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|
|
|
Date
|
Venue
|
Generation
|
Lenght
|
Source
|
Comments
|
|
71/03/05
|
Belfast
|
master
|
104
|
aud
|
Philips
Recorder>Scotch master cassette
|
|
71/03/06
|
Dublin
|
2nd
gen
|
108
|
aud
|
2nd
gen cassette
|
|
71/03/06
|
Dublin
|
3rd
gen
|
110
|
aud
|
-
|
|
71/04/01
|
London
|
master
|
106
|
sbd
|
pre-FM
master reel
|
|
71/04/01
|
London
|
master
|
102
|
FM
|
August 20th, 1996 Japanese FM broadcast
|
|
71/05/03
|
Copenhagen
|
master
|
123
|
aud
|
-
|
|
71/07/05
|
Milan
|
master
|
Near
24
|
aud
|
Philips
K7 Recorder>master cassette
|
|
71/07/05
|
Milan
|
4th
gen
|
19
|
aud
|
-
|
|
71/07/05
|
Milan
|
unknown
gen
|
17
|
aud
|
-
|
|
71/08/07
|
Montreux
|
master
|
102
|
aud
|
Hitachi
C120 master cassette (covered in 2005 and it is said to be recorded from
outside the venue). After Weekend, there is supposedly more tape to be
had on yet another, different transfer. No additional music, just the
band leaving the stage and crowd banter.
|
|
71/08/08
|
Montreux
|
unknown
gen
|
7
|
pro
|
color
professional video without actual sound (possibly TV documentary)
|
|
71/08/21
|
Los
Angeles
|
2nd
gen
|
127
|
aud
|
1st
source, runs too fast
|
|
71/08/21
|
Los
Angeles
|
3rd
gen
|
130
|
aud
|
1st
source
|
|
71/08/21
|
Los
Angeles
|
master
|
110
|
aud
|
2nd
source, taped by Dave Melton (Norelco cassette recorder w/adjustable recording
level>master cassette)
|
|
71/08/22
|
Los
Angeles
|
2nd
gen
|
140
|
aud
|
-
|
|
71/08/22
|
Los
Angeles
|
3rd
gen
|
152
|
aud
|
-
|
|
71/08/22
|
Los
Angeles
|
unknown
gen
|
Almost
6
|
aud
|
Color
amateur video without actual sound. All circulating versions have a stamp
in the center of the picture as well as a timecode or another stamp. Bootlegs
generally give it a wrong date.
|
|
71/08/23
|
Fort
Worth
|
1st
gen
|
Almost
86
|
aud
|
Sony
ECM 99>Sony TC-110A> SonyC120 cassette master>1st gen
|
|
71/08/23
|
Fort
Worth
|
2nd
gen
|
86
|
aud
|
-
|
|
71/08/26
|
Houston
|
unknown
gen
|
Almost
6
|
aud
|
color
amateur video without actual sound, taped by Charles W. Burwell III (no
recording circulating for this concert but some versions have sound from
the Fort Worth concert synched)
|
|
71/08/31
|
Orlando
|
1st
gen
|
122
|
aud
|
1st
gen cassette, the reason why this source is so long (actual music clocks
at almost 105 minutes only) is that the taper left a large amount of blank
space on the each side of tape to preserved the most of music
|
|
71/08/31
|
Orlando
|
4th
gen
|
105
|
aud
|
-
|
|
71/08/31
|
Orlando
|
1st
gen?
|
110
|
sbd
|
-
|
|
71/09/03
|
New
York
|
1st
gen
|
153
|
aud
|
1st
source called Artie's source, available as a 1st gen (clocks at 153:19)
and as a 1st gen cassette, which is very similar in sound to other 1st
gen, the difference is this has more hiss but a lot more clarity comes
from this and the other one was too bassy, also this one is shorter than
other 1st gen (clocks at 137:43), missing 15 minutes because only half
of Whole Lotta Love is here and only half of Communication Breakdown
|
|
71/09/03
|
New
York
|
3rd
gen
|
154
|
aud
|
1st
source, called Artie's source
|
|
71/09/03
|
New
York
|
4th
gen
|
Near
80
|
aud
|
2nd
source
|
|
71/09/03
|
New
York
|
unknown
gen
|
85
|
aud
|
3rd
source, Type II cassette low gen (lineage unknown) (runs fast)
|
|
71/09/04
|
Toronto
|
master
|
121
|
aud
|
-
|
|
71/09/04
|
Toronto
|
1st
gen?
|
Near
125
|
aud
|
1st
source, may be actually a 2nd gen (runs slow)
|
|
71/09/04
|
Toronto
|
2nd
gen
|
124
|
aud
|
1st
source, 2nd gen cassette (sounds better than supposed 1st gen)
|
|
71/09/04
|
Toronto
|
5th
gen
|
121
|
aud
|
1st
source
|
|
71/09/04
|
Toronto
|
unknown gen
|
115
|
aud
|
1st
source, Maxell XLII90 + TDK SA-x60>Sony CFD-G500 (lineage unknown)
(sounds better than suppsed 1st gen and 2nd gen too)
|
|
71/09/04
|
Toronto
|
2nd gen
|
Almost
58
|
aud
|
2nd
source (some lists mentioned this as high gen 1st source)
|
|
71/09/04
|
Toronto
|
1st
gen
|
48
|
sbd
|
master>1st
gen open reel (also available as Presence (Jason Peterson) clone
|
|
71/09/07
|
Boston
|
3rd gen
|
Near
91
|
aud
|
1st
source
|
|
71/09/07
|
Boston
|
2nd set
|
58
|
aud
|
2nd
source, 2nd gen cassette
|
|
71/09/09
|
Hampton
|
master
|
96
|
sbd
|
reported
to be Jimmy Page's master
|
|
71/09/09
|
Hampton
|
1st
gen
|
96
|
sbd
|
master>1st
gen open reel (available as Presence (Jason Peterson) clone)
|
|
71/09/09
|
Hampton
|
low
gen
|
44
|
sbd
|
The
show was first circulated in this short form before the more complete
tape appeared in 1995 or 1996 and only has Jones' bass on the right channel.
|
|
71/09/11
|
Rochester
|
3rd
gen
|
56
|
aud
|
1st
source
|
|
71/09/11
|
Rochester
|
4th
gen
|
39
|
aud
|
2nd
source
|
|
71/09/11
|
Rochester
|
unknown
gen
|
?
|
aud
|
3rd
source exists?
|
|
71/09/13
|
Berkeley
|
2nd
gen
|
Near
124
|
aud
|
runs
too fast
|
|
71/09/14
|
Berkeley
|
vinyl
|
96
|
aud
|
original
tapes have been lost
|
|
71/09/23
|
Tokyo
|
unknown
gen
|
142
|
aud
|
1st
source
|
|
71/09/23
|
Tokyo
|
master
|
134
|
aud
|
2nd
source, master reel
|
|
71/09/23
|
Tokyo
|
2nd
gen
|
?
|
aud
|
2nd
source (TDK SA 90s)
|
|
71/09/23
|
Tokyo
|
master
|
149
|
aud
|
3rd
source (master reel)
|
|
71/09/23
|
Tokyo
|
unknown
gen
|
46
|
aud
|
4th
source, original tapes have been lost possibly
|
|
71/09/23
|
Tokyo
|
1st
gen
|
149
|
aud
|
5th
source, TDK SD C-60 cassette
|
|
71/09/23
|
Tokyo
|
master
|
Near
32
|
aud
|
6th
source
|
|
71/09/23
|
Tokyo
|
unknown
gen
|
63
|
aud
|
7th
source
|
|
71/09/23
|
Tokyo
|
unknown
gen
|
125
|
aud
|
8th
source
|
|
71/09/24
|
Tokyo
|
3rd
gen
|
165
|
aud
|
1st
source, 3rd gen cassette
|
|
71/09/24
|
Tokyo
|
unknown
gen
|
172
|
aud
|
2nd
source
|
|
71/09/24
|
Tokyo
|
unknown
gen
|
?
|
aud
|
3rd
source
|
|
71/09/24
|
Tokyo
|
unknown
gen
|
38
|
aud
|
4th
source
|
|
71/09/24
|
Tokyo
|
unknown
gen
|
106
|
aud
|
5th
source, original tapes have been lost possibly
|
|
71/09/27
|
Hiroshima
|
3rd
gen
|
?
|
aud
|
1st
source
|
|
71/09/27
|
Hiroshima
|
5th
gen
|
149
|
aud
|
1st
source
|
|
71/09/27
|
Hiroshima
|
unknown
gen
|
133
|
aud
|
2nd
source, 2 Maxell XLII S90's>Sony CFD-G500
|
|
71/09/28
|
Osaka
|
3rd
gen
|
149
|
aud
|
1st
source, 3rd gen VHS (runs fast)
|
|
71/09/28
|
Osaka
|
2nd
gen
|
156
|
aud
|
2nd
source, runs slow
|
|
71/09/29
|
Osaka
|
1st
gen
|
171
|
aud
|
1st
source, commonly called sbd source
|
|
71/09/29
|
Osaka
|
2nd
gen
|
Almost
170
|
aud
|
1st
source, commonly called sbd source
|
|
71/09/29
|
Osaka
|
2nd
gen
|
178
|
aud
|
2nd
source, runs fast
|
|
71/09/29
|
Osaka
|
unknown
gen
|
134
|
aud
|
3rd
source
|
|
71/09/29
|
Osaka
|
unknown
gen
|
Near
54
|
aud
|
4th
source, very possible this is a high gen of one of above sources and that's
why I didn't mention it on my tour itinerary
|
|
71/09/29
|
Osaka
|
6th
gen
|
182
|
aud
|
I
called this 5th source, same as above (often listed as 6th source and
if this really a 6th source, where's the true 5th?)
|
|
71/11/11
|
Newcastle-On-Tyne
|
master/1st
gen
|
97
|
aud
|
Taped
by Henry R. (mic>ITT-KB Rec>master cassette). The taper luckily
found the master tape (in fact, only Communication Breakdown is from a
true master, the rest is from 1st gen) and it's reported there is one
more tape with Whole Lotta Love but that is still lost somewhere.
|
|
71/11/11
|
Newcastle-On-Tyne
|
1st
gen
|
92
|
aud
|
Taped
by Henry R. (mic>ITT-KB Rec>Master Cassette>1st gen backup).
This was the first version of this show, seeded in 2000 when Communication
Breakdown was still not discovered) (reported that the master tapes were
going to be used for the release but they were too damaged and the taper's
1st gen backups were used to trade.
|
|
71/11/13
|
Dundee
|
unknown
gen
|
96
|
aud
|
the
whole show run too slow but that last 3 songs are too fast and varied
much
|
|
71/11/16
|
Ipswich
|
2nd
gen
|
88
|
aud
|
1st
source, master (?)>1st gen cassette>2nd gen cassette (in fact the
linage was master (?)>1st gen cassette>DAT>2nd gen cassette)
linegae is still suspect
|
|
71/11/16
|
Ipswich
|
master
|
104
|
aud
|
2nd
source (also available as Presence (Jason Peterson) clone, less tape hiis
than a true master copy)
|
|
71/11/16
|
Ipswich
|
1st
gen
|
106
|
aud
|
2nd
source, master>1st gen cassette (in fact the linage was master>DAT>1st
gen cassette)
|
|
71/11/16
|
Ipswich
|
master
|
Almost
117
|
aud
|
3rd
source
|
|
71/11/16
|
Ipswich
|
unknown
gen
|
?
|
aud
|
exists?
|
|
71/11/16
|
Ipswich
|
unknown
gen
|
?
|
aud
|
exists?
|
|
71/11/20
|
London
|
3rd
gen
|
107
|
aud
|
1st
source (strangely, it seems that this source is a low gen copy of 2nd
source because the cuts are in the same places)
|
|
71/11/20
|
London
|
4th
gen
|
106
|
aud
|
1st
source
|
|
71/11/20
|
London
|
unknown
gen
|
143
|
aud
|
2nd
source (cassette), Dancing Days is from 72/12/23 and is added incidentally
by the person, who made this gen
|
|
71/11/24
|
Manchester
|
2nd
gen
|
Near
114
|
aud
|
2nd
gen cassette, sourced from 1st gen tape
|
|
71/11/25
|
Leicester
|
master
|
Almost
155
|
aud
|
Sony
120 & 60 (master cassettes) (runs a bit slow)
|
|
71/11/25
|
Leicester
|
unknown
gen
|
?
|
aud
|
-
|
|
71/12/02
|
Bournemouth
|
unknown
gen
|
142
|
aud
|
-
|
|
71/12/02
|
Bournemouth
|
1st
gen
|
62
|
aud
|
incomplete,
missing many songs
|
|
71/12/02
|
Bournemouth
|
3rd
gen
|
Almost
61
|
aud
|
incomplete,
missing many songs
|
|
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Home | What's
New? | Tour
Dates | Studio
Sessions & Rehearsals | Low
Gens | Bootlegs | My
Collection | Credits
& Links | Help! | Contact