|
128
|
aud
|
1st
source
|
|
75/03/19
|
Vancouver
|
unknown
gen
|
?
|
aud
|
2nd
source
|
|
75/03/19
|
Vancouver
|
1st
gen?
|
182
|
sbd
|
-
|
|
75/03/20
|
Vancouver
|
master
|
157
|
aud
|
1st
source, taped by Lawrence Russell, no Stairway To Heaven (ext figure 8
mic>Sony TC-126>2xTDK Chrome master cassette)
|
|
75/03/20
|
Vancouver
|
1st
gen
|
163
|
aud
|
1st
source, taped by Lawrence Russell (more complete than master?!). Another
low gen tape (supposed to be 1st gen tape) exists and claims to be from
the master but is not true. The owner of the masters says only a 1st gen
tape was traded with the complete show. This one is complete so it can't
be from the master. So it should be 1st or higher gen. This one has Moby
Dick cut which shouldn't be. The taper went to the bathroom and took the
recorder with him. This was most likely the reason for the cut in Moby
Dick. Really suspended.
|
|
75/03/20
|
Vancouver
|
1st
gen
|
165
|
aud
|
2nd
source
|
|
75/03/21
|
Seattle
|
master
|
182
|
aud
|
1st
source (ext mic>Tandberg mono R2R @ 7 1/2 ips master reels) (same taper
(Stan Gutowski) as Seattle March 17th, 1975?). The taper said that he
simply situated recorder on top of a nearby stack of unused folding chairs
in the second tier of the huge arena and left recording while he returned
to his seat. The taper also transferred his March 21st, 1975 Seattle master
reel back in the early 1990's for a guy to analog cassette, and we got
a dub from him. (so some copies are master reel>1st gen cassette>2nd
gen cassette). Other than it being a bit bass heavy, it's superb. About
five years later, the taper had the master reel transferred again - this
time to DAT for we believe Mike Wolf (Datfly). The later transfer to DAT
sounds as if either there was some alignment problems, or that the reel
had deteriorated. We've never seen or heard of the taper transferring
his master reel to VHS, but we could be wrong.
|
|
75/03/21
|
Seattle
|
2nd
gen
|
?
|
aud
|
1st
source (same taper (Stan Gutowski) as Seattle March 17th, 1975?)
|
|
75/03/21
|
Seattle
|
4th
gen
|
184
|
aud
|
1st
source, shorter Stairway To Heaven (same taper (Stan Gutowski) as Seattle
March 17th, 1975?) (ext mic>Tandberg mono R2R @ 7 1/2 ips master reels
(Stan Gutowski)>1st gen>2nd gen)
|
|
75/03/21
|
Seattle
|
1st
gen
|
193
|
aud
|
2nd
source, called Mike Tate and Mark Gorelick source (master cassettes>1st
gen open reels (two reels were used - the first recorded at 3.75 ips (9.5cm/sec),
the second at 7.5 ips (19cm/sec)), reported that master cassettes have
been lost) (also available as Presence (Jason Peterson) clone)
|
|
75/03/24
|
Los
Angeles
|
master
|
186
|
aud
|
1st
source, called Mike Millard source (AKG mics>Nakamichi Deck>master
cassette)*
|
|
75/03/24
|
Los
Angeles
|
1st
gen
|
184
|
aud
|
1st
source, called Mike Millard source (AKG Mics>Nakamichi Deck>master
cassette>1st gen cassette)
|
|
75/03/24
|
Los
Angeles
|
2nd
gen
|
154
|
aud
|
2nd
source
|
|
75/03/24
|
Los
Angeles
|
unknown
gen
|
24
|
aud
|
color
amateur video with actual sound (runs fast)
|
|
75/03/25
|
Los
Angeles
|
master
|
184
|
aud
|
1st
source, called Mike Millard (AKG mics>Nakamichi Deck>master cassette)*
|
|
75/03/25
|
Los
Angeles
|
1st
gen
|
183
|
aud
|
1st
source, called Mike Millard (AKG Mics>Nakamichi Deck>master cassette>1st
gen cassette)
|
|
75/03/25
|
Los
Angeles
|
3rd
gen
|
186
|
aud
|
1st
source, called Mike Millard
|
|
75/03/25
|
Los
Angeles
|
unknown
gen
|
120
|
aud
|
2nd
source
|
|
75/03/25
|
Los
Angeles
|
unknown
gen
|
25
|
aud
|
1st
movie, color amateur video with actual sound (song order incorrect - Over
The Hills And Far Away placed after Trampled Underfoot)
|
|
75/03/25
|
Los
Angeles
|
unknown
gen
|
12
|
aud
|
2nd
movie, color amateur video with actual sound
|
|
75/03/25
|
Los
Angeles
|
unknown
gen
|
2
|
aud
|
3rd
movie, color amateur video without actual sound (most versions are either
silent either dubbed with sound form the March 27th, 1975 and they give
this clip the date of March 27th, 1975)
|
|
75/03/27
|
Los
Angeles
|
master
|
215
|
aud
|
1st
source, called Mike Millard source (AKG mics>Nakamichi Deck>master
cassette)*
|
|
75/03/27
|
Los
Angeles
|
1st
gen
|
212
|
aud
|
1st
source, called Mike Millard source (AKG Mics>Nakamichi Deck>master
cassette>1st gen cassette)
|
|
75/03/27
|
Los
Angeles
|
1st
gen
|
214
|
aud
|
2nd
source, cassette (not verified if it is a low or high gen)
|
|
75/03/27
|
Los
Angeles
|
unknown
gen
|
226
|
aud
|
2nd
source, the lenght is quite suspended
|
|
75/03/27
|
Los
Angeles
|
unknown
gen
|
8
|
aud
|
color
amateur video without actual sound (sometimes attributed to March 24th,
1975)
|
|
75/05/17
|
London
|
master
|
Almost
196
|
aud
|
1st
source
|
|
75/05/17
|
London
|
master
|
Near
167
|
aud
|
2nd
source
|
|
75/05/17
|
London
|
master?
|
194
|
aud
|
2nd
source, the lenght is quite suspended
|
|
75/05/18
|
London
|
unknown
gen
|
?
|
aud
|
1st
source, reported that vinyl is the only true recording for this source
but still not confimred at all (vinyl clocks at 39:42 while "master"
on 101 mins.)
|
|
75/05/18
|
London
|
master
|
56
|
aud
|
2nd
source
|
|
75/05/18
|
London
|
master
|
Near
142
|
aud
|
3rd
source
|
|
75/05/18
|
London
|
master
|
199
|
aud
|
4th
source, taped by Nigel B. (Cardioid Mics>Portable Sanyo>BASF LH-120
master cassette x2) (also there was an edited remastered version of 187:16)
|
|
75/05/23
|
London
|
1st
gen
|
209
|
aud
|
1st
source
|
|
75/05/23
|
London
|
2nd
gen
|
198
|
aud
|
1st
source
|
|
75/05/23
|
London
|
master
|
140
|
aud
|
2nd
source
|
|
75/05/23
|
London
|
1st
gen
|
Almost
137
|
aud
|
2nd
source
|
|
75/05/23
|
London
|
master
|
203
|
aud
|
3rd
source
|
|
75/05/24
|
London
|
1st
gen
|
208
|
aud
|
1st
source (1st gen cassette, not sure if No Quarter is from the same source)
|
|
75/05/24
|
London
|
1st
gen
|
Near
144
|
aud
|
2nd
source
|
|
75/05/24
|
London
|
1st
gen?
|
204
|
sbd
|
-
|
|
75/05/24
|
London
|
unknown
gen
|
220
|
pro
|
Color
professional video with actual sound shot to feed the large screens. The
picture is degenerated on all of pre-2005 versions. The new version has
Trampled Underfoot, Moby Dick, Dazed And Confused, Stairway To Heaven
and Whole Lotta Love-Out On The Tiles Intro-Black Dog in really good quality
which means that tape generation is far closer to the master. DVD only
features In My Time Of Dying with some inserts edited.
|
|
75/05/25
|
London
|
2nd
gen
|
206
|
aud
|
2nd
gen cassette, runs fast
|
|
75/05/25
|
London
|
2nd
gen
|
219
|
sbd
|
audio
source of video soundtrack
|
|
75/05/25
|
London
|
unknown
gen
|
226
|
pro
|
Color
professional video with actual soundshot to feed the large screens. The
picture is degenerated on all of pre-Toasted Condor videos, also all of
videos were very incomplete. This newest version has the quality much
better and is obvious that it comes from very close to the master. The
footage of the songs used on the official DVD are slightly edited from
the original cut that can be seen on the bootlegs.
|