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Sessions & Rehearsals | Low
Gens | My
Collection | Credits
& Links | Help! | Contact
|
|
|
Date
|
Venue
|
Generation
|
Lenght
|
Source
|
Comments
|
|
70/01/08
|
Bristol
|
3rd
gen
|
82
|
aud
|
without
Communication Breakdown
|
|
70/01/08
|
Bristol
|
4th
gen
|
Near
89
|
aud
|
4th
gen cassette
|
|
70/01/09
|
London
|
2nd
gen
|
51
|
sbd
|
AM
source
|
|
70/01/09
|
London
|
3rd
gen
|
51
|
sbd
|
AM
source
|
|
70/01/09
|
London
|
master?
|
Almost
32
|
sbd
|
Prepared
by Jimmy Page while mixing "Coda" in 1981. .
|
|
70/01/09
|
London
|
master
|
Almost
112
|
sbd
|
These
are the initial working tracks done by Kevin Shirley. A couple of the
tracks
are longer than the official release but notable here is the near complete version of Heartbreaker (until the multitrack tape runs out and thus why the track was not a part of the official set) and the inclusion of some of Plant's banter. |
|
70/01/09
|
London
|
unknown
gen
|
41
|
pro
|
color
professional video with actual sound recorded for a BBC broadcast
|
|
70/01/09
|
London
|
master
|
112
|
pro
|
color
professional video without actual sound (sound was overdubbed from sbd
instead of an original sound, available as DVD in 2003)
|
|
70/02/23
|
Helsinki
|
1st
gen
|
112
|
aud
|
master
reel (Ile Kallio)>1st gen cassette. The master reel stolen in the mid
1980s. Two transfers were made from the master before the incident and
one the his copy is the basis for every copy in circulation and from which
all the bootlegs were made.
|
|
70/02/23
|
Helsinki
|
2nd
gen
|
108
|
aud
|
-
|
|
70/02/28
|
Copenhagen
|
master
|
128
|
aud
|
taped
by Michael Moller
|
|
70/02/28
|
Copenhagen
|
2nd
gen
|
124
|
aud
|
taped
by Michael Moller
|
|
70/03/07
|
Montreux
|
unknown
gen
|
94
|
aud
|
-
|
|
70/03/07
|
Montreux
|
master
|
?
|
AM
|
AM>master
open reel (We're Gonna Groove/I Can't Quit You Baby/Dazed And Confused/White
Summer-Black Mountain Side)
|
|
70/03/07
|
Montreux
|
6th
gen
|
31
|
AM
|
We're
Gonna Groove/I Can't Quit You Baby/Dazed And Confused/White Summer-Black
Mountain Side
|
|
70/03/07
|
Montreux
|
unknown
gen
|
30
|
AM
|
cassette?,
(mono, We're Gonna Groove/I Can't Quit You Baby/Dazed And Confused/White
Summer-Black Mountain Side)
|
|
70/03/07
|
Montreux
|
unknown
gen
|
20
|
AM
|
stereo,
We're Gonna Groove/I Can't Quit You Baby/Dazed And Confused/White Summer-Black
Mountain Side, w/DJ's comments
|
|
70/03/07
|
Montreux
|
unknown
gen
|
30
|
AM
|
How
Many More Times and Whole Lotta Love
|
|
70/03/09
|
Vienna
|
1st
gen
|
92
|
aud
|
1st
source, runs a bit slow (1st gen cassette)
|
|
70/03/09
|
Vienna
|
1st
gen
|
95
|
aud
|
1st
source, copied in 1977-79
|
|
70/03/09
|
Vienna
|
2nd
gen
|
90
|
aud
|
1st
source
|
|
70/03/09
|
Vienna
|
master
|
101
|
aud
|
2nd
source, taped by Matthias Messmer (SONY mics>R2R Uher Report)
|
|
70/03/10
|
Hamburg
|
2nd
gen
|
118
|
aud
|
runs
a bit slow, this one has more hiss but sounds more stereo and clear than
bewlow gen
|
|
70/03/10
|
Hamburg
|
unknown
gen
|
129
|
aud
|
runs
too slow, Type I cassette (White summer is 4 minutes longer here because
a section is repeated)
|
|
70/03/11
|
Hamburg
|
1st
gen
|
120
|
aud
|
1st
gen cassette
|
|
70/03/12
|
Dusseldorf
|
master
|
107
|
aud
|
1st
source
|
|
70/03/12
|
Dusseldorf
|
unknown
gen
|
22
|
aud
|
2nd
source
|
|
70/03/12
|
Dusseldorf
|
master?
|
119
|
aud
|
3rd
source, master reel?
|
|
70/03/21
|
Vancouver
|
master
|
30
|
aud
|
cassette,
taped by Al
|
|
70/03/21
|
Vancouver
|
1st
gen
|
36
|
sbd
|
Pre-FM
soundboard. It was very rare before it was found and published by Michael
Lindenauer but from what is known Michael just transffered his 1st gen
copy to traders' cricles only and I cannot be sure if from his copy the
bootlegs are made.
|
|
70/03/21
|
Vancouver
|
2nd
gen
|
36
|
sbd
|
pre-FM
soundboard
|
|
70/03/21
|
Vancouver
|
3rd
gen
|
37
|
sbd
|
runs
fast
|
|
70/03/21
|
Vancouver
|
5th
gen
|
38
|
sbd
|
runs
fast
|
|
70/03/25
|
Denver
|
master
|
107
|
aud
|
cassette
|
|
70/03/25
|
Denver
|
1st
gen
|
Almost
104
|
aud
|
master>1st
gen cassette
|
|
70/03/25
|
Denver
|
2nd
gen
|
107
|
aud
|
-
|
|
70/03/27
|
Los
Angeles
|
1st
gen
|
Almost
137
|
aud
|
1st
source, available as 1st gen unknown lienage and 1st gen often described
incorrectly as 147 minutes long
|
|
70/03/27
|
Los
Angeles
|
1st
gen
|
Almost
106
|
aud
|
2nd
source, 1st gen (slight tape problems during Thank You and What Is And
What Should Never Be)
|
|
70/03/27
|
Los
Angeles
|
2nd
gen
|
110
|
aud
|
2nd
source
|
|
70/03/28
|
Dallas
|
2nd
gen
|
87
|
aud
|
1st
gen>2nd gen
|
|
70/03/28
|
Dallas
|
3rd
gen
|
86
|
aud
|
-
|
|
70/03/29
|
Houston
|
1st
gen
|
35
|
aud
|
-
|
|
70/03/29
|
Houston
|
2nd
gen
|
35
|
aud
|
-
|
|
70/03/29
|
Houston
|
unknown
gen
|
35
|
aud
|
-
|
|
70/04/05
|
Baltimore
|
2nd gen
|
89
|
aud
|
1st
source
|
|
70/04/05
|
Baltimore
|
2nd
gen
|
Near
109
|
aud
|
2nd
source, 1st gen reel>2nd gen cassette XL-IIS
|
|
70/04/05
|
Baltimore
|
master
|
94
|
aud
|
3rd
source, GE Portable deck>Scotch 120 master cassette
|
|
70/04/05
|
Baltimore
|
1st
gen
|
Almost
93
|
aud
|
3rd
source, GE Portable deck>Scotch 120 master cassette>1st gen (taper)
|
|
70/04/05
|
Baltimore
|
master
reel
|
Near
2
|
aud
|
taped
by Hunter Desportes (color amateur video without actual sound that deteriorated
over the years)
|
|
70/04/08
|
Raleigh
|
master?
|
90
|
aud
|
supposed
to be 2nd gen
|
|
70/04/08
|
Raleigh
|
1st gen
|
91
|
aud
|
Available
as 1st gen Type II cassette and as 1st gen Maxell XL-II 90 cassette that
runs fast and clocks at 88:21 and also sounds much cleaner (also was reported
that these 1st gen copies have never been circulated so this 1st gen is
suspected.
|
|
70/04/08
|
Raleigh
|
2nd
gen
|
91
|
aud
|
-
|
|
70/04/08
|
Raleigh
|
unknown
gen
|
92
|
aud
|
TDK
SA90 cassette, it's much clearer than the 1st gen Maxell one, a bit louder
too but it's too bright - the Maxell one is fuller and less bright
|
|
70/04/09
|
Tampa
|
master
|
Near
91
|
aud
|
Uher
5", taped by Jon T. (master cassette)
|
|
70/04/09
|
Tampa
|
1st
gen
|
90
|
aud
|
-
|
|
70/04/12
|
Bloomington
|
1st
gen
|
Near
8
|
aud
|
-
|
|
70/04/12
|
Bloomington
|
3rd
gen
|
Near
8
|
aud
|
-
|
|
70/04/14
|
Ottawa
|
master?
|
60
|
aud
|
-
|
|
70/04/14
|
Ottawa
|
1st
gen
|
65
|
aud
|
-
|
|
70/04/17
|
Memphis
|
2nd
gen
|
135
|
aud
|
2nd
gen cassette, funny to have intro and outro done by the taper himself
|
|
70/04/17
|
Memphis
|
3rd
gen
|
135
|
aud
|
-
|
|
70/04/18
|
Phoenix
|
master?
|
Almost
98
|
aud
|
1st
source
|
|
70/04/18
|
Phoenix
|
master
|
Almost
93
|
aud
|
2nd
source, Ext mic>GE Recorder>master cassette (Sony)
|
|
70/04/23
|
London
|
unknown
gen
|
5
|
TV
|
color
professional video recording with actual sound
|
|
70/06/22
|
Reykjavik
|
unknown
gen
|
Almost
4
|
TV
|
black
& white professional video with and without actual sound (shot by
a local TV crew for documentary)
|
|
70/06/28
|
Shepton
Mallet
|
1st
gen
|
Near
119
|
aud
|
1st
source, also called R. H. source, master>1st gen Type II cassette.
Runs a bit fast. Tthe taper seems to have moved after Whole Lotta Love,
because the sound deteriorates, leaving the last two encores in fine to
poor quality.
|
|
70/06/28
|
Shepton
Mallet
|
1st
gen
|
129
|
aud
|
2nd
source, also called C. C. source (master>1st gen). This one is lacking
bass and sounds a bit more distant but it's not as distorted though as
1st source.
|
|
70/06/28
|
Shepton
Mallet
|
unknown
gen
|
125
|
aud
|
2nd
source
|
|
70/06/28
|
Shepton
Mallet
|
1st
gen?
|
22
secs.
|
aud
|
Jochen
Laschinsky source, master reel (color amateur video without actual sound)
|
|
70/06/28
|
Shepton
Mallet
|
unknown
gen
|
?
|
pro?
|
black
& white amateur video without actual sound (supposed to be professional
footage but no idea that it is silent or not)
|
|
70/07/19
|
Berlin
|
1st
gen
|
Near
92
|
aud
|
Available
as a 1st gen with correct speed (clocks at 91:43) and as a 1st gen that
sounds identical to other 1st gen but this one has a little distortion
sound in the right channel runs a bit slow (clocks at 93:42).
|
|
70/07/19
|
Berlin
|
2nd
gen
|
?
|
aud
|
|
|
70/08/19
|
Berlin
|
unknown
gen
|
Almost
1.5
|
aud
|
taped
by journalist Chris Welch, color amateur video without actual sound (the
whole film also includes clips of the band's journey through Germany and
clocks at 9 minutes)
|
|
70/08/15
|
New
Haven
|
master
|
Near
85
|
aud
|
1st
source
|
|
70/08/15
|
New
Haven
|
1st
gen
|
Near
85
|
aud
|
1st
source (master>1st gen reel)
|
|
70/08/15
|
New
Haven
|
3rd gen
|
23
|
aud
|
2nd
source (3rd gen cassette)
|
|
70/08/17
|
Hampton
|
2nd
gen
|
125
|
aud
|
-
|
|
70/08/17
|
Hampton
|
unknown
gen
|
115
|
aud
|
-
|
|
70/08/21
|
Tulsa
|
master
|
125
|
aud
|
the
1st gen sounds kinda mono, this one sounds more stereo and has more hiss
but not bothersome
|
|
70/08/17
|
Tulsa
|
1st
gen
|
Almost
126
|
aud
|
1st
gen cassette (this comes straight from the taper)
|
|
70/08/21
|
Tulsa
|
3rd
gen
|
129
|
aud
|
-
|
|
70/08/31
|
Milwaukee
|
master
|
54
|
aud
|
-
|
|
70/08/31
|
Milwaukee
|
4th
gen
|
47
|
aud
|
-
|
|
70/09/02
|
Oakland
|
master
|
142
|
aud
|
1st
source, taped by R. C. (Sony one point mic>TC-124>master cassette)
|
|
70/09/02
|
Oakland
|
1st
gen
|
Near
142
|
aud
|
1st
source, taped by R. C., available as a Sony one point mic>TC-124>master
cassette>1st gen reel and as a Sony one point mic>TC-124>master
cassette>open reels (the main difference between them is first version
has some tape hiss while the second not and also the last one is available
also as Presence (Jason Peterson) clone)
|
|
70/09/02
|
Oakland
|
3rd
gen
|
120
|
aud
|
2nd
source
|
|
70/09/03
|
San
Diego
|
3rd
gen
|
Near
120
|
aud
|
-
|
|
70/09/03
|
San
Diego
|
4th
gen
|
110
|
aud
|
-
|
|
70/09/04
|
Los
Angeles
|
unknown
gen
|
Near
120
|
aud
|
1st
source, called TMOQ source (supposedly this famous source was taped by
Dub with a Nagra Recorder and Sennheiser "shotgun" mic)
|
|
70/09/04
|
Los
Angeles
|
vinyl
|
69
|
aud
|
2nd
source, called Rubber Dubber source, original tapes lost
|
|
70/09/04
|
Los
Angeles
|
2nd
gen
|
111
|
aud
|
3rd
source
|
|
70/09/04
|
Los
Angeles
|
3rd
gen
|
Almost
111
|
aud
|
3rd
source (2nd gen 2xTDK SA90 cassette>3rd gen cassette
|
|
70/09/04
|
Los
Angeles
|
unknown
gen
|
Near
132
|
aud
|
4th
source
|
|
70/09/04
|
Los
Angeles
|
2nd
gen
|
129
|
aud
|
5th
source, 2nd gen cassette
|
|
70/09/06
|
Honolulu
|
1st gen
|
Near
76
|
aud
|
Story
has it that the original taper gave Plant his tape in 1971 while the band
was in Honolulu in September and kept a 1st gen, but was unable to transfer
that to DAT until after the show reached wide circulation (reported to
be no master tape anymore.
|
|
70/09/06
|
Honolulu
|
2nd gen
|
74
|
aud
|
-
|
|
70/09/06
|
Honolulu
|
unknown
gen
|
5
|
aud
|
color
amateur video without actual sound
|
|
70/09/09
|
Boston
|
2nd
gen
|
Near
115
|
aud
|
1st
source (available as a 2nd gen and clocks 110:30 and as a 1st gen>2nd
gen that clocks at 114:42)
|
|
70/09/09
|
Boston
|
master
|
Near
118
|
aud
|
2nd
source, called Joe Maloney source
|
|
70/09/09
|
Boston
|
1st
gen
|
Near
118
|
aud
|
2nd
source, called Joe Maloney source (Sony TC-110A>1st gen cassette
|
|
70/09/19
|
Boston
|
2nd
gen
|
114
|
aud
|
2nd
source, called Joe maloney source (Sony TC-110A master cassette>1st
gen cassette>2nd gen)
|
|
70/09/19
|
New
York
|
master
|
90
|
aud
|
afternoon
show , 1st source
|
|
70/09/19
|
New
York
|
2nd
gen
|
83
|
aud
|
afternoon
show , 1st source (2nd gen)
|
|
70/09/19
|
New
York
|
unknown
gen
|
30
|
aud
|
afternoon
show, 2nd source
|
|
70/09/19
|
New
York
|
unknown
gen
|
115
|
aud
|
afternoon
show, 3rd source
|
|
70/09/19
|
New
York
|
1st
gen
|
Near
145
|
aud
|
evening
show, Bell & Howell mono Recorder>master cassette>1st gen Sony
252 open reel (show discovered in 2004, the taper started to recording
it from the 10th row but due to the rowdy audience he ended up on 83rd)
(also available as Presence (Jason Peterson) clone)
|
|
Unless explicitly stated otherwise, Led Zeppelin Database is © 2006-2008 Argenteum Astrum. All rights reserved. No part of this site, including design and graphics, may be reproduced or transmitted in any form, by any means (electronic, mechanical, or otherwise), without the prior written permission of the publisher of this site. The term Bootleg, as used herein, refers to any release that is not authorized by the artist, record company, or their representatives. The use of this term does not imply any illegal deed or intention; many manufacturers pay royalties in compliance with the laws of their respective countries. |
Home | What's
New? | Tour
Dates | Studio
Sessions & Rehearsals | Low
Gens | Bootlegs | My
Collection | Credits
& Links | Help! | Contact