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|
|
|
Date
|
Venue
|
Generation
|
Lenght
|
Source
|
Comments
|
|
68/00/00
|
unknown
studio
|
unknown
gen
|
3
|
TV
|
Supposed
to be from early 1969, black & white lip sync professional video.
A promo clip used in Japan. Some says might be from Thee Image Club, Florida
February 1969. Three versions available - some are missing introduction.
|
|
68/12/30
|
Spokane
|
1st
gen
|
61
|
aud
|
master>1st
gen cassette (runs slow). Empress Valley claimed to be sourced from master.
Sounds a bit better highend than the CD version. CD version sounds a bit
more muted.
|
|
69/01/05
|
Los
Angeles
|
unknown
gen
|
52
|
aud
|
-
|
|
69/01/09
|
San
Francisco
|
unknown
gen
|
5
|
aud
|
-
|
|
69/01/09
|
San
Francisco
|
3rd
gen
|
5
|
aud
|
-
|
|
69/01/10
|
San
Francisco
|
master?
|
95
|
aud
|
Cannot
be sure if master reel really exists. I have been told, he was between
15 and 20 in the late 70s so he would have been under ten in 1969. Bob
is still around and probably didn't record the show, just has the masters(?).
|
|
69/01/10
|
San
Francisco
|
1st
gen
|
95
|
aud
|
master
reel>1st gen. It sounds a bit crispier than the 2nd gen but the sound
is also tinyer - the 2nd gen is fuller with more bass.
|
|
69/01/10
|
San
Francisco
|
2nd
gen
|
95
|
aud
|
-
|
|
69/01/11
|
San
Francisco
|
master
|
43
|
sbd
|
Available
as Listen To This Luis master reel and master reel (available also as
Presence (Jason Peterson) clone), both have How Many More Times incomplete.
|
|
69/01/12
|
San
Francisco
|
2nd
gen
|
Almost
80
|
aud
|
master>1st
gencassette>2nd gen cassette (also available as Presence (Jason Peterson)
clone)
|
|
69/01/12
|
San
Francisco
|
3rd
gen
|
82
|
aud
|
-
|
|
69/01/23
|
Boston
|
master?
|
47
|
aud
|
Cannot
be sure if master reel really exists. This is the same taper as Boston
May 27th, 1969.
|
|
69/01/23
|
Boston
|
1st
gen
|
Near
48
|
aud
|
Available
as 1st gen with lots of noise reduction with more tape hiss than the 2nd
gen with 30 seconds of tape at the beginning (clocks at 46:46), as a cleaner
1st gen without noise reduction wth less tape hiss and missing 30 seconds
(clocks at 47:01), and as a very clean master reel>1st gen with 30
seconds (clocks at 47:55). Both were done in early 1970s.
|
|
69/01/23
|
Boston
|
2nd
gen
|
46
|
aud
|
2nd
gen cassette (has some noise reduction here and 30 seconds of tape at
the beginning)
|
|
69/01/23
|
Boston
|
3rd
gen
|
50
|
aud
|
-
|
|
69/01/26
|
Boston
|
2nd
gen
|
Near
92
|
aud
|
Available
as 1st gen master reel>2nd gen cassette with the vocals still distant
but sounds more stereo than other 2nd gen (the only problem with this
one is the hiss, clocks at 90:34) and 1st gen>2nd gen which is a a
direct transfer of the tapes (the sound on this is much brighter than
the 3rd gen, clocks at 91:47). Same taper as Newport July 6th, 1969 1st
source.
|
|
69/01/26
|
Boston
|
3rd gen
|
94
|
aud
|
3rd
gen>SBL128, contains a bit of tape hiss
|
|
69/01/31
|
New
York
|
master?
|
47
|
aud
|
Cannot
be sure if master really exists. It has the 50 seconds of tape at the
beginning and contains more tape hiss, speed is correct or maybe a bit
slow.
|
|
69/01/31
|
New
York
|
2nd
gen
|
46
|
aud
|
2nd
gen cassette, missing the 1st minute of introduction
|
|
69/01/31
|
New
York
|
3rd
gen
|
46
|
aud
|
3rd
gen cassette (this has the 1 minute at the beginning, was traded as a
2nd recorder but it there is any reason to justify that claim, the sound
quality is worse than the other gens though and it's a bit more muffled)
|
|
69/01/31
|
New
York
|
4th
gen
|
46
|
aud
|
-
|
|
69/02/01
|
New
York
|
master
|
45
|
aud
|
C-120
master cassette
|
|
69/02/01
|
New
York
|
2nd
gen
|
48
|
aud
|
-
|
|
69/02/01
|
New
York
|
3rd
gen
|
45
|
aud
|
-
|
|
69/02/02
|
Toronto
|
master
|
46
|
aud
|
master
reel
|
|
69/02/02
|
Toronto
|
1st
gen
|
46
|
aud
|
Sounds
better than master reel.
|
|
69/02/14
|
Miami
|
master
|
88
|
aud
|
-
|
|
69/02/14
|
Miami
|
1st gen
|
90
|
aud
|
master
cassette>1st gen Maxell-XLII-S 90 cassette (2005 clone, sounds a touch
cleaner than 2nd gen and better than master)
|
|
69/02/14
|
Miami
|
2nd
gen
|
Almost
90
|
aud
|
Sounds
better than master.
|
|
69/03/03
|
London
|
master
|
19
|
sbd
|
p
pre-FM
master reel
|
|
69/03/14
|
Stockholm
|
1st
gen
|
Near
51
|
aud
|
-
|
|
69/03/14
|
Stockholm
|
unknown
gen
|
Near
51
|
aud
|
-
|
|
69/03/14
|
Stockholm
|
master
|
22
|
FM
|
soundboard
reel master>pre-broadcast FM master (see forward) First of all, this
show was not broadcast live as it was happening. It was broadcast some
days after the original show taking place, and as of yet, the date of
the original broadcast is unknown. The Swedish radio station secured the
rights to broadcast only a part of the show from Peter Grant, who thus
gave them what we have today; copied from Jimmy's master reel. From there
the Pre-Broadcast reel resided in Swedish radio archives until relatively
recently. Around 1992 it was transferred to DAT. Also available as Presence
(Jason Peterson) clone.
|
|
69/03/14
|
Stockholm
|
4th
gen
|
23
|
FM
|
w/DJ's
comments
|
|
69/03/14
|
Stockholm
|
unknown
gen
|
Almost
3
|
TV
|
black
& white lip sync professional video
|
|
69/03/15
|
Copenhagen
|
1st
gen
|
35
|
aud
|
reel
master>1st gen cassette, afternoon show
|
|
69/03/15
|
Copenhagen
|
2nd
gen
|
35
|
aud
|
reel
master>1st gen cassette>2nd gen, afternoon show
|
|
69/03/15
|
Copenhagen
|
master
|
31
|
aud
|
evening
show
|
|
69/03/17
|
Copenhagen
|
unknown
gen
|
32
|
TV
|
TV
broadcast from January 1st, 1990 BB2 "Heavy Metal Arena" programme
(w/speakers' introduction) (black & white professional video with
actual sound)
|
|
69/03/17
|
Copenhagen
|
unknown
gen
|
31
|
TV
|
French
TV broadcast (black & white professional video with actual sound)
|
|
69/03/19
|
London
|
1st gen
|
18
|
AM
|
AM
Radio>master cassette (or master reel)>unknown gen (cassette or
reel) It was discovered by Tomislav Czarnecki and traded worldwide although
there is possibility that master tape is still somewhere in Easter Europe
where it was recorded.
|
|
69/03/19
|
London
|
2nd
gen
|
20
|
AM
|
AM
broadcast
|
|
69/03/19
|
London
|
unknown
gen
|
3
|
AM
|
Polish
pirate flexicard
|
|
69/03/22
|
Birmingham
|
2nd
gen
|
11
|
aud
|
2nd
gen cassette
|
|
69/03/25
|
Staines
|
1st
gen
|
Almost
8
|
TV
|
Color
professional video with actual sound. For some reasons official "DVD"
has opening bass note cut but older versions are complete.
|
|
69/03/27
|
Bremen
|
unknown
gen
|
9
|
TV
|
"Beat-Club"
programme (black & white lip sync performance, original audio possibly
wiped)
|
|
69/04/24
|
San
Francisco
|
master
|
Almost
59
|
aud
|
2
Neumann mics (on stage)>master reel @ 15ips. Some sources reported
that the master was lost in fire. The tapes originally was available from
the Bill Graham vaults. See Small Fish's The Dancing Avocado Supreme for
details.
|
|
69/04/25
|
San
Francisco
|
2nd gen
|
Near
25
|
aud
|
-
|
|
69/04/25
|
San
Francisco
|
3rd
gen
|
30
|
aud
|
-
|
|
69/04/26
|
San
Francisco
|
1st
gen
|
125
|
aud
|
Strangely
Empress Valley Supreme Disc's Avocado Club has 1 minute more tape at the
beginning, runs a bit slow.
|
|
69/04/26
|
San
Francisco
|
2nd
gen
|
Near
121
|
aud
|
Available
as 2nd gen cassette that runs slow (clocks at 128:35) and master>1st
gen cassette>2nd gen VHS that sounds a little cleaner and the instruments
are slightly better defined (clocks at 120:49).
|
|
69/04/27
|
San
Francisco
|
1st
gen
|
124
|
aud
|
-
|
|
69/04/27
|
San
Francisco
|
2nd
or 3rd gen
|
124
|
aud
|
2nd
or 3rd gen cassette, stated to have complete Pat's Delight instead of
1st gen but may be not true since the times are identical
|
|
69/04/27
|
San
Francisco
|
master
|
112~113
(depends on clone)
|
sbd
|
Available
as a master>DAT (clocks at 112:47), as a master>DAT (clocks at 113:19),
and as another master>DAT (clocks at 112:44); all sounds almost identical.
|
|
69/04/27
|
San
Francisco
|
1st gen
|
Almost
116
|
FM
|
1979
KSJO FM broadcast w/DJ's comments (master radio station reels>D. White's
1st gen reel)
|
|
69/04/27
|
San
Francisco
|
2nd gen
|
Almost
116
|
FM
|
1979
KSJO
FM broadcast w/DJ's comments (master radio station reels>1st gen reel>2nd
gen reel) (bit hissier and distant than the sbd master, it seems this
has more warm and slightly more full and also has better power in the
low end, also Bonham's drum sound more punchier)
|
|
69/04/27
|
San
Francisco
|
3rd gen
|
Almost
116
|
FM
|
1979
KSJO
FM broadcast w/DJ's comments (master radio station reels>1st gen reel>2nd
gen reel>3rd gen cassette)
|
|
69/05/25
|
Columbia
|
1st
gen
|
7
|
aud
|
-
|
|
69/05/27
|
Boston
|
master?
|
95
|
aud
|
Cannot
be sure if master reel really exists. Same taper as Boston January 23th,
1969.
|
|
69/05/27
|
Boston
|
1st
gen
|
Near
95
|
aud
|
1st
gen cassette (noise reduction is used here and 2nd gen sounds much better)
|
|
69/05/27
|
Boston
|
2nd
gen
|
Near
93
|
aud
|
Contains
some tape hiss but listenable.
|
|
69/05/27
|
Boston
|
3rd
gen
|
102
|
aud
|
2nd
gen cassette>3rd gen cassette (much hisier than 2nd gen)
|
|
69/05/30
|
New
York
|
master
|
Near
64
|
aud
|
reel,
runs a bit fast during How Many More Times
|
|
69/05/30
|
New
York
|
1st
gen
|
Near
64
|
aud
|
master
reel>1st gen reel, runs a bit fast
|
|
69/05/30
|
New
York
|
3rd
gen
|
63
|
aud
|
3rd
gen cassette, this one has more hiss than 1st gen but sounds fuller and
brighter, also runs fast during How Many More Times
|
|
69/05/30
|
New
York
|
unknown gen
|
65
|
sbd
|
cassette,
not as bright at 3rd gen, also might runs slow
|
|
69/06/16
|
London
|
master
|
Near
20
|
sbd
|
pre-FM
master reel
|
|
69/06/16
|
London
|
unknown
gen
|
8
|
AM
|
AM
broadcast
|
|
69/06/19
|
Paris
|
unknown
gen
|
14
|
TV
|
"Antenne
De Culture" programme (color professional video with actual sound)
|
|
69/06/22
|
Newcastle-On-Tyne
|
2nd
gen
|
86
|
aud
|
master>1st
gen cassette>2nd gen cassette (also available as Presence (Jason Peterson)
clone)
|
|
69/06/24
|
London
|
master
|
20
|
sbd
|
pre-FM
master reel
|
|
69/06/27
|
London
|
master
|
62
|
sbd
|
pre-FM
master reel
|
|
69/06/27
|
London
|
unknown
gen
|
53
|
FM
|
FM
broadcast
|
|
69/07/06
|
Newport
|
2nd gen
|
Almost
55
|
aud
|
1st
source, master>R2R>R2R @ 3.75>1st gen cassette>2nd gen reel
(same taper as Boston January 26th, 1969)
|
|
69/07/06
|
Newport
|
3rd
gen
|
55
|
aud
|
1st
source, better sounding than 2nd
|
|
69/07/06
|
Newport
|
master
|
68
|
aud
|
2nd
source, master reel
|
|
69/07/06
|
Newport
|
1st
gen
|
64
|
aud
|
2nd
source, master reel>1st gen cassette
|
|
69/07/06
|
Newport
|
2nd
gen
|
61
|
aud
|
2nd
source
|
|
69/07/06
|
Newport
|
unknown
gen
|
20
|
aud
|
3rd
source
|
|
69/07/20
|
Cleveland
|
2nd
gen
|
Near
62
|
aud
|
2nd
gen cassette
|
|
69/07/20
|
Cleveland
|
3rd
gen
|
Near
62
|
aud
|
-
|
|
69/07/21
|
New
York
|
master
|
68
|
aud
|
at
least three version of master clones transffered to DAT are available,
the one is available as Presence (Jason Peterson) clone (surprisingly
it clocks at 66:27), all are very similar in sound quality
|
|
69/07/25
|
Milwaukee
|
1st gen
|
52
|
aud
|
master>1st
gen reel
|
|
69/07/25
|
Milwaukee
|
2nd
gen
|
52
|
aud
|
master>1st
gen reel>2nd gen cassette (also available as Presence (Jason Peterson)
clone)
|
|
69/08/08
|
San
Bernardino
|
2nd
gen
|
55
|
aud
|
The
taper is right in front of Page's cabinet and so the guitar is clear.
Bad because he is too close and it kinda distorts.
|
|
69/08/17
|
Wallingford
|
1st
gen
|
10
|
aud
|
-
|
|
69/08/17
|
Wallingford
|
3rd
gen
|
9
|
aud
|
-
|
|
69/08/18
|
Toronto
|
2nd
gen
|
55
|
aud
|
1st
set (the taper has volume or mic problems at certain points in the show)
|
|
69/08/18
|
Toronto
|
3rd
gen
|
54
|
aud
|
1st
set (taper has volume or mic problems at certain points in the show)
|
|
69/08/18
|
Toronto
|
master
|
83
|
aud
|
2nd
set, 1st source
|
|
69/08/18
|
Toronto
|
1st
gen
|
83
|
aud
|
2nd
set, 1st source (master>1st gen reel)
|
|
69/08/18
|
Toronto
|
master
|
75
|
aud
|
2nd
set, 2nd source (master reel) (it's reported that the taper of this show
doesn't remember much other than he did not have a ticket to the show
and it is possible that he recorded the show from outside the venue)
|
|
69/08/31
|
Dallas
|
master
|
64
|
aud
|
1st
source
|
|
69/08/31
|
Dallas
|
3rd
gen
|
63
|
aud
|
1st
source
|
|
69/08/31
|
Dallas
|
1st
gen
|
63
|
aud
|
2nd
source, taped by Reggie the Bullett (master reel>1st gen Sony C-90
normal bias cassette). The master reels for all the Dallas Pop Fest recordings
made by Reggie The Bullet have been in the possession of Mr. Freezer since
1970. No copies were ever traded out by Reggie. Freezer made one copy
from the master reels on a Sony C-90 normal bias cassette.
|
|
69/08/31
|
Dallas
|
master?
|
Near
63
|
sbd
|
Cannot
be sure if @ 15 ips 1/2 track master reels exists
|
|
69/08/31
|
Dallas
|
1st
gen
|
Near
63
|
sbd
|
reel
|
|
69/08/31
|
Dallas
|
unknown
gen
|
6
|
live-on-stage
|
Color
amateur footage without actual sound shot in order to be used in a documentary
about the festival. All versions circulating have either a stamp in the
center of the picture either a timecode.
|
|
69/10/10
|
Paris
|
master?
|
78
|
FM
|
digital
FM Europe 2 December 7th, 2007 broadcast source (192 kbps, lossy)
|
|
69/10/10
|
Paris
|
master?
|
78
|
FM
|
Europe
2 December 7th, 2007 non digital FM broadcast source (24bit, loseless)
|
|
69/10/10
|
Paris
|
master?
|
78?
|
FM
|
FM/PCM
mode
|
|
69/10/12
|
London
|
master?
|
60
|
aud
|
Cannot
be sure if master really exists but almost positive that is no available.
It has slight less hiss. The lineage is in question, but is definitely
a low generation. Other circulating copies and bootleg releases show significant
and very clever tinkering. Some examples are the removal of an audience
member commenting Good Times Bad Times during its use as a lead-in, and
a fake ending added to How Many More Times. (also available as Presence
(Jason Peterson) clone.
|
|
69/10/12
|
London
|
1st
gen
|
60
|
aud
|
-
|
|
69/10/12
|
London
|
3rd
gen
|
63
|
aud
|
-
|
|
69/10/30
|
Buffalo
|
2nd
gen
|
81
|
aud
|
-
|
|
69/11/02
|
Toronto
|
2nd
gen
|
69
|
aud
|
-
|
|
69/11/05
|
Kansas
City
|
master
|
39
|
aud
|
Shure
mic>Ampex C-60 master cassette. There has been questions of whether
all circulating copies come from a 2nd gen tape or not. After some conversations
with Charley he verified that all copies circulating were anywhere from
4th to 8th gen analog copies of the actual 2nd gen cassette. We also agreed
it was time once and for all to set the record straight and put out a
clean verified generation of this recording. Charley was gracious enough
to lend the actual 2nd gen cassette and a DAT(0) copy he later received
from the taper himself off the master cassette to transfer. After transferring
decided the DAT was the better sounding of the 2 transfers so here it
is. Also of note there is no reel bump/pause present during the solo on
Heartbreaker that is present on the 2nd gen cassette.
|
|
69/11/05
|
Kansas
City
|
1st
gen
|
40
|
aud
|
-
|
|
69/11/05
|
Kansas
City
|
2nd
gen
|
42
|
aud
|
2nd
gen cassette (better quality than master)
|
|
69/11/05
|
Kansas
City
|
4th
gen
|
41
|
aud
|
-
|
|
69/11/06
|
San
Francisco
|
1st
gen
|
98
|
aud
|
1st
source
|
|
69/11/06
|
San
Francisco
|
2nd
gen
|
99
|
aud
|
1st
source (1st gen>2nd gen VHS tape)
|
|
69/11/06
|
San
Francisco
|
master
|
89
|
aud
|
2nd
source (master reel)
|
|
69/11/07
|
San
Francisco
|
1st
gen
|
91
|
aud
|
master>1st
gen cassette Presence (Jason Peterson) clone (another 1st gen copy is
available on Maxell XII Type two cassettes, runs a tiny bit fast and clocks
at 89:52)
|
|
69/11/07
|
San
Francisco
|
3rd
gen
|
91
|
aud
|
-
|
|
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