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|
|
|
Date
|
Venue
|
Generation
|
Lenght
|
Source
|
Comments
|
|
73/01/02
|
Sheffield
|
3rd
gen?
|
115
|
aud
|
-
|
|
73/01/07
|
Oxford
|
4th
gen
|
Almost
94
|
sbd
|
-
|
|
73/01/07
|
Oxford
|
1st
gen
|
Almost
94
|
sbd
|
-
|
|
73/01/14
|
Liverpool
|
1st
gen
|
?
|
sbd
|
-
|
|
73/01/14
|
Liverpool
|
2nd
gen
|
120
|
sbd
|
-
|
|
73/01/14
|
Liverpool
|
unknown
gen
|
119
|
sbd
|
-
|
|
73/01/15
|
Stoke
|
1st
gen
|
110
|
sbd
|
Available
as a master reel>1st gen reel (clocks at 108:36) and 1st gen (runs
slightly fast but it's longer and clocks at 110:31).
|
|
73/01/18
|
Bradford
|
2nd
gen
|
Almost
120
|
aud
|
without
Immigrant Song
|
|
73/01/18
|
Bradford
|
unknown
gen
|
125
|
aud
|
with
Immigrant Song but incomplete Stairway To Heaven
|
|
73/01/18
|
Bradford
|
1st
gen
|
Near
50
|
sbd
|
-
|
|
73/01/22
|
Southampton
|
master?
|
152
|
sbd
|
Multi-track
prepared by Kevin Shirley for How The West Was Won but then abandoned
instead of Los Angeles and Long Beach 1972 (stolen from JP's archives?).
|
|
73/01/25
|
Aberdeen
|
unknown
gen
|
142
|
aud
|
with
What Is And What Should Never Be
|
|
73/01/25
|
Aberdeen
|
unknown
gen
|
126
|
aud
|
without
What Is And What Should Never Be?
|
|
73/01/27
|
Dundee
|
2nd
gen
|
45
|
aud
|
-
|
|
73/01/27
|
Dundee
|
3rd
gen
|
44
|
aud
|
-
|
|
73/01/27
|
Dundee
|
4th
gen
|
45
|
aud
|
-
|
|
73/01/27
|
Dundee
|
5th
gen
|
?
|
aud
|
-
|
|
73/01/27
|
Dundee
|
1st
gen
|
Almost
37
|
sbd
|
-
|
|
73/01/28
|
Edinburgh
|
master
|
48
|
aud
|
-
|
|
73/01/30
|
Preston
|
master
|
125
|
aud
|
-
|
|
73/03/06
|
Stockholm
|
master
|
141
|
aud
|
-
|
|
73/03/06
|
Stockholm
|
2nd
gen
|
141
|
aud
|
-
|
|
73/03/14
|
Nuremburg
|
1st
gen
|
Near
128
|
aud
|
1st
gen cassette
|
|
73/03/14
|
Nuremburg
|
2nd
gen
|
127
|
aud
|
-
|
|
73/03/14
|
Nuremburg
|
3rd
gen
|
126
|
aud
|
-
|
|
73/03/16
|
Vienna
|
master
|
90
|
aud
|
1st
source, without The Song Remains The Same, part of Whole Lotta Love medley
and Heartbreaker
|
|
73/03/16
|
Vienna
|
1st
gen
|
90
|
aud
|
1st
source, copied in 1977-79
|
|
73/03/16
|
Vienna
|
2nd
or 3rd gen
|
90
|
aud
|
1st
source, 2nd or 3rd gen cassette
|
|
73/03/16
|
Vienna
|
master
|
124
|
aud
|
2nd
source, taped by Matthias Messmer (Sony Mics>R2R UHER Report>Master)
(runs a bit fast)
|
|
73/03/16
|
Vienna
|
1st
gen
|
129
|
aud
|
3rd
source
|
|
73/03/16
|
Vienna
|
3rd
gen
|
129
|
aud
|
3rd
source
|
|
73/03/16
|
Vienna
|
master
|
120
|
aud
|
4th
source
|
|
73/03/16
|
Vienna
|
1st
gen
|
60
|
sbd
|
Available
as a 1st gen cassette (clocks at 59:53) and 1st gen (sounds a bit crispier
and clocks at 60:10).
|
|
73/03/17
|
Munich
|
master
|
Near
135
|
aud
|
1st
source, cassette x3 (taped by Werner W. aka Bubif). The taper used a new
C90 tape for the first 90 minutes of the show, then re-used 2 old tapes
for the remaining 50 minutes of the show.
|
|
73/03/17
|
Munich
|
master
|
131
|
aud
|
2nd
source, cassette
|
|
73/03/19
|
Berlin
|
master?
|
125
|
aud
|
1st
source, cannot be sure if master really exists but for almost sure it
is no available (same lenght as 4th gen)
|
|
73/03/19
|
Berlin
|
2nd
gen
|
132
|
aud
|
1st
source, master reel>2nd gen cassette (2x Maxwell XLII 90's). There
was also 1st gen false transfer which is actually 2nd gen.
|
|
73/03/19
|
Berlin
|
3rd
gen
|
126
|
aud
|
1st
source
|
|
73/03/19
|
Berlin
|
4th
gen
|
125
|
aud
|
1st
source
|
|
73/03/19
|
Berlin
|
2nd
gen
|
85
|
aud
|
2nd
source
|
|
73/03/19
|
Berlin
|
3rd
gen
|
87
|
aud
|
2nd
source
|
|
73/03/19
|
Berlin
|
master
|
137
|
aud
|
3rd
source? (reel)
|
|
73/03/19
|
Berlin
|
1st
gen
|
Near
23
|
sbd
|
-
|
|
73/03/21
|
Hamburg
|
unknown
gen
|
108
|
aud
|
-
|
|
73/03/21
|
Hamburg
|
1st
gen
|
56
|
sbd
|
-
|
|
73/03/22
|
Essen
|
1st
gen
|
Near
95
|
aud
|
1st
source (available as a 1st gen (clocks at 94:44) and as a 1st gen TDK
SA90 cassette copied in 1977-79 (clocks at 92:43))
|
|
73/03/22
|
Essen
|
3rd
gen
|
91
|
aud
|
1st
source
|
|
73/03/22
|
Essen
|
1st
gen
|
Almost
102
|
aud
|
2nd
source (taped by Enno Jansen, recorded from the floor, approx. 30 feet
in a front of the stage), external mono mic>SABA cassette recorded>BASF
C-120 master cassette>Uher reel. The recorder ate the BASF C-120 master
tape so the middle part of the concert is absent. The master cassette
was transferred to an Uher reel tape in spring 1973 and has then been
tossed away.
|
|
73/02/22
|
Essen
|
1st
gen
|
51
|
sbd
|
-
|
|
73/03/24
|
Offenburg
|
unknown
gen
|
120
|
aud
|
1st
source, supposed to be 2nd gen or lower, (TDK cassette)
|
|
73/03/24
|
Offenburg
|
master
|
126
|
aud
|
2nd
source (H. Bahro's mono open master reel), another copy described as master
has 137 lenght
|
|
73/03/24
|
Offenburg
|
4th
gen
|
129
|
aud
|
2nd
source
|
|
73/03/26
|
Lyon
|
unknown
gen
|
35
|
aud
|
-
|
|
73/03/27
|
Nancy
|
master
|
104
|
aud
|
Phillips
C-120 master cassette
|
|
73/04/01
|
Paris
|
3rd gen
|
119
|
aud
|
1st
source, reel (Lindeman)>1st gen cassette>2nd gen cassette (runs
a bit fast)
|
|
73/04/01
|
Paris
|
unknown
gen
|
30
|
aud
|
2nd
source
|
|
73/04/02
|
Paris
|
unknown
gen
|
103
|
aud
|
1st
source
|
|
73/04/02
|
Paris
|
3rd
gen
|
Near
99
|
aud
|
2nd
source, master>1st gen>2nd gen>3rd gen
|
|
73/05/05
|
Tampa
|
master
|
136
|
aud
|
1st
source (called John Tsalikes source), Aiwa mics>Marantz Recorder>master
cassette
|
|
73/05/05
|
Tampa
|
2nd
gen
|
137
|
aud
|
1st
source (called John Tsalikes source), Aiwa mics>Marantz Recorder>master
cassette
|
|
73/05/05
|
Tampa
|
master
|
122
|
aud
|
2nd
source, master cassette (called Cal's source, taper stopped the recorder
between songs)
|
|
73/05/05
|
Tampa
|
unknown
gen
|
3.5
|
aud
|
Color
professional video with and without actual sound (shot by a NBC TV crew
for documentary). Studio version of Misty Mountain Hop voice over on the
The Song Remains The Same 2007 edition - a version synched up with the
audience recording circulates on its own.
|
|
73/05/13
|
Mobile
|
1st
gen
|
114
|
sbd
|
master>1st
gen reel
|
|
73/05/13
|
Mobile
|
1st
or 3rd gen
|
116
|
sbd
|
circulates
as a 1st gen but the owner of the tape says it may be 3rd gen
|
|
73/05/13
|
Mobile
|
3rd
gen
|
115
|
sbd
|
Maxwell
Type II 3rd gen cassette
|
|
73/05/14
|
New
Orleans
|
master?
|
151
|
aud
|
taped
by Freezer (cassette x2)
|
|
73/05/14
|
New
Orleans
|
1st
gen
|
149
|
sbd
|
1st
gen cassette
|
|
73/05/16
|
Houston
|
master
|
144
|
aud
|
taped
by Sherman Mickissack, Type I master cassette x3
|
|
73/05/16
|
Houston
|
1st
gen
|
144
|
aud
|
taped
by Sherman Mickissack
|
|
73/05/16
|
Houston
|
2nd
gen
|
138
|
aud
|
taped
by Sherman Mickissack, 2nd gen cassette
|
|
73/05/16
|
Houston
|
3rd
gen
|
142
|
aud
|
taped
by Sherman Mickissack
|
|
73/05/16
|
Houston
|
4th
gen
|
?
|
aud
|
taped
by Sherman Mickissack
|
|
73/05/16
|
Houston
|
master
|
62
|
sbd
|
master
cassette
|
|
73/05/16
|
Houston
|
unknown
gen
|
61
|
sbd
|
not
from any CD
|
|
73/05/18
|
Dallas
|
1st
gen
|
Almost
104
|
sbd
|
master
reel>1st gen cassette (also available as Presence (Jason Peterson)
clone)
|
|
73/05/18
|
Dallas
|
1st
gen
|
102
|
sbd
|
-
|
|
73/05/19
|
Fort
Worth
|
1st
gen?
|
102
|
sbd
|
master>1st
gen? (still not verified if this is 1st or 3rd gen, most likely it is
a 3rd gen)
|
|
73/05/25
|
Denver
|
master
|
26
|
sbd
|
master
cassette
|
|
73/05/25
|
Denver
|
unknown
gen
|
27
|
sbd
|
-
|
|
73/05/26
|
Salt
Lake City
|
unknown
gen
|
109
|
aud
|
-
|
|
73/05/26
|
Salt
Lake City
|
master
|
166
|
sbd
|
master
cassette
|
|
73/05/28
|
San
Diego
|
master
|
124
|
sbd
|
master
cassette
|
|
73/05/28
|
San
Diego
|
1st
gen
|
114
|
sbd
|
no
Dazed And Confused here
|
|
73/05/31
|
Los
Angeles
|
1st
gen
|
127
|
aud
|
1st
source, called TMOQ source (master>1st gen reel)
|
|
73/05/31
|
Los
Angeles
|
3rd
gen
|
148
|
aud
|
2nd
source
|
|
73/05/31
|
Los
Angeles
|
4th
gen
|
147
|
aud
|
2nd
source
|
|
73/05/31
|
Los
Angeles
|
master?
|
144
|
aud
|
3rd
source (cannot be sure if master really exists)
|
|
73/05/31
|
Los
Angeles
|
1st
gen
|
135
|
aud
|
3rd
source, 1st gen cassette (runs too fast)
|
|
73/05/31
|
Los
Angeles
|
2nd
gen
|
135
|
aud
|
3rd
source, 1st gen cassette>2nd gen cassette (runs too fast)
|
|
73/05/31
|
Los
Angeles
|
master
|
106
|
sbd
|
master
cassette
|
|
73/05/31
|
Los
Angeles
|
unknown
gen
|
3
|
aud
|
color
amateur video without actual sound (most versions are dubbed with the
June 3th, 1973 audience)
|
|
73/06/02
|
San
Francisco
|
master
|
Near
137
|
aud
|
available
as a master cassette (runs a bit fast and clocks at 136:40) and a master
reel (?) (runs a bit fast and clocks at 136:50) (taped by R. C.)
|
|
73/06/02
|
San
Francisco
|
2nd
gen
|
132
|
aud
|
incomplete
No Quarter
|
|
73/06/02
|
San
Francisco
|
master
|
60
|
sbd
|
cassette
|
|
73/06/02
|
San
Francisco
|
TV
|
1.5
|
live-on-stage
|
color
professional video with actual sound (shot by a local TV crew for documentary)
|
|
73/06/03
|
Los
Angeles
|
master
|
180
|
aud
|
taped
by Jeff Allen?
|
|
73/06/03
|
Los
Angeles
|
1st
gen?
|
173
|
aud
|
1st
gen cassette, taped by Jeff Allen? (runs a tiny bit fast)
|
|
73/06/03
|
Los
Angeles
|
unknown
gen
|
4
|
aud
|
black
& white amateur video without actual sound
|
|
73/07/06
|
Chicago
|
master
|
151
|
aud
|
taped
by Howard, Sony TC-110 with ext microphone>Ampex C90 master cassette
|
|
73/07/06
|
Chicago
|
1st
gen
|
157
|
sbd
|
1st
gen cassette
|
|
73/07/07
|
Chicago
|
master
|
Almost
156
|
aud
|
Mono
Mic>Sony TC110A>Memorex master cassette
|
|
73/07/09
|
St.
Paul
|
master
|
208
|
aud
|
-
|
|
73/07/10
|
Milwaukee
|
master
|
117
|
aud
|
The
Rain Song has a cut and has music from another band briefly. After this
the sound quality goes down for some reason. Not a lot but it does - maybe
he switched to a low quality tape.
|
|
73/07/10
|
Milwaukee
|
2nd
gen
|
114
|
aud
|
1st
gen cassette>2nd gen cassette
|
|
73/07/12
|
Detroit
|
master
|
144
|
aud
|
-
|
|
73/07/12
|
Detroit
|
1st
gen
|
Near
143
|
aud
|
Lloyds
Ext Mics>Lloyds 8 Track>master>1st gen VHS (also available as
Presence (Jason Peterson) clone)
|
|
73/07/13
|
Detroit
|
4th
gen
|
55
|
sbd
|
-
|
|
73/07/15
|
Buffalo
|
2nd
gen
|
Almost
159
|
aud
|
master>2nd
gen cassette
|
|
73/07/15
|
Buffalo
|
1st
gen
|
112
|
sbd
|
master>1st
gen
|
|
73/07/15
|
Buffalo
|
3rd
gen
|
104
|
sbd
|
Maxwell
Type II 3rd gen cassette, tape ran too fast and the last few songs are
way too fast
|
|
73/07/17
|
Seattle
|
vinyl
|
94
|
aud
|
1st
source, original tapes lost (all vinyl albums runs slow)
|
|
73/07/17
|
Seattle
|
master
|
177
|
aud
|
2nd
source, reel?
|
|
73/07/17
|
Seattle
|
1st
gen
|
182
|
aud
|
2nd
source (master>1st gen VHS tape)
|
|
73/07/17
|
Seattle
|
master
|
114
|
sbd
|
-
|
|
73/07/18
|
Seattle
|
1st
gen
|
102
|
sbd
|
cassette,
runs a bit slow
|
|
73/07/18
|
Vancouver
|
master
|
51
|
aud
|
1st
source
|
|
73/07/18
|
Vancouver
|
1st
gen
|
85
|
aud
|
2nd
source (taped by Lawrence Russell), ext figure 8 mic>SONY TC-126>TDK
C90KR Chrome master cassette x2 (reported that the master have been lost
and the taper transferred the cassettes to open reel) (also available
as a transfer did by Sam Rapallo)
|
|
73/07/18
|
Vancouver
|
1st
gen
|
86
|
aud
|
2nd
source (taped by Lawrence Russell), Ext Figure 8 mic>Sony TC-126>TDK
Chrome master cassette>1st gen reel
|
|
73/07/20
|
Boston
|
master
|
109
|
aud
|
1st
source, Ext Condenser mics>Sony TC-110>Capitol C-60 master cassette
|
|
73/07/20
|
Boston
|
1st
gen
|
111
|
aud
|
1st
source
|
|
73/07/20
|
Boston
|
2nd
gen
|
105
|
aud
|
1st
source
|
|
73/07/20
|
Boston
|
master
|
115
|
aud
|
2nd
source, called Joe Maloney source (RCA mics from the RCA YLS 15B portable
reel to reel recorder>Hitachi 290>master cassette)
|
|
73/07/20
|
Boston
|
4th
gen
|
39
|
aud
|
2nd
source. This source is actually the same as the Maloney's source but for
several years it was attributed to the new, 3rd source. The intro on this
copy is longer than on the new version that was available from the download.
|
|
73/07/20
|