Led
Zeppelin First U.S. Tour
December 26, 1968 - February 15, 1969
JANUARY 1 - SALEM
ARMORY AUDITORIUM, SALEM, OREGON (cancelled because of New Year's Eve
break) (WEDNESDAY)
JANUARY 2 - WHISKEY A GO-GO, LOS ANGELES, CALIFORNIA (THURSDAY)
Billed as Led Zeppelin featuring: Jimmy Page formerly of The Yardbirds.
With Alice Cooper as opening act but on the equival rights. Reported
that due to Jimmy Page's illness the band eliminated their 2nd set from
this show.
JANUARY 3 - WHISKEY A GO-GO, LOS ANGELES, CALIFORNIA (supposed to be
cancelled due Jimmy Page's illness) (FRIDAY)
Billed as Led Zeppelin featuring: Jimmy Page formerly of The Yardbirds.
With Alice Cooper as opening act on the equival rights. Reported that
due to Jimmy Page's illness the band eliminated their 2nd set from this
show.
JANUARY 4 - WHISKEY A GO-GO, LOS ANGELES, CALIFORNIA (SATURDAY)
Billed as Led Zeppelin featuring: Jimmy Page formerly of The Yardbirds.
With Alice Cooper as opening act on the equival rights. Reported that
due to Jimmy Page's illness the band eliminated their 2nd set from this
show.
JANUARY 5 - WHISKEY
A GO-GO, LOS ANGELES, CALIFORNIA (SUNDAY)
Billed as Led Zeppelin featuring: Jimmy Page formerly of The Yardbirds.
With Alice Cooper as opening act on the equival rights. Reported that
due to Jimmy Page's illness the band eliminated their 2nd set from this
show.
Recording
Includes: As
Long As I Have You (<< Fresh Garbage, Shake, Mockingbird..) [
10:35 ], I Can't Quit You Baby [ 5:27 ], The Train Kept A Rollin' [
2:34 ], Babe I'm Gonna Leave You [ 5:47 ], Dazed And Confused [ 9:55
], Killing Floor [ 3:28 ], For Your Love [ 5:43 - cut ].
Source: Incomplete very good audience recording.
52 minutes.
Details: A really good sounding audience
tape. Jimmy's guitar and Bonzo's loud drum tends to overshadow Robert's
voice and Johnsey's bass but all the sounds are clearly discernible.
Bootleg
LP Reference(s):
Nineteen Sixtynine (The Swingin' Pig Records)
Bootleg
CD Reference(s):
Live At Whisky A Go-Go!! (Eelgrass), Live At Whiskey A Go-Go!! (Empress
Valley Supreme Disc), & Things Began To Happen (Beelzebub Records
CD-R)
Bootleg
DVD Audio Reference(s):
Live At Whiskey A Go-Go!!! (Empress Valley Supreme Disc) & Texas
International Pop Festival (Empress Valley Supreme Disc)
Comments:
We can certainly feel that the performance of the band captured by the
tape is one of its earliest, since most of the tunes are played in more
compact manner than they became in later stages. Here, improvisations
are confined to minimum levels. However, the brutality of Bonzo's drum
playing and the wide range of Robert's voice is incredible. Jimmy also
seems to have been doing some experimental guitar works here. For Your
Love rounds out this performance and the band play it as it should have
been originally. It doesnt get more psychedelic than this version.
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JANUARY 9 - FILLMORE
WEST, SAN FRANCISCO, CALIFORNIA (THURSDAY, 2 SHOWS)
Taj Mahal opened the night, then Led Zeppelin took the stage prior to
the headliners Country Joe & The Fish.
Recording
Includes: The
Train Kept A Rollin' [ 3:04 ].
Source: Incomplete good audience recording.
4 minutes.
Details: A bit overloaded tape with Page
and Bonham out front and Plant in the back.
Bootleg
CD Reference(s):
Fresh Garbage (Scorpio "new") & Twinight (Immigrant)
Comments:
A single song said to be from the band's San Francisco debut at the
Fillmore West. The band played these shows with second billing underneath
headliners Country Joe And The Fish. The opening act for these shows
was Taj Mahal. Like most of the early 1969 shows that the band did,
in San Francisco they played two sets each night. Which means that the
nightly program during this run at the Fillmore West saw the Taj Mahal
do two sets, Zeppelin do two sets, and Country Joe do two sets. As was
customary at the Fillmore and Winterland during this era, the start
of each of the opening sets by each band was typically introduced by
Bill Graham himself. Unfortunetaly, for this Zeppelin remainder, these
intros can't be heard on this tape. What is fascinating about this supposed
January 9th tape is that it is just the one song. There are a few other
instances of this in Zeppelin collecting. Could be that this song was
tacked on to someone's trading tape as a bonus (or a tease) by the taper.
Or perhaps the taper on this night had intended to tape Country Joe,
so only decided to capture one of Zeppelin's songs for the night. Or,
perhaps the complete tape exists somewhere, and like so many rumored
others, has simply yet to circulate. In any case, we can be fairly confident
that the setlist for this show included more than just the one song
that circulates on this audience tape, and that it is likely that the
band played their complete set. If it is from January 9th, it may have
even featured a performance of For Your Love, considering that the date
before it and the date after it the band playing the song. Anyway, this
is all we have from this show. It's a great performance of the song,
sure, but what does it tell us about that night? First, if this tape
is from the first night in San Francisco, we can assume that it's from
the beginning of the second set. The reason for this can be found in
Plant's intro: "Good evening ... thank you very much. It's very
nice to come back for a second time. And once again ... uh, it's really
a pleasure to be back again." The key to his words is that he mentions
coming back for "a second time". Sure, he could be speaking
of a second night in town, but from the way that he is talking, it sounds
more like a casual sentiment of being back on the stage on the same
night. But, as we can't be sure that this tape isn't really from some
other date on their first tour, here's a little examination ... If this
song isn't from the second set of the first night, but is still from
San Francisco, then it would have to be the first song of the second
set, from the third night on January 11th. The reason being because
the tape we have of that third show features songs from the first set
of the night (see Plant's speech before Communication Breakdown about
worrying that they wouldn't have time to do another set). And, for the
fact that we have those aforementioned complete audience recordings
from the second and fourth nights. The song couldn't be from the beginning
of that January 11th tape, because coming back for "a second time"
wouldn't make sense in regards to either the set (since it was the first
set) or the night (since it was the third). Notice that on this supposed
January 9th tape, after The Train Kept A Rollin' ends, Page does not
go directly into I Can't Quit You Baby, instead pausing and plucking
some notes on his guitar. This further supports that this song is from
the second set. Because if one examines the setlists from 1969, as well
as the shows from 1970 up through April, one will notice that I Can't
Quit You Baby was always played as the second song in the first set.
So, for them not to have gone straight into the song on this night means
that they had likely already played it in the first set. Which, again
makes it a possibility that this song could have been from the second
set of the first or third night. So, which is it? The first or the third?
I lean towards it being from the first. Why? Listen to Plant's voice
on this tape when compared to his voice on the third night. He is in
great early shape on both nights, but on the recording we have here,
he is in very high range. Whereas, the recording we have of the third
night has Plant with just a tad less "freshness" to his voice,
typical for having sung for three nights in a row. Sure, not a case-closer,
but significant nonetheless. Of course, the remaining option is that
this tape is not from San Francisco at all, and instead from some other
night on the tour. Of which, it could be from anywhere on the tour.
Either where they played two sets in one night, or played multiple shows
in the same city. Detroit and Boston come to mind. We can limit the
search down to this first tour, again by listening to Plant's voice,
as well as to Page's guitar. The sound of those Rickenbacker amps only
used on that first tour is unmistakeable. We admit that we initially
had reservations about this tape having been from such an early date.
The crowd sound just a little too rowdy and too enthusiastic to have
this be the opening (or second) night in any of the towns that the band
played. Not to mention, besides the radio airplay and hype, the band
were still relative unknowns, and the first album was not even out yet.
But yet, on the beginning of this tape you can hear all sorts of crowd
noise and bodies shuffling, with shouts of "Sit down!" and
"There ain't no room!", the kinds of things you'd hear at
a show where the crowd were getting anxious to see their favorite band.
But, again, perhaps that goes back to the likelihood that this song
was the start of the second set. Which would speak to the first set
having been so good that it whipped the audience into a frenzy. To which,
it wouldn't be that surprising that the audience was excited to hear
more, and as such were pushing and yelling to get a good spot on the
floor. Furthermore, in favor of it being from San Francisco, if one
listen's to the recording of the show from the next night, on January
10th, one can hear this very same kind of crowd reaction. After every
song there are yells and whistles from the audience. Just before White
Summer, you can even hear someone near the taper yell "Sit down!".
So, if the band were able to get that kind of enthusiasm on the second
night, perhaps it's not such a stretch to imagine that they had already
gotten it on the first one. Page has long since been quoted as saying
that it was in San Francisco where the band's popularity began to spread
like "wildfire", after all. So, there you have it. Either
this song is from January 9th, 1969, or it's from some other date. Only
more tape, or more information, will tell.
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JANUARY 10 - FILLMORE
WEST, SAN FRANCISCO, CALIFORNIA (FRIDAY, 2 SHOWS)
Taj Mahal opened the night, then Led Zeppelin took the stage prior to
the headliners Country Joe & The Fish.
Set
1 Includes:
[ supposed to be not recorded: Bill Graham Introduction ] The Train
Kept A Rollin' [ 2:58 - cut ] >> I Can't Quit You Baby [ 5:28
], [ edit ], As Long As I Have You (<< Fresh Garbage, Shake..)
[ 10:43 ], [ cut ], Dazed And Confused [ 10:33 - cut ],
[ cut ], How Many More Times (<< Guitar Improvisation based
on San Francisco theme, Dream Lower, The Hunter, Tobacco Road..) [ 14:16
- cut ].
Set 2 Includes: [ supposed to be not recorded:
Bill Graham Introduction ] White Summer (<< Black Mountain Side..)
[ 6:31 ], [ cut ], Killing Floor (<< Improvisation based
on What Is And What Should Never Be theme and Bring It On Home theme..)
[ 4:17 ], [ cut ], You Shook Me [ 8:16 ], [ cut ], Pat's
Delight [ 9:54 ], [ cut ], Babe I'm Gonna Leave You [ 5:43 -
cut ], Communication Breakdown [ 3:37 ], For Your Love [ 7:45
].
Source: Incomplete good audience recording.
95 minutes.
Details: The tape is a bit muffled with
some hiss but clear enough to be enjoyable. Page and Plant are up front
with the drums less discernible. The sound degrades during Pat's Delight,
becoming more distorted and muffled with a lot of boomy low-end for
the remainder of the show, clearing up a bit for For Your Love.
Bootleg
LP Reference(s):
The Final Option (Rock Solid Records & The Swingin' Pig Records)
& For Your Love (Rock Solid Records)
Bootleg
CD Reference(s):
1969.01.10 Fillmore West (Dadgad Productions CD-R), East/West (Digger
Productions), Fillmore West San Francisco 1/10/69 (Zeppelin Digital
CD-R), For Your Love (Cobra Standard Series CD-R & Silver Rarities),
For Your Love ~ The Legendary Fillmore Series - West Volume 4 (Empress
Valley Supreme Disc), Fresh Garbage (Scorpio "new"), A Live
Adventure At The Fillmore West (Wendy Records), Secret History Of Led
Zeppelin (Scorpio "old"), & Syonen Zep (Akashic)
Comments:
A classic, early, primitive monster show that is amazing from start
to finish! Stand-outs, among this entirely excellent show, are the great
riffing intro to The Train Kept A Rollin', the epic As Long As I Have
You and How Many More Times medley, and an incredible, 10 minute version
of For Your Love that surpasses the original version by leaps and bounds.
The song was introduced by Plant as "a thing Keith Relf had something
to do with. Do you remember him? Works for Hammersmith Council now!"
(sic!).
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JANUARY 11 - FILLMORE
WEST, SAN FRANCISCO, CALIFORNIA (concert married by Page's guitar problems)
(SATURDAY, 2 SHOWS)
Taj Mahal opened the night, then Led Zeppelin took the stage prior to
the headliners Country Joe & The Fish. Originally aired On Q-107
(107.1 FM) on January 9th, 2009 and was rebroadcasted January 17th,
2009.
Set
1 Includes:
[ supposed to be played: The Train Kept A Rollin' ] I Can't Quit You
Baby [ 5:39 ], Dazed And Confused [ 12:14 ], You Shook Me [ 7:47 ],
How Many More Times [ 7:19 - cut ], Communication Breakdown [
3:32 ].
Source: Incomplete excellent soundboard
recording. 43 minutes.
Details: The sound quality is typical of
1969 soundboards. Vocals and drums up front. The original original tape
or its low gen copy from which many bootlegs were made has listenable
music by some other artist in the background and it can be easy detecting
on quiet fragments (ie. when Plant speaking to the audience etc.) This
possibly caused the original tape was either recorded directly over
a tape that was previously used to record another band.
Set
1 Includes:
How Many More Times [ 6:41 - cut ], Communication Breakdown [
3:30 ], DJ Banter/Commercials [ cut ], [ cut ], I Can't
Quit You Baby [ 2:06 - cut ], You Shook Me [ 7:20 ], DJ Banter/Commercials.
Source: Incomplete excellent FM radio recording.
22 minutes.
Details: The sound is a little rumbly but
still enjoyable and nothing too below of the original soundboard recording.
Bootleg
CD Reference(s) soundboard:
Anybody Got A Les Paul? (Equinox), Birth Of The Gods (Balboa Productions),
Early Ramshackle Days (Beelzebub Records CD-R), Fillmore East Vol. 2
(Mud Dogs), Fresh Garbage (Scorpio "new"), How Many More Years
~ The Legendary Fillmore Series - West Volume 5 (Empress Valley Supreme
Disc), Psycho A GoGo! (Led Note), Steel Mill Blues (Winston Remasters
CD-R), & Syonen Zep Zokango Tokubetsu Furoku (Akashic)
Bootleg
CD Reference(s) FM radio recording:
Comments:
This is all that is known to exist of this show, and it is a shame ...
this is great one! Robert is hoarse with a sore throat but his singing
is still gutsy and the band is unreal, especially on Dazed And Confused.
The group experienced some of equipment problems which caused the long
delays between the songs so Robert leading to request the audience,
"Has anybody got a Les Paul? Jeff who? Tell him to bring it here
then!" As the band took the stage for the encore, Plant saying
"I tell you what! This is the third night and we've decided that
we're gonna come and live here, 'cos you're so nice! If we don't make
it, then the police in England would rather we'd stay there!" Communication
Breakdown has Plant substituting his "banshee-scream" before
the solo with a lion's growl.
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JANUARY 12 - FILLMORE
WEST, SAN FRANCISCO, CALIFORNIA (SUNDAY, 2 SHOWS)
Taj Mahal opened the night, then Led Zeppelin took the stage prior to
the headliners Country Joe & The Fish.
Set
1 Includes:
Bill Graham Introduction [ cut? ], As Long As I Have You (<<
Mockingbird, Fresh Garbage..) [ 8:27 ], [ cut ], I Can't Quit
You Baby [ 5:47 ], [ cut ], Dazed And Confused [ 9:43 - cut?
], [ cut ], Babe I'm Gonna Leave You [ 6:02 ], [ cut ],
Communication Breakdown [ 3:28 - cut? ], [ cut ], You
Shook Me [ 7:08 - cut? ].
Set 2 Includes: [ supposed to be not recorded:
Bill Graham Introduction ] White Summer (<< Black Mountain Side..)
[ 6:37 - cut? ], The Train Kept A Rollin' [ 2:59 ], [ cut
], Pat's Delight [ 7:51 - cut? ], [ cut ], How Many More
Times (<< The Hunter..) [ 17:00 - cut? ], [ cut
], Killing Floor [ 3:35 ].
Source: Incomplete good audience recording.
Almost 80 minutes.
Details: Distant, rather very hissy and
overloaded tape in the low-end with Page and Plant more easily discernible
than Jones and Bonham.
Bootleg
CD Reference(s):
California '69 (Lemon Song), The Fourth Night - Legendary Fillmore Series
~ West Volume 6 (Empress Valley Supreme Disc), & Fresh Garbage (Scorpio
"new")
Comments:
A really raw and primitive show from early on; the playing is sheer
inspiration and Robert's voice is throat tearing in the 2nd show especially.
A classic early show when the band was young and every night was played
with guts. This is also the earliest known live soundboard recording
of Led Zeppelin and it's typical of the era, with the vocals and drums
to the fore.
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JANUARY 13 - FOX THEATRE,
SAN DIEGO, CALIFORNIA (disputed) (MONDAY)
JANUARY 15 - UNIVERSITY OF IOWA MEMORIAL UNION, IOWA CITY, IOWA (concert
interrupted by the campus security removing a member of the audience
who had not paid for his ticket) (TUESDAY 8pm)
Support from The Mother Blues. Some sources reported that Led Zeppelin
jammed with The Mother Blues before their actual show.
JANUARY 16 - NEW ORLEANS, LOUISIANA (disputed) (THURSDAY)
JANUARY 17 - THE GRANDE BALLROOM, DETROIT, MICHIGAN (FRIDAY)
Billed erroneously as Led Zeptlin(sic!). Support from Linn County and
Lawrence Blues Band. Led Zeppelin headlined.
JANUARY 18 - THE GRANDE BALLROOM, DETROIT, MICHIGAN (SATURDAY)
Billed erroneously as Led Zeptlin(sic!). Support from Target. Led Zeppelin
headlined.
JANUARY 19 - THE GRANDE BALLROOM, DETROIT, MICHIGAN (SUNDAY)
Billed erroneously as Led Zeptlin(sic!). Support from Wind. Led Zeppelin
headlined.
JANUARY 20 - WHEATON YOUTH CENTRE, WHEATON, MARYLAND (MONDAY)
JANUARY 21 - HUNT ARMORY, SEWICKLEY, PITTSBURGH, PENNSYLVANIA (TUESDAY)
Billed as The Yardbirds for the last time.
JANUARY 22 - CLEVELAND, OHIO (disputed) (WEDNESDAY)
JANUARY 23 - BOSTON
TEA PARTY, BOSTON, MASSACHUSETTS (concert married by Page's guitar problems)
(THURSDAY, 2 SHOWS)
Support from The Raven.
Set
1 Includes:
Band Announcements, The Train Kept A Rollin' [ 2:56 ], I Can't Quit
You Baby [ 5:31 ], As Long As I Have You (<< Fresh Garbage, Shake..)
[ 11:50 ], Dazed And Confused [ 11:15 ], You Shook Me [ 8:30 ] [ supposed
to be played: How Many More Times (<< The Hunter..) ].
Source: Incomplete good audience recording.
Near 48 minutes.
Details: The tape is very clear with all
instruments evenly balanced for the most part. There is what sounds
like a damaged section of tape during I Can't Quit You Baby but it recovers
quickly.
Bootleg
LP Reference(s):
Boston Tea Party (A&BRD&C)
Bootleg
CD Reference(s):
Boston After Dark (Empress Valley Supreme Disc), Complete Boston Tea
Party (ARMS), Revolution Rock (Beelzebub Records CD-R), & Whisky
And Tea Party (Ocean Recording Corporation)
Comments:
This is all that is known to exist from this show. The band sunds really
strong and Robert's voice is in its most primitive and powerful stage.
Dazed And Confused is a very powerful and excting version. I only hope
the rest of this great show comes out someday! The band stopped after
The Train Kept A Rollin' because Jimmy Page had troubles with his guitar.
"It's great to be in Boston. According to Jimmy it's one of the
best places he's even played! I think, right now, in the shops there's
an album called Led Zeppelin. I don't know whether it's out here yet.
Is it out? You see, in one place it comes out one day and another place
three weeks later. On this album we've tried to do a cross section of
everything we've got into and we've included some blues because that's
where it all comes from!" said Plant while Jimmy was preparing
a guitar string.
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JANUARY 24 - BOSTON
TEA PARTY, BOSTON, MASSACHUSETTS (FRIDAY, 2 SHOWS)
Support from The Raven.
JANUARY 25 - BOSTON TEA PARTY, BOSTON, MASSACHUSETTS (SATURDAY, 2 SHOWS)
Support from The Raven.
JANUARY 26 - BOSTON
TEA PARTY, BOSTON, MASSACHUSETTS (SUNDAY, 2 SHOWS)
Set
1 Includes:
MC Charie The Masterblaster Daniels Introduction [ cut ], The
Train Kept A Rollin' [ 3:18 ] >> I Can't Quit You Baby [ 5:25
], Killing Floor (<< The Lemon Song..) [ 6:05 ], Dazed And Confused
(<< Shapes Of Things..) [ 12:25 ], You Shook Me [ 12:30 ], [ cut
], Communication Breakdown [ 4:20 ].
Set 2 Includes: White Summer (<<
Black Mountain Side..) [ 8:02 ], Babe I'm Gonna Leave You [ 6:57 ],
[ cut ], Pat's Delight [ 13:29 ], How Many More Times (<<
For Your Love, Over Under Sideways Down..) [ 14:43 - cut ].
Source: Incomplete very good audience recording.
Near 92 minutes.
Details: The tape is very clear with Page
in front and Bonham and Plant in the back. The drums sound a bit thin
at times but overall it is a great recording.
Bootleg
LP Reference(s):
Killing Floor (Trade Mark Of Quality)
Bootleg
CD Reference(s):
Fillmore 69 (House Of Elrond), Fillmore East Vol. 1&2 (Mud Dogs),
Killing Floor (Cobra Standard Series), Revolution Rock (Beelzebub Records
CD-R), A Sudden Attack Boston (Shout To The Top), Tight But Loose (Tarantura),
& Whisky And Tea Party (Ocean Recording Corporation)
Comments:
An amazing show ... this could be quite possibly one of the the best
Led Zeppelin concert from 1969. The sound is vibrant and crisp and the
playing is amazing. Jimmy's soloing throughout is nothing short of breathtaking
and Jones' thundering bass and Bonham's amazing drums only add to it,
as does Robert's crystalline and wonderful voice. An incredible show
... one of the very best! Some sources reports that another set of rock
'n' roll medleys was performed but a big care must be taken with these
statements.
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JANUARY 27 - MUNICIPAL
AUDITORIUM, SPRINGFIELD, MASSACHUSETTS (disputed) (MONDAY)
JANUARY 29 - ELECTRIC FACTORY, PHILADELPHIA, PENNSYLVANIA (disputed)
(WEDNESDAY)
JANUARY 31 - FILLMORE
EAST, NEW YORK CITY, NEW YORK, NEW YORK (FRIDAY, 2 SHOWS)
Porter's Popular Preachers opened the night, then Led Zeppelin took
the stage prior to the headliners Iron Butterfly. The Move was originally
billed as the opening act, but dropped out. Psychedelic imageniry was
provided by the Joshua Light Show.
Recording
Includes: The
Train Kept A Rollin' [ cut ], Dazed And Confused [ cut
].
Source: Incomplete 8mm color silent amateur
footage. Near 1 minute.
Details: Filmed in color from right side
much close to the stage. The band members' height fillings almost entire
screen.
Bootleg
Visual Reference(s):
Early Ramshackle Days (Beelzebub Records DVD-R)
Comments:
This was possibly great and very intense show. Having almost complete
recordings for their second date at Fillmore we can expect that the
band performed their usual set and crashed the audience what caused
of an aplause for the Zeppelin instead of Iron Butterfly, whose were
billed as headliners.
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FEBRUARY 1 - FILLMORE
EAST, NEW YORK CITY, NEW YORK, NEW YORK (concert delayed caused by the
band fogetting Jones' bass guitar) (SATURDAY 8pm and 11:30pm SHOWS)
Porter's Popular Preachers opened the night, then Led Zeppelin took
the stage prior to the headliners Iron Butterfly. The Move was originally
billed as the opening act, but dropped out. Psychedelic imageniry was
provided by the Joshua Light Show.
Set
1 Includes:
Bill Graham Introduction [ cut ], White Summer (<< Black
Mountain Side..) [ 8:52 ], The Train Kept A Rollin' [ 2:47 ] >>
I Can't Quit You Baby [ 5:36 ], Pat's Delight [ 7:42 ], How Many More
Times (<< Dazed And Confused, The Hunter..) [ 14:51 ], Communication
Breakdown [ 3:04 ].
Source: Almost complete good audience recording.
45 minutes.
Details: The sound is rather distant and
muddy with slight tape hiss. There are also an distortion due to bass/drum
overloading here and there.
Bootleg
CD Reference(s):
Drive Me Insane (Scorpio "new"), In The Heat Of The Night
(Beelzebub Records CD-R), Legendary Fillmore Tapes Vol. 1 (Savage Beast
Music), & New York In The Wind ~ The Legendary Fillmore Series -
East Vol. 2 (Empress Valley Supreme Disc)
Set
2 Includes:
[ supposed to be not recorded: Bill Graham Introduction ] The Train
Kept A Rollin' [ 2:34 - cut ] >> I Can't Quit You Baby
[ 5:36 ], Dazed And Confused [ 9:24 ], Pat's Delight [ 7:51 ], [ edit
], How Many More Times (<< The Hunter..) [ 10:32 ], You Shook
Me [ 7:52 ] [ supposed to be played: Communication Breakdown ].
Source: Incomplete good to very good audience
recording. 47 minutes.
Details: The tape is fairly clear with
some rather small distortion. The drums are slightly muddy.
Bootleg
LP Reference(s):
Realize & Move On Out (Grasshopper)
Bootleg
CD Reference(s):
Drive Me Insane (Scorpio "new"), East/West (Digger Productions),
The Grande Ball (Missing Link), In The Heat Of The Night (Beelzebub
Records CD-R), New York In The Wind ~ The Legendary Fillmore Series
- East Vol. 2 (Empress Valley Supreme Disc), & Psychedelic Raw Blues
(Immigrant)
Comments:
A really good, but uptight and confused gig. The show starts with an
announcement from Robert Plant: "We're sorry about the delay but
because we're all a bit stupid, we forgot the bass player's guitar!
Would you believe that! So we're gonna open up without the bass player.
We're gonna feature Jimmy Page. This is a thing that was very popular
when he was with The Yardbirds." After a nice early version the
band breaks into an extremely powerful The Train Kept A Rollin'. Then
the show starts properly and is excellent, except they forget to play
Dazed And Confused before the last song ... so they insert it in the
middle of How Many More Times! A blistering show where the audience's
reaction would mirror mine were I there: "Who gives a shit about
the Butterfly?" This was an opening slot for Iron Butterfly ...
and indeed who does give a shit? Second set has Robert's voice in all
of its high pitched, amazing 1969 glory and the band playing as well
as ever. Dazed And Confused was played instead of How many More Times
this time and the show is very tight and powerful throughout. Jimmy
is on fire!
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FEBRUARY 2 - THE ROCK
PILE, TORONTO, ONTARIO, CANADA (SUNDAY, 2 SHOWS, START AT 8pm)
Billed as Led Zeppelin featuring Jimmy Page. Support from Tee Garden
and Van Winkle. Light show was provided by Catharsis.
Recording
Includes: Ritchie
Yorke Introduction [ cut ], The Train Kept A Rollin' [ 2:34 -
cut ] >> I Can't Quit You Baby [ 5:26 ], Dazed And Confused
[ 9:21 ], [ cut ], You Shook Me [ 6:50 - cut ], [ edit
], Killing Floor (<< The Lemon Song..) [ 5:32 ], How Many More
Times (<< Fever, The Hunter, Money..) [ 14:12 ].
Source: Incomplete fair to good audience
recording. 46 minutes.
Details: The tape is quite murky, sounding
as if it was recorded underwater but it is still enjoyable. Page and
Plant are up front while Jones and Bonham are barely discernible. There
is the expectant tape hiss, especially when the volume has to be increased
during I Can't Quit You Baby.
Bootleg
CD Reference(s):
Absolutely Gems (Sanctuary), The Complete Rock Pile Tapes (The Chronicles
Of Led Zeppelin), The Rockpile Canada 2-2-69 (Totanka), & The Rockpile
Tapes (Badgeholders)
Comments:
A very compact, complete and powerful set. Ritchie York announced the
show: "Led Zeppelin is going to be doing two sets tonight ... in
between we've got Tee Garden and Van Winkle. Next Friday and Saturday
night - Albert King, don't forget and B.B. King at Massey Hall on February
14th ... but right now ... their first Canadian appearance, and there's
going to be a lot more of them ... Atlantic recording stars - Led Zeppelin!"
The band is smoking and Robert's voice is unbelievable! The highest
note he reaches in How Many More Times is simply amazing.
Led Zeppelin Database
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FEBRUARY 3 - STEVE
PAUL'S SCENE CLUB, NEW YORK CITY, NEW YORK, NEW YORK (cancelled due
to ill of Bonham's son) (MONDAY)
Billed erroneously as Jimmy Paige and England's most exciting new group
- Lead Zeppelin(sic!).
FEBRUARY 4 - STEVE PAUL'S SCENE CLUB, NEW YORK CITY, NEW YORK, NEW YORK
(cancelled due to ill of Bonham's son) (TUESDAY)
Billed erroneously as Jimmy Paige and England's most exciting new group
- Lead Zeppelin(sic!).
FEBRUARY 5 - STEVE PAUL'S SCENE CLUB, NEW YORK CITY, NEW YORK, NEW YORK
(cancelled due to ill of Bonham's son) (WEDNESDAY)
Billed erroneously as Jimmy Paige and England's most exciting new group
- Lead Zeppelin(sic!).
FEBRUARY 6 - STEVE PAUL'S SCENE CLUB, NEW YORK CITY, NEW YORK, NEW YORK
(cancelled due to ill of Bonham's son) (THURSDAY)
Billed erroneously as Jimmy Paige and England's most exciting new group
- Lead Zeppelin(sic!).
FEBRUARY 7 - KINETIC PLAYGROUND, CHICAGO, ILLINOIS (FRIDAY, 2 SHOWS)
Billed erroneously as Led Zepelin(sic!). Shared bill with Vanilla Fudge
and Jethro Tull.
FEBRUARY 8 - KINETIC PLAYGROUND, CHICAGO, ILLINOIS (SATURDAY)
Billed erroneously as Led Zepelin(sic!). Shared bill with Vanilla Fudge
and Jethro Tull.
FEBRUARY 10 - STATE UNIVERSITY, MEMPHIS, TENNESSEE (disputed) (MONDAY)
FEBRUARY 14 - THEE
IMAGE CLUB, SUNNY ISLES BEACH MIAMI, FLORIDA (FRIDAY, 2 SHOWS)
Set
1 Includes:
The Train Kept A Rollin' [ 3:08] >> I Can't Quit You Baby [ 5:30
], Dazed And Confused [ 10:42 ], [ edit/cut ], Killing Floor
(<< The Lemon Song, Needle Blues, You'll Be Mine..) [ 5:48 ],
[ edit/cut ], Babe I'm Gonna Leave You (<< Reflection On
My Mind..) [ 6:36 ], [ edit/cut ], How Many More Times (<<
Roll Over Beethoven..) [ 11:06 - cut ].
Set 2 Includes: White Summer (<<
Black Mountain Side..) [ 9:40], As Long As I Have You (<< Fresh
Garbage, Mockingbird, Shake..) [ 12:57 ], You Shook Me [ 8:34 ], [ edit/cut
], Pat's Delight [ 12:08 ].
Source: Incomplete good to very good audience
recording. 90 minutes.
Details: The basic sound quality is slightly
distant and muddy, with an emphasis on bass frequencies and hiss always
present. The guitar is to the fore and the vocals in the background.
Bootleg
CD Reference(s):
The Image Club (Rag Doll Music), Miami Florida 2/14/69 (Zeppelin Digital
CD-R), Reflections On My Mind (Image Quality), Roll Over Beethoven (Empress
Valley Supreme Disc), Snowblind (Scorpio "old"), We're Unknown
(Tarantura2000), & Yellow Zeppelin (Tarantura)
Comments:
Two very high powered sets with different moods and feels to them. Both
feature a band playing with fiery intensity! Robert hits some of the
highest screams and is raw emotion, ranging from the primordial wails
of How Many More Times and As Long As I Have You to the pain and suffering
of Babe I'm Gonna Leave You. The band's assault is relentless as well.
This was the second to last show from the first US tour of 1969. Again,
the group ended (?) with Bonham's drum solo.
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FEBRUARY 15 - THEE
IMAGE CLUB, SUNNY ISLES BEACH MIAMI, FLORIDA (SATURDAY, 2 SHOWS)
Led
Zeppelin Second U.K. Clubs Tour
February 24, 1969 - March 13, 1969
FEBRUARY 24 - LAFAYETTE
CLUB, WOLVERHAMPTON, ENGLAND (staged for John Bonham's wife birthday
party) (MONDAY)
MARCH 1 - VAN DIKE CLUB, PLYMOUTH, ENGLAND (SATURDAY)
Billed as Led Zeppelin (ex-Yardbirds).
MARCH 2 - FISHMONERS ARMS, LONDON, ENGLAND (disputed) (SUNDAY)
MARCH 3 - TOP GEAR,
PLAYHOUSE THEATRE, LONDON, ENGLAND (MONDAY, recording session between
2pm and 6pm)
Broadcast on John Peel's "Top Gear", Radio One between 3pm
and 5pm on March 23, 1969 (Sunday). Also on the show in session were
The Moody Blues, Free and Deep Purple. The audition was rebroadcast
on "Tommy Vance Friday Rock Show", BBC Radio, London, England
on February 2, 1979 (Friday). Finally, Dazed And Confused, You Shook
Me and I Can't Quit You Baby were released on BBC Sessions album in
1997.
Recording
Includes: You
Shook Me [ 5:11 ], I Can't Quit You Baby (<< Nineteen Years Old..)
[ 4:21 ], Communication Breakdown [ 2:56 ], Dazed And Confused [ 6:36
].
Source: Complete superb professional pre-FM
soundboard radio recording. 19 minutes.
Details: The tape is an excellent radio
master.
Official
LP Reference(s):
BBC Sessions (Atlantic)
Bootleg
LP Reference(s):
Bonham's Rebirth (The Amazing Kornyphone Rebirth Label), The Complete
BBC Performances (Toasted Records), Dazed And Confused (Atlantic), In
The Light 69-85 (Zipp Zapp), Knebworth Fair Vol. 1 (K&S Records),
The Last Farewell Vol. 2 (Fujiyo Music), & Riverside Blues (The
Swingin' Pig Records)
Official
CD Reference(s):
BBC Sessions (Atlantic)
Bootleg
CD Reference(s):
BBC (Last Stand Disc), Cabala (Osoz), Classics Off The Air 1 (Neutral
Zone), The Complete '69 BBC Classics (Immigrant), The Complete British
Broadcasting Corporation Radio Sessions (Empress Valley Supreme Disc),
Fillmore East Vol. 2 (Mud Dogs), The Lost BBC Sessions (Led Note), Pb
(Tarantura), Riverside Blues (The Swingin' Pig Records), Secret History
Of Led Zeppelin (Scorpio "old"), & Traveling Riverside
Blues (Rockin' Records/The Pageboys)
Comments:
Debut radio appearance and a great delight for ears! A classic, early
Zeppelin in the best form. Robert hints some incredible notes during
I Can't Quit You Baby. All songs were played very close to the album
versions what caused powerful and raw sound.
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MARCH 5 - TOP RANK
SUITE CLUB, CARDIFF, WALES (WEDNESDAY)
MARCH 7 - BLUESVILLE '69 CLUB, THE HORNSEY WOOD TAVERN, LONDON, ENGLAND
(FRIDAY)
MARCH 10 - COOKS FERRY INN, EDMONTON, LONDON, ENGLAND (MONDAY)
MARCH 13 - DE MONTFORT HALL, LEICESTER UNIVERSITY, LEICESTER, ENGLAND
(THURSDAY)
Billed as Pyjama Dance as a part of the University's Rag Week celebrations.
Shared equal bill with Ferris Wheel and Decoys.
Led
Zeppelin Mini Scandinavian Tour
March 14, 1969 - March 17, 1969
MARCH 14 - SWEDISH
TV, STOCKHOLM, SWEDEN (lip-sync performance) (FRIDAY, EARLY SHOW)
The whole video was used for Early Days - The Very Best Of Led Zeppelin
Volume 1 in 2000 and DVD in 2003.
Recording
Includes: Communication
Breakdown.
Source: Complete superb professional black
& white TV recording. 2 minutes.
Details: The tape is an excellent television
master.
Official
Visual Reference(s):
DVD (Warner Music Vision)
Bootleg
Visual Reference(s):
1969 (Cosmic Energy DVD-R), Bring It On Home (Eye Thank You), &
Visualize Vol. II - Tarantura Video Works Volume 2 (Tarantura VHS)
Comments:
This is probably second to only lip-sync performance by the group. Previous
one was shoot somewhere between February and March of 1969 and most
likely it might be from Thee Image Club in Florida. A real rare and
a gem! Some nice close-ups are available here.
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MARCH 14 - KONSERTHUSET,
STOCKHOLM, SWEDEN (concert married by Page's guitar problems) (FRIDAY,
EARLY EVENING SHOW, START AT 7:30pm)
Shared bill with Country Joe & The Fish. Broadcast on "Rock
fran underjorden" ("Rock From Underground") in 1982 and
1985.
Recording
Includes: Band
Opening Announcements [ cut ], The Train Kept A Rollin' [ 2:38
], [ edit ], I Gotta Move [ 3:07 ], I Can't Quit You Baby [ 5:36
], Dazed And Confused [ 10:29 ], White Summer (<< Black Mountain
Side..) [ 7:08 - edit ], How Many More Times (<< Communication
Breakdown, The Hunter..) [ 16:11 ], Band Closing Announcements [ cut
].
Source: Almost complete fair audience recording.
Near 51 minutes.
Details: The quality of the tape is poor.
It sounds like it was taped in the lobby of the venue. What you hear
for the most part is the echo from the PA, making it sound slow and
distorted.
Recording
Includes: I
Can't Quit You Baby [ 5:35 ], I Gotta Move [ 3:12 ], Dazed And Confused
[ 10:29 ], How Many More Times [ 2:07 - cut ].
Source: Incomplete superb professional
pre-FM soundboard radio recording. 22 minutes.
Details: Superb quality and spectrum. Very
clear and well balanced but a bit bass heavy.
Recording
Includes: DJ
Banter, I Can't Quit You Baby [ 5:37 ], I Gotta Move [ 3:01 ], Dazed
And Confused [ 10:30 ], How Many More Times [ 2:10 - cut ], DJ's
Outroduction.
Source: Complete superb professional FM
broadcast. 23 minutes.
Details: Superb quality and spectrum. Very
clear and well balanced but a bit bass heavy.
Bootleg
LP Reference(s) pre-FM soundboard source:
10th Anniversary (Help), Best Of Led Zeppelin Vol. 1 (Rock Solid Records),
Blow One's Cool (Grasshopper), The Final Option (Rock Solid Records
& The Swingin' Pig Records), Led Zeppelin (K&S Records), Led
Zeppelin (Sound & Vision) (Kaleidoscopic Music), Led Zeppelin Film
Can (Rock Solid Records), Riverside Blues (The Swingin' Pig Records),
& Spare Parts (Toasted Records)
Bootleg
CD Reference(s) audience:
In The Garden Of Sweden (Beelzebub Records CD-R) & Rock Of Ages
(The Diagrams Of Led Zeppelin)
Bootleg
CD Reference(s) pre-FM source:
Hampton Kicks (House Of Elrond), In The Garden Of Sweden (Beelzebub
Records), Kicks (Tarantura), Missing Links (The Diagrams Of Led Zeppelin),
Secret History Of Led Zeppelin (Scorpio "old"), & Stockholm
14/03/69 (Kaleidoscopic Music)
Bootleg
CD Reference(s) FM source:
In The Garden Of Sweden (Beelzebub Records CD-R disc 2) & The Valkyrie's
Vigil (Tarantura2000)
Bootleg
CD Reference(s) audience & pre-FM mixes:
Super Session At Tivolis Koncertsal (Empress Valley Supreme Disc)
Comments:
A very powerful and compact show. Jimmy breaks a string after the first
song so the band ad-libs a one-time only I Gotta Move with guitar, bass,
harmonica and vocals while Jimmy restrings. A unique performance! The
show is very good and strong, albeit too short!
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MARCH 14 - UPPSALA
UNIVERSITY LECTURE HALL, UPPSALA, SWEDEN (FRIDAY, LATE EVENING SHOW,
11pm)
Shared bill with Country Joe & The Fish.
MARCH 15 - TEENS CLUBS
BOX 45, GLADSAXE, COPENHAGEN, DENMARK (SATURDAY, AFTERNOON SHOW)
Billed as Led Zeppelin (Yardbirds). Support from The Ox and Uffe Sylvesters
Badekat.
Recording
Includes: The
Train Kept A Rollin' [ 2:43 ] >> I Can't Quit You Baby [ 5:24
], As Long As I Have You (<< Fresh Garbage, Shake, I Just Wanna
Make Love To You..) [ 11:44 ], You Shook Me [ 7:44 ], Communication
Breakdown [ 4:53 ]
Source: Complete very good to excellent
audience recording. 35 minutes.
Details: The sound is very clear and dynamic
but bass and drums might be defined better. The recording is taped much
close to the stage and hiss is not annoying.
Bootleg
LP Reference(s):
Led Zeppelin (Sound & Vision) (Kaleidoscopic Music)
Bootleg
CD Reference(s):
Back To The Beginning (Beelzebub Records CD-R), C'Mon Everybody (House
Of Elrond), Copenhagen (Kaleidoscopic Music), Danish Television March
1969 (Cobra Standard Series), Led Zeppelin Is A Gas (Empress Valley
Supreme Disc), Rock Of Ages (The Diagrams Of Led Zeppelin), & Short
Cuts (Image Quality)
Comments:
An incredibly powerful concert! The band is really ripping through everything
tonight. As Long As I Have You is a shortened, compact and brutal version.
Dazed And Confused is missing here, only the second time known (so far,
see February 1st, 1969 for the other). Page checks the guitar-tuning
with a bossa nova riff, quickly followed by the other two instruments
for a few seconds, Plant says: "We'll try to carry on despite Che
Guevara" much to everyone's amusement. You Shook Me and Communication
Breakdown are massive as well.
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MARCH 15 - BRONDBY
POP CLUB, NORREGARDHALLEN, NORREGARD, DENMARK (SATURDAY, EVENING SHOW)
Support from The Keef Hartley Blues Band and Made In Sweden.
Recording
Includes: The
Train Kept A Rollin' [ 2:46 ], I Can't Quit You Baby [ 5:42 ], Dazed
And Confused [ 10:55 ], You Shook Me [ 9:01 ] [ supposed to be played:
How Many More Times (<< The Hunter..) ].
Source: Incomplete very good audience recording.
Almost 30 minutes.
Details: The quality is definitely very
good. A mild hiss is present and there is some very minor distortion
that occurs briefly at times on the high end. Pagey overpowering the
rest of the band at some points.
Bootleg
CD Reference(s):
Back To The Beginning (Beelzebub Records CD-R), Led Zeppelin Is A Gas
(Empress Valley Supreme Disc), & Rock Of Ages (The Diagrams Of Led
Zeppelin)
Comments:
Another excellent and raw, powerful show in front of a small crowd.
Robert's voice is a little sore but he makes up for it in passion and
the band sounds very primitive, raw and powerful. The extended Dazed
And Confused is the perfect example.
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MARCH 16 - SUPER SESSION,
TIVOLIS KONCERTSAL, COPENHAGEN, DENMARK (SUNDAY, 2 SHOWS AT 4pm and
7pm)
Support from Country Joe & The Fish and The Keef Hartley Blues Band.
MARCH 17 - TV BYEN/DENMARKS
RADIO/DANISH BROADCASTING CORPORATION, GLADSAXE, COPENHAGEN, DENMARK
(MONDAY, afternoon recording session)
Aired on Danish TV, May 19, 1969 (Saturday) and "Arena Heavy Metal",
BBC2 on January 1, 1990. Fragments were used on "Over The Hills
And Far Away" (late 1990) and "Whole Lotta Love" (1997)
promo videos. Finally, the whole video was used for DVD in 2003.
Recording
Includes: Communication
Breakdown [ 2:45 ], Dazed And Confused [ 9:07 ], Babe I'm Gonna Leave
You [ 6:46 ] >> How Many More Times (<< The Hunter..) [
12:37 ].
Source: Complete superb professional TV
soundtrack. 32 minutes.
Details: The tape is an excellent soundboard
recording.
Recording
Includes: Communication
Breakdown [ 2:45 ], Dazed And Confused [ 9:07 ], Babe I'm Gonna Leave
You [ 6:46 ] >> How Many More Times (<< The Hunter..) [
12:37 ].
Source: Complete superb professional black
& white TV broadcast with actual sound. 31 minutes.
Details: The tape is an excellent television
recording.
Bootleg
LP Reference(s) TV soundtrack:
Danish Television March 1969 (RL Records)
Bootleg
CD Reference(s) TV soundtrack:
C'Mon Everybody (House Of Elrond), Danish Television March 1969 (Cobra
Standard Series), Danish TV 1969 (Flying Disc Music), & Danish TV
& Studio Sessions (Watch Tower 1st & 2nd edition)
Official
Visual Reference(s):
DVD (Warner Music Vision) & Over The Hills And Far Away (promo video)
Bootleg
Visual Reference(s):
1969 (Cosmic Energy DVD-R), Bring It On Home Part 1 (Eye Thank You),
Cabala: When The Levee Breaks (Osoz VHS), Early Visions/The Best Of
Led Zeppelin Clips Volume One (Celebration Definitive Masters), Hats
Off To John Bonham (Sugar Mama), & Visualize - Tarantura Video Works
Volume 1 (Tarantura VHS)
Comments:
This is a great mini-show performed for a small television audience
and the only chance to see the whole band live on TV screen until 1976
(except March 25th and 27th, 1969). There is an incredible amount of
energy packed into this set and the improvisations showcase the immense
talents of the band ... a great one to have! Few versions of this tape
are available. The one used on "DVD" is possibly pre-broadcast
tape from Denmark TV archives. Its length is 31 minutes (cut on "DVD"
some seconds too early at the end of How Many More Times). The second
version is known from BBC2 "Heavy Metal Arena" show from 1990
and this was the first occcassion to see this film after its premiere
in 1969 on Denmark television. It clocks at 32 minutes (without introduction).
The third version comes from French TV and length is 31 minutes.
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Led
Zeppelin Third U.K. Clubs Tour
March 17, 1969 - April 17, 1969
MARCH 17 - COLSTON
HALL, BRISTOL, ENGLAND (cancelled because of the Scandinavian tour)
(MONDAY)
MARCH 19 - RHYTHM
& BLUES, STUDIO 4, MAIDA VALE, LONDON, ENGLAND (WEDNESDAY, recording
session between 5:30pm and 9pm)
Original tapes were have been wiped by BBC crew. The audition was originally
broadcast on Alexis Korner's "Rhythm & Blues", later re-titled
"Blues Is Where You Hear It", BBC World Service, April 14,
1969, (Monday).
Recording
Includes: Alexis
Korner Introduction [ 0:23 ], What Is And What Should Never Be [ 4:06
- cut ], Alexis Korner Introduction [ 0:18 - cut ], I
Can't Quit You Baby [ 5:26 ], Alexis Korner Introduction [ 0:29 ], You
Shook Me [ 4:08 - cut ], [ cut ], Sunshine Woman [ 3:08
].
Source: Incomplete very good professional
AM broadcast recording. 18 minutes.
Details: The instruments are in a good
balance but since the show was recorded from medium wave broadcast the
quality suffers from some distortion and tape hiss. I used term professional
only to indicate that the actual show was taped by the radio.
Bootleg
CD Reference(s):
Anybody Got A Les Paul? (Equinox), BBC Sessions (Last Stand Disc), The
Complete British Broadcasting Corporation Radio Sessions (Empress Valley
Supreme Disc), Kozmic Blues (Beelzebub Records CD-R), Ottawa Sunshine
(House Of Elrond), & Sunshine Woman (Flagge)
Comments:
Probably one of the rarest Zeppelin studio recording ever discovered.
What makes this tape more attractive is group's attempt to the song
called Sunshine Woman. It shares the "I've got a mortgage on my
body/I've got a lean on my soul" and "When she walks/she walks
just like a willow tree" lyrics and is an interesting coincidence
Plant recycles those lyrics since Rod Stewart was using them in the
Jeff Beck Group at the same time. The tapes were wiped by BBC crew and
supposedly the only remainder master copies are somewhere in Eastern
Europe but if they really exists, they are in the hands of tape hoarders
or persons who have no idea what they have! It is also reported that
these masters have a complete version of Sunshine Woman and obviously
a Polish pirate flexi-card must be sourced from one of low gen copies.
What Is And What Should Never Be was commonly attributed to this date
but it's really from June 16th, 1969 broadcast and was added later to
this tape.
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MARCH 21 - HOW LATE
IT IS, STUDIO G, LIME GROVE STUDIOS, LONDON, ENGLAND (FRIDAY, recording
session at 5:45pm) (Appearing to replace Flying Burrito Brothers and
performed Communicatiion Breakdown)
Tapes have been wiped by BBC crew. Approach any tapes or CDs that claim
to be this date with caution. Aired at 10:50pm that night on "How
Late It Is" introduced by Michael Wale, BBC TV.
MARCH 22 - MOTHERS'
CLUB, ERDINGTON, BIRMINGHAM, ENGLAND (Ron Berg - drummer of Blodwyn
Pig - allegedly took over the drum duties for the encore as John Bonham
was ill) (SATURDAY 8:00pm)
Support from Blodwyn Pig.
Recording
Includes: The
Train Kept A Rollin' [ 2:40 - cut ] >> I Can't Quit You
Baby [ 5:42 ], [ cut ], Dazed And Confused [ 2:50 - cut
] [ supposed to be played: You Shook Me, How Many More Times (<<
The Hunter..), Communication Breakdown ].
Source: Incomplete good to very good audience
recording. 11 minutes.
Details: The sound is great for the time
and all the instruments can be heard reasonably clearly. There's a bit
of distortion but you get the impression that this is caused not so
much by recording overload but also the nature of such a small venue.
Bootleg
CD Reference(s):
Blighty (Tarantura2000) & A Decree Of Love (Wendy Records)
Comments:
This is the earliest known true live recording of the band during their
UK Clubs tour. Too bad since the quality is great!
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MARCH 23 - THE ARGUS
BUTTERFLY, PETERLEE, ENGLAND (SUNDAY)
MARCH 24 - COOKS FERRY INN, EDMONTON, LONDON, ENGLAND (MONDAY)
MARCH 25 - SUPERSHOW,
STAINES, ENGLAND (TUESDAY)
Billed with with Buddy Guy, Jack Bruce, Buddy Miles, Dick Heckstall-Smith,
Chris Mercer, Stephen Stills, Dallas Taylor, Duster Bennett Eric Clapton,
Colosseum, The Misunderstood Featuring Glenn Fernando Campbell, Modern
Jazz Quartet and Roland Kirk Quartet. Led Zeppelin performed on Tuesday,
March 25, 1969, although filming session had been continued in Wednesday,
March 26, 1969. The film received some limited screenings in England
and North America in late 1969. Fragments were used on "Whole Lotta
Love" promo video in 1997. Finally, the whole song was used for
DVD in 2003.
Recording
Includes: Dazed
And Confused [ 7:30 ] [ supposed to be played: You Shook Me ].
Source: Complete excellent professional
color movie recording with actual sound. Almost 8 minutes.
Details: The video is a slightly grainy
and blemished color film. There are lots of quick cuts and mismatched
visuals, as well as a smoke machine in the middle. As it comes for the
sound quality, it is an excellent television master.
Bootleg
LP Reference(s):
Live In Copenhagen July 21 1971 & Staines March 25 1969 (Rock Solid
Records) & Riverside Blues (The Swingin' Pig Records)
Bootleg
CD Reference(s):
The Complete '69 BBC Classics (Immigrant) & Riverside Blues (The
Swinign' Pig Records)
Official
Visual Reference(s):
DVD (Warner Music Vision), Rock Aid Armenia (Virgin Video, VHS), &
Supershow (Virgin Video, VHS)
Bootleg
Visual Reference(s):
1969 (Cosmic Energy DVD-R), & Early Visions/The Best Of Led Zeppelin
Clips Volume One (Celebration Definitive Masters)
Comments:
Zeppelin's contribution to the Supershow movie was this exquisite, compact
and powerful version of Dazed And Confused with a really spacey bow
section and a ripping finale. A real gem and a treat!
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MARCH 27 - BEAT CLUB,
RADIO BREMEN ARD, GERMANY (THURSDAY, recording session)
Aired at 4:15pm to 5:15pm on "Beat Club #53 Episode", Radio
Bremen ARD, Germany, March 28, 1970 (Saturday). Also on the show in
episode were: Ashton Gardner & Dyke, Marsha Hunt, The Beatles, Mott
The Hoople and The Edgar Broughton Band. There may be at least one more
clip from that session some sources informed Dazed And Confused
had been recorded for the show at that filming.
Recording
Includes: Babe
I'm Gonna Leave You [ cut ], You Shook Me.
Source: Incomplete excellent black &
white and color professional TV broadcast. 10 minutes.
Details: This is superb television master
of lip-sync versions originally recorded.
Recording
Includes: Whole
Lotta Love.
Source: Complete excellent color professional
TV broadcast. 3 minutes.
Details: An excellent television broadcast
of lip-sync performance mixed with portions of two songs originally
filmed. The clip also features go-go female dancers.
Bootleg
Visual Reference(s) TV master:
The Maximum Destroyer (Empress Valley Supreme Disc)
Bootleg
Visual Reference(s) TV broadcast:
1969 (Cosmic Energy DVD-R), Bring It On Home Part 1 (Eye Thank You),
Early Visions/The Best Of Led Zeppelin Clips Volume One (Celebration
Definitive Masters), Film Noir Volume 2 - 1977~1980 (Hercules DVD-R),
& Visualize Vol. II - Tarantura Video Works Volume 2 (Tarantura
VHS)
Comments:
It remainded as a curiocity why the band decided to perform in television
after as they were so dissapointed with "How Late It Is" show
on March 21st, 1969. For sure the band didn't want to play it and this
can be easily noticed, when Bonham just looking around dully while he's
playing drums. Led Zeppelin performed Babe I'm Gonne Leave You and You
Shook Me but the producers of Beat Club weren't really impressed by
group's performance and did not broadcast the filmed material. Only
in March 1970, when Whole Lotta Love became popular in Germany, the
Beat Club producers used the previously filmed material to produce a
video clip using the commercially released version of Whole Lotta Love
for the clip's audio portion. The originally recorded audio portions
were not used. Newly rediscovered in Autumn of 2007 incomplete version
of the previously unaired Babe I'm Gonna Leave You is captured from
a recent broadcast of "Vinyl - RockPopGeschichte(n)". In the
Spring of 2010 You Shook Me was found as another lip-sync performance.
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MARCH 28 - MARQUEE
CLUB, LONDON, ENGLAND (FRIDAY)
Support from Eyes Of Blue.
MARCH 29 - JAM, TROS TV, HOLLAND (airing of Good Times Bad Times) (SATURDAY)
It is not known if it was studio or live because tapes are still not
discovered and may be wiped.
MARCH 29 - BROMLEY COLLEGE OF TECHNOLOGY, BROMLEY COMMON, LONDON, ENGLAND
(SATURDAY 7:30pm)
MARCH 30 - FARX CLUB, NORTHCOTE ARMS, SOUTHALL, ENGLAND (SUNDAY, START
AT 7:30pm)
Billed as Led Zeppelin!(sic!). Support from Smokey Rice and Aphrodite's
Rainbow Light Show.
APRIL 1 - KLOOKS KLEEK, HAMPSTEAD, ENGLAND (TUESDAY)
Support from The End, Pale Green Limousine, and DJ Pat B.
APRIL 2 - THE PROGRESSIVE BLUES NIGHT, TOP RANK SUITE CLUB, CARDIFF,
WALES (WEDNESDAY)
Support from Kimla Taz, Eyes Of Blue and DJ Bob McClure. The event was
in aid of the Biafran Relief Organisation.
APRIL 3 - THE SWAN HOTEL, BOLTON, ENGLAND (disputed) (THURSDAY)
APRIL 5 - ROUNDHOUSE, CHALK FARM, DAGENHAM, LONDON, ENGLAND (SATURDAY)
APRIL 6 - THE BOAT CLUB, NOTTINGHAM, ENGLAND (SUNDAY)
APRIL 8 - BLUESVILLE '69 CLUB, THE CHERRY TREE, WELVYN GARDEN CITY,
ENGLAND (TUESDAY 7:30pm)
APRIL 9 - TOBY JUG, TOLWORTH, ENGLAND (WEDNESDAY)
APRIL 13 - KIMBELL'S, SOUTHSEA, PORTSMOUTH, ENGLAND (SUNDAY)
APRIL 14 - THE PLACE, HANLEY STOKE-ON-TRENT, ENGLAND (MONDAY)
april 17 - CLUB LAFAYETTE, WOLVERHAMPTON, ENGLAND (disputed) (THURSDAY)
APRIL 17 - THE BAY HOTEL, SUNDERLAND, ENGLAND (cancelled because of
forthcoming US tour) (THURSDAY)
Led
Zeppelin Second U.S. Tour
April 18, 1969 - June 1, 1969
APRIL 18 - NY UNIVERSITY
JAZZ FESTIVAL, NEW YORK, NEW YORK (cancelled mostly due to the fact
the band are set to start tour in San Francisco) (FRIDAY)
Shared bill with Dave Brubeck and Errol Gamer.
APRIL 24 - FILLMORE
WEST, SAN FRANCISCO, CALIFORNIA (concert married by Jones' bass problems)
(THURSDAY, 2 SHOWS)
Support from Julie Driscoll, Brian Auger & The Trinity, and The
Coldwell-Winfield Blues Band.
Recording
Includes: As
Long As I Have You (<< Fresh Garbage, Shake, Mockingbird, You
Can't Judge A Book By The Cover, Suzie Q..) [ 17:45 ], Instrumental
Intro based on Smokestack Lightning [ 0:52 ] >> Killing Floor
(<< The Lemon Song..) [ 5:51 ], [ edit ], White Summer
(<< Black Mountain Side..) [ 9:44 - edit ], [ cut
], Babe I'm Gonna Leave You [ 6:39 - cut ], Pat's Delight [ 12:01
].
Source: Incomplete excellent audience recording.
Almost 59 minutes.
Details: The quality of this recording
is so good that for many years it was incorrectly mentioned as a soundboard.
The show is captured with two mics placed right on the stage. Every
instrument is clear and balanced with Plant a bit behind the rest of
the band. Reproted to be stolen from Bill Graham vaults.
Bootleg
LP Reference(s):
The Rising Of The Zeppelin (no label) & San Francisco '69 (no label)
Bootleg
CD Reference(s):
Best Of 1969 Tour (Forever Standard Series), Black Beauty (Wendy Records),
Blues Anytime (Empress Valley Supreme Disc), Cabala (Osoz), Cracker
Jack Blues (Jelly Roll), The Dancing Avocado (Godfather Records &
Small Fish CD-R), The Dancing Avocado - Supreme Edition (Small Fish
CD-R), Early Ramshackle Days (Beelzebub Records CD-R), Fillmore 69 (House
Of Elrond), Fillmore West (Last Stand Disc), Fillmore West 1969 (Scorpio
"old"), Go West Young Man! (Scorpio "new"), Listen
To The Difference (Empress Valley Supreme Disc), Psychedelic Raw Blues
(Immigrant), & Who's Country Joe (Flying Disc Music)
Comments:
We don't know if this recording comes from single ser or it's just a
mix of both sets. The sound is so good it has been often mistaken as
a soundboard. In fact it comes from PA monitors. Quite possibly the
best version ever recorded of As Long As I Have You, competing madly
with the April 27th, 1969 version. Halfway through the number, Jones'
bass cabinet exploded and Plant ad-libed new lyrics: "I think we've
got some trouble with our equipment, yeah ... I think we're gonna get
it together, yeah ... I think we're gonna have a good time ... I think
we'd better the right key!" After the song Plant commented: "We
seem to have a cock-up every time we've been here!" Killing Floor
contains some great bass/guitar/drum interplay and Robert's voice is
in incredible shape.
Led Zeppelin Database
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APRIL 25 - WINTERLAND
BALLROOM, SAN FRANCISCO, CALIFORNIA (FRIDAY, 2 SHOWS)
Support from Julie Driscoll, Brian Auger & The Trinity, and The
Coldwell-Winfield Blues Band.
Recording
Includes: Bill
Graham Introduction [ cut ], The Train Kept A Rollin' [ 3:03
], [ cut ], You Shook Me [ 10:23 ], Communication Breakdown [
3:34 ], As Long As I Have You (<< Fresh Garbage [ cut ]..)
[ 6:02 - cut ].
Source: Incomplete good audience recording.
Almost 25 minutes.
Details: The tape is hissy and distant
but fairly clear and enjoyable nonetheless.
Bootleg
LP Reference(s):
Caution Explosive (Wizardo Records), The Final Option (Rock Solid Records
& The Swingin' Pig Records), Led Zeppelin Film Can (Rock Solid Records)
& White Summer (Acid, Box Top Records, March & Rock Solid Records
both issues)
Bootleg
CD Reference(s):
California '69 (Lemon Song), Good Old Led Zeppelin (Tarantura2000),
The Grande Ball (Missing Link), How Many More Years ~ The Legendary
Fillmore Series - West Volume 5 (Empress Valley Supreme Disc), The Valkyrie's
Vigil (Tarantura2000), & Winterland San Francisco Ca 4/25/69 (Zeppelin
Digital CD-R)
Comments:
Sounding very similar to the tape from January 9th at Fillmore West,
this tape from the band's second gig of their second visit to the city
(and their first performance at the Winterland Ballroom), is much longer
in length, being just under 25 minutes. The taper was close to the stage,
likely on the floor of the venue, and the resulting recording is a nice
listen of an excellent performance. Unfortunately, the last song on
the tape, As Long As I Have You, ends after only six minutes. Cuts are
present between all four songs, which masks the fact that there are
almost certainly songs missing in-between these cuts. This is a given
for the simple reason that the entire tape is less than half an hour
long, yet it starts with Bill Graham introducing the band, and ends
with Plant giving the audience a sincere farewell for the evening. Whether
or not the Graham introduction is from the beginning of the 1st set
or the beginning of the 2nd set isn't known. But given Plant's farewell,
we can assume that the taper was present from the start of at least
one of the sets through to the end of the night, save for any additional
encores the band may have done. Again, just like that January 9th Fillmore
West tape, there is also confusion as to what the actual date of this
recording is. And, again, the confusion here is caused by the words
that Plant says to the audience. Just before that incomplete version
of As Long As I Have You, he says the following: "Last time when
we came here was the first ... it was the second gig we ever did in
America ... and ... we'd been together about three months, and we were
really pleased with the way we went down. If we hadn't have done well
here I think we would've shitted ourselves and ran home. And you've
done the same for us this time as you did last time. We'd like to say
thank you very much, and good night." A simple fact-checking of
his statement about the town being the second gig the band ever did
in America would effectively rule out San Francisco. The first US gig
was on December 26th, 1968 in Denver, with the second in Seattle on
December 27th. After those first two, the band played Vancouver and
Spokane, with Portland said to have been played as well during that
week. From there, in the first week of the new year, the band headed
south to California for four nights at the Whisky in Hollywood, before
heading up to the Fillmore West in San Francisco the following week.
So, unless this tape is from Seattle, Plant's words don't make sense.
Thankfully, the mystery here is helped by the fact that this tape starts
with that aforementioned introduction by Bill Graham: "...welcome
them back from England, this is Led Zeppelin." Graham's introduction
on the tape weighs in heavy on this debate. In fact, so heavy, that
even though we can never be entirely sure about these types of things,
it pretty much settles the date. During this era, Graham had yet to
begin promoting concerts outside of his own venues in the Bay Area and
New York. So, for his voice to appear on this tape immediately identifies
San Francisco or New York as the location. However, the sound of Page's
guitar on this tape matches with the echo-heavy and fuzzed-out sound
he used in San Francisco in April. By the time the band reached New
York in May, Page will have gotten rid of that constant echo and fuzz
sound, and will have switched over exclusively to his Les Paul. So,
that's two points for this tape being from San Francisco. Not definitive
proof, but pretty close. As for which day in San Francisco, April 26th
and 27th are automatically out due to the fact that we already have
complete recordings from both nights. As well, the first night back
in town, April 24th, is also out, as that show starts with As Long As
I Have You, which the band can be heard playing on this tape from April
25th. Unlike shows at other venues on the tour, where the band played
to separate audiences at separate early and late shows, at Fillmore
West and Winterland, the band played to the same audience the entire
night. And during this period, we have no record of them repeating any
songs within the same night at any of the other dates they played in
town. Which ultimately asks the question as to why Plant would make
such statement. The easiest answer probably being that he was merely
being sentimental and appreciative to the audience. San Francisco was
an important town for the band during this period. The gigs that the
band gave there, especially during that week of April, are among the
finest that they ever gave. So, given that connection, what's wrong
with a little white lie amongst friends? So, I think this recording
is indeed from San Francisco, at Winterland, April 25th, 1969. Even
though the recording is so short and fragmentary, it is still a wonderful
slice, highlighting a caliber of playing that is right up there with
the other nights of the run. Plant's voice is fantastic, in glorius
high range, and Page's playing actually sounds even better than it would
the next night. Hopefully, one day more of this tape will circulate
(if there indeed is any more).
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APRIL 26 - WINTERLAND
BALLROOM, SAN FRANCISCO, CALIFORNIA (SATURDAY, 2 SHOWS)
Support from Julie Driscoll, Brian Auger & The Trinity, and The
Coldwell-Winfield Blues Band.
Set
1 Includes:
Bill Graham Introduction, Communication Breakdown [ 3:24 ] >>
I Can't Quit You Baby [ 6:13 ], Dazed And Confused [ 15:14 - edit
], You Shook Me [ 10:21 ], [ cut ], How Many More Times (<<
Smokestack Lightning, Roll Over Beethoven, The Hunter, Girl Of The North
Country..) [ 18:22 ].
Set 2 Includes: [ supposed to be not recorded:
Bill Graham Introduction ] White Summer (<< Black Mountain Side..)
[ 10:14 ], Instrumental Intro based on Smokestack Lightning [ 1:23 ]
>> Killing Floor (<< The Lemon Song, That's Alright Mama..)
[ 7:10 ], [ edit ], Babe I'm Gonna Leave You [ 6:36 ], Pat's
Delight [ 5:56 - cut ], As Long As I Have You (<< Fresh
Garbage, Shake, Mockingbird..) [ 16:54 ], [ cut ], Whole Lotta
Love [ 8:15 - cut ].
Source: Incomplete very good audience recording.
Near 121 minutes.
Details: The sound is clear for the most
part, slightly muffled in places and the drums are a little in the background
of the mix. The only drawback is that the recording is significantly
overloaded in many places. Overall one of the better audience recordings
for the era.
Bootleg
LP Reference(s):
Best Of Led Zeppelin Vol. 2 (Rock Solid Records), The Final Option (Rock
Solid Records & The Swingin' Pig Records), First Concert As The
New Yardbirds (Trade Mark Of Quality), Live (Instant Analysis), Live
In Japan 69 (TM 1698), Unburied Dead Zeppo's Grave (TM 1698, both issues),
Winterland (Rock Solid Records), & The Yardbirds Reform For Marquee
(XL 1543/44/45)
Bootleg
CD Reference(s):
1969.04.27 Winterland Ballroom, San Francisco (Dadgad Productions CD-R),
Avocado Club ~ The Legendary Fillmore Series - West Vol. 1 (Empress
Valley Supreme Disc), Good Old Led Zeppelin (Tarantura2000), Graham's
Superb Vol. 1 (Image Quality), Lead Set: Psychedelic Ballroom (Tarantura),
Psychedelic Explosion (The Diagrams Of Led Zeppelin), & Smoketsack
Lightning (Black Swan)
Comments:
This is Led Zeppelin as acid/psychedelic hard rock, pioneering a new,
original sound in the process. The concert itself is a pure magic. Everything
that made Led Zeppelin an amazing live act is here and these two sets
were so revolutionary in their time that even now, I am dumbstruck by
the power and performance. "I think last night we said that it
was nice to be back. Well, there seems to be a lot more people here,
so I hope the message is carrying on" said Plant after I Can't
Quit You Baby. Jimmy plays like a man possessed, hitting everything
with such fluency and accuracy and with such emotion. Bonham is thunderous,
Jonesy is all over the place, inventing lead lines to counter Jimmy's,
and Robert's voice is incredible, higher than any notes Jimmy can get
on his guitar! The power and performance are staggering. Also, the first
appearance of the Theremin (Dazed And Confused) and the first ever time
Whole Lotta Love was played live! Hearing this first recorded version,
its amazing how much the song had already been worked out. Plants
lyrics are mostly the same as what would appear on the album, with the
exception being that he doesnt once sing the chorus "Wanna
whole lotta love". That aside, the song remains pretty much the
same as the one we all know and love. During the middle section, Page
doesn't use the theremin. The spot where it would be featured in the
song instead features Bonham doing the same steady high-hat and clicking
accompaniment that he would do on the album, but with Page doing a slide
solo, sounding pretty much like the one he had just done a few songs
earlier in Killing Floor. After Bonham and Jones join in with a rushing
beat and the song comes to a slow down, Page then plays some of the
solo portions he had just played in As Long As I Have You. As Page keeps
soloing, Jones jumps in with parts of the backing bass line from "You
Shook Me", and then the band get into the formal return solo that
would lead back to the main riff in the song. For Plant's last solo
line, he hadnt yet gone so far as to change the original Dixon
lyric into "Woman, you need IT", so instead sings the original
"You need love". As the band crash in and the song heads towards
the ending, Plant then repeats the line "Baby you need love"
over and over. And the song fades out.
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APRIL 27 - FILLMORE
WEST, SAN FRANCISCO, CALIFORNIA (SUNDAY, 2 SHOWS)
Support from Julie Driscoll, Brian Auger & The Trinity, and The
Coldwell-Winfield Blues Band.
Set
1 Includes:
[ supposed to be not recorded: Bill Graham Introduction ] The Train
Kept A Rollin' [ 2:58 ] >> I Can't Quit You Baby [ 5:55 ], [ cut
], As Long As I Have You (<< Fresh Garbage, Shake, Cat's Squirrel,
Cadillac No Money Down, I'm A Man..) [ 17:29 ], You Shook Me [ 9:15
], Instrumental Intro [ 1:09 ] >> How Many More Times (<<
Feel So Bad, The Hunter, Babe I'm Gonna Leave You, Here We Go Round
The Mulberry Bush..) [ 19:43 - cut ], [ cut ], Communication
Breakdown [ 5:23 ].
Set 2 Includes: Instrumental Intro based
on Smokestack Lightning [ 1:11 ] >> Killing Floor (<< The
Lemon Song, Sweet Jelly Roll..) [ 7:34 ], [ cut ], Babe I'm Gonna
Leave You [ 6:51 - cut ], White Summer (<< Black Mountain
Side..) [ 9:15 - cut ], Sittin' And Thinkin' [ 7:03 ], Pat's
Delight [ 14:30 ], [ cut ], Dazed And Confused [ 4:53 - cut
].
Source: Incomplete good to very good audience
recording. 122 minutes.
Details: The first set suffers from some
form of distortion. There is some amount of tape hiss during both sets.
All the instruments come through rather clear. There are portions that
get a little muddy as the volume crashes into the recorder. Communication
Breakdown has large speed problems throughout.
Set
1 Includes:
[ supposed to be not recorded: Bill Graham Introduction ] The Train
Kept A Rollin' [ 2:59 - cut ] >> I Can't Quit You Baby
[ 6:02 ], As Long As I Have You (<< Fresh Garbage [ cut
], Shake, Cat's Squirrel, Cadillac No Money Down, I'm A Man..) [ 17:57
], [ cut ], You Shook Me [ 9:37 ], [ cut ], Instrumental
Intro [ 1:12 - cut ] >> How Many More Times (<< Feel
So Bad, The Hunter, Babe I'm Gonna Leave You [ cut ], Here We
Go Round The Mulberry Bush..) [ 18:23 - cut ], [ cut ],
Communication Breakdown [ 5:12 ].
Set 2 Includes: Instrumental Intro based
on Smokestack Lightning [ 1:12 ] >> Killing Floor (<< The
Lemon Song, Sweet Jelly Roll..) [ 6:10 - cut ], Babe I'm Gonna
Leave You [ 6:45 ], [ cut ], Sittin' And Thinkin' [ 6:59 ], [
cut ], Pat's Delight [ 13:25 - cut ], [ edit/cut
], Dazed And Confused [ 11:23 - cut ].
Source: Incomplete excellent soundboard
recording. Almost 113 minutes.
Details: This tape does not favor drums
and vocals over the rest of instruments as many other soundboards of
1969 era. It seems that all the instruments are balanced quite well
although the clarity and separation is not still top notch. The tape
hiss is large though.
Set
1 Includes:
The Train Kept A Rollin' [ 2:59 - cut ] >> I Can't Quit
You Baby [ 6:08 ], As Long As I Have You (<< Fresh Garbage [ cut
], Shake, Cat's Squirrel, Cadillac No Money Down, I'm A Man..) [ 17:25
], [ cut ], DJ Banter/Commercials [ cut ], You Shook Me
[ 9:52 ], [ cut ], DJ Banter [ cut ], Instrumental Intro
[ 1:16 - cut ] >> How Many More Times (<< Feel So
Bad, The Hunter, Babe I'm Gonna Leave You [ cut ], Here We Go
Round The Mulberry Bush..) [ 19:25 - cut ].
Set 2 Includes: DJ Banter, Instrumental
Intro based on Smokestack Lightning [ 1:16 ] >> Killing Floor
(<< The Lemon Song, Sweet Jelly Roll..) [ 6:31 - cut ],
DJ Banter [ cut ], [ cut ], Babe I'm Gonna Leave You [
6:03 - cut ], DJ Banter [ cut ], [ cut ], Sittin'
And Thinkin' [ 7:06 - cut ], [ cut ], Pat's Delight [
13:48 - cut ], DJ Banter [ cut ], Dazed And Confused [
11:47 - cut ], DJ Banter, Communication Breakdown [ 5:24 ], DJ
Banter [ cut ].
Source: Incomplete excellent FM radio broadcast
recording. Almost 116 minutes.
Details: Seems to be a touch more dynamic
and clear in some portions but nothing more than a very subjective feeling
at all. The hiss is still present. Also, there is an incorrect song
order.
Bootleg
LP Reference(s) (soundboard available):
Best Of Led Zeppelin Vol. 1 (Rock Solid Records), Fillmore West 1969
(GLC, Jester Productions & LXXXIV Series), The Final Option (Rock
Solid Records & The Swingin' Pig Records), Flying High (White Knight),
It's Been A Long Time (Songs For Swinging Mother), Led Zeppelin (Sound
& Vision) (Kaleidoscopic Music), Led Zeppelin Film Can (Rock Solid
Records), Live At Fillmore West 1969 (The Amazing Kornyphone Record
Label), Metallic Opus (Rec 90764), Moby Dick (GLC & Jester Productions),
& No Page Unturned (Nova & Wendheath)
Bootleg
CD Reference(s) audience:
Avocado Club: The Legendary Fillmore Series ~ West Vol. 1 (Empress Valley
Supreme Disc), Graham's Superb Vol. 2 (Image Quality), & Lead Set:
Sitting & Thinking (Tarantura)
Bootleg
CD Reference(s) soundboard:
1969.04.27 Fillmore West San Francisco U.S.A. (Dadgad Productions CD-R),
American Beauty (Tarantura), Cabala (Osoz), Fillmore West (Last Stand
Disc), Go West Young Man! (Scorpio "new"), San Francisco 27/04/69
Vol. 1&2 (Kaleidoscopic Music), Twinight (Immigrant), Whole Lotta
Live: Live Soundboard Collection (no label), & Zeppelin Express/Zeppelin
Ediface (Toasted/Condor)
Bootleg
CD Reference(s) audience & soundboard mixes:
Avocado Club ~ The Legendary Fillmore Series ~ West Vol. 1 (Empress
Valley Supreme Disc), Blue Flame (Bumble Bee), Collage (The Diagrams
Of Led Zeppelin), Kozmic Blues (Beelzebub Records CD-R), Simplistic
Atmosphere (Jelly Roll), & Sleeping Beauty (Wendy Records)
Bootleg
CD Reference(s) FM radio broadcast:
Bootleg
DVD Audio Reference(s):
The Devil's Blues (Genuine Masters)
Comments:
This show is just blistering. The first set has the group firing on
all cylinders and playing their hearts out. The second set is more bluesy
and laid back, but that never means less enjoyable. The only live version
of Sittin' and Thinkin', a Buddy Guy number, is here and the completely
different song list for each set make this a great show to have. Dazed
And Confused is really dark here. The group's excitement to be so anticipated
by Californian audience found their way in Plant ad-libbed lyrics of
I Can't Quit You Baby: "I'm so glad you came tonight ... but I
think we're gonna leave this town for a little while ... I don't want
to leave you people ... but I think we've got to leave San Francisco
for a little while". Also some member of the audience is calling
for You Shook Me, what makes a quick and quite funny response from Plant:
"Right! Don't worry by that! Just one before that!"
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APRIL 29 - WHISKEY
A GO-GO, LOS ANGELES, CALIFORNIA (discredited) (TUESDAY)
APRIL 30 - WHISKEY A GO-GO, LOS ANGELES, CALIFORNIA (discredited) (WEDNESDAY)
MAY 1 - U.C. CRAWFORD HALL, IRVINE, CALIFORNIA (cancelled) (THURSDAY,
START AT 8pm)
Support from Lee Michaels.
MAY 2 - ROSE PALACE, PASSADENA, CALIFORNIA (FRIDAY, START AT 7:30pm)
Support from Julie Driscoll and Brian Auger & The Trinity.
MAY 3 - ROSE PALACE, PASSADENA, CALIFORNIA (SATURDAY, START AT 7:30pm)
Support from Julie Driscoll and Brian Auger & The Trinity.
MAY 5 - CIVIC CENTRE, SANTA BARBARA, CALIFORNIA (MONDAY)
MAY 7 - MEMORIAL COLISEUM, PORTLAND, OREGON (disputed) (WEDNESDAY)
MAY 9 - EDMONTON GARDEN, EDMONTON, ALBERTA, CANADA (FRIDAY)
Support from The Angus Park Blues Band and Papa Bear's Medicine Show.
MAY 10 - PNE AGRODOME, VANCOUVER, BRITISH COLUMBIA, CANADA (SATURDAY)
Support from Spring and Jaime Brockett.
MAY 11 - GREEN LAKE AQUA THEATER, SEATTLE, WASHINGTON (SUNDAY 2pm to
6pm)
Shared bill with Three Dog Night, Jaime Brockett, Spring, and Jimmy
Winkler's Translove Airlines.
MAY 13 - CIVIC AUDITORIUM, HONOLULU, HAWAII (TUESDAY 7:30pm)
MAY 16 - THE GRANDE BALLROOM, DETROIT, MICHIGAN (FRIDAY 7pm and 10pm
SHOWS) (Concert moved from Olympia Stadium, Detroit, Michigan.)
Original suuport was Spirit and Illinois Speed Press. After as the venue
was changed, two new support acts were added: Sun Ra and Golden Earring.
MAY 17 - CONVOCATION
CENTER, ATHENS, OHIO (SATURDAY, START AT 8:30pm)
Opened for Jose Feliciano, then riding on the back of his massive success
with his cover of The Doors' "Light My Fire".
WARNING! Some sources
reported that good to very good audience tape of approximately 45 minutes
long surfaced from this show and may still be in the hands of a tape
hoarder. A very big care must be taken with these reports.
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MAY 18 - GUTHRIE MEMORIAL
THEATER, MINNEAPOLIS, MINNESOTA (SUNDAY)
MAY 21 - SYRACUSE, NEW YORK (discredited) (WEDNESDAY)
MAY 23 - SAN JOSE POP FESTIVAL, SANTA CLARA COUNTY FAIRGROUNDS, SAN
JOSE, CALIFORNIA (cancelled because of distance) (FRIDAY, AFTERNOON
SHOW)
Headlined by The Jimi Hendrix Experience.
MAY 23 - KINETIC PLAYGROUND, CHICAGO, ILLINOIS (FRIDAY, EVENING SHOW)
Support from Pacific Gas & Electric Co. and Illinois Speed Press.
MAY 24 - KINETIC PLAYGROUND, CHICAGO, ILLINOIS (SATURDAY)
MAY 25 - MERRIWEATHER
POST PAVILION, COLUMBIA, MARYLAND (SUNDAY, START AT 8pm)
Opened for The Who. Uncle Dirty (a comedian) opened the show.
Recording
Includes: [
supposed to be played: The Train Kept A Rollin', I Can't Quit You Baby,
As Long As I Have You (<< Fresh Garbage, Shake..), Dazed And Confused,
You Shook Me, How Many More Times (<< The Hunter..) ] Whole Lotta
Love [ 7:20 ].
Source: Incomplete good audience recording.
7 minutes.
Details: The tape is distance but clear.
Not as bad as we could think at all.
Recording
Includes: Backstage
scenes.
Source: Incomplete silent 8mm amateur footage.
(Need length.)
Details: A quick shots of Page, Plant,
and Bonham along with the members of The Who at the backstage.
Bootleg
CD Reference(s):
Anybody Got A Les Paul? (Equinox), A Decree Of Love (Wendy Records),
Red Snapper Deluxe (Balboa Productions), & Whole Lotta Love (Tarantura)
Bootleg
Visual Reference(s):
Comments:
This is only the encore for the show and all that exists from the show.
It also happens to be the second time ever (see April 26th, 1969 for
the first) time Whole Lotta Love was played live. A very different version
that is excellent, with a long guitar solo in the middle and great vocals
from Robert. A very interesting comment about that evening comes from
one of the Who's crew: "I had the unenviable task of throwing Zeppelin
off the stage," recalled Jeff Wolff. "They were playing over
time, stringin' it out, and there was a curfew, so I was saying, "I've
got to get you off!" I had to pull the plug on them, otherwise
we were never going to go on!"
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MAY 26 - BOSTON TEA
PARTY, BOSTON, MASSACHUSETTS (cancelled) (MONDAY)
MAY 27 - BOSTON TEA PARTY, BOSTON, MASSACHUSETTS (TUESDAY)
Support from Zephyr.
MAY 28 - BOSTON TEA
PARTY, BOSTON, MASSACHUSETTS (WEDNESDAY)
Support from Zephyr.
Recording
Includes: Band
Opening Announcements, As Long As I Have You (<< Fresh Garbage,
Shake, Mockingbird..) [ 14:41 ], I Can't Quit You Baby [ 5:33 ], Dazed
And Confused (<< Move On Down The Line..) [ 13:53 ], [ cut
], You Shook Me [ 9:24 ], Pat's Delight [ 11:46 ] >> Babe I'm
Gonna Leave You [ 7:18 ], How Many More Times (<< For Your Love,
The Hunter..) [ 21:31 ], Announcer Speech, Drums/Bass/Harmonica Improvisation
[ 2:20 ] >> Communication Breakdown [ 2:47 ], Band Closing Announcements
[ cut ].
Source: Almost complete good to very good
audience recording. Near 95 minutes.
Details: The tape is a bit muddy and rather
distant but it is also quite clear and good balanced recording.
Bootleg
CD Reference(s):
Complete Boston Tea Party (ARMS), The Legendary Boston Tea Party Tapes
Volume 1 (Empress Valley Supreme Disc), Masters Of Excess (The Symbols),
& Pat's Delight (Tecumseh)
Comments:
An excellent and wild show in front of a rather dull and unresponsive
crowd. Robert's voice is simply perfect and the band is so on! The improvisations
in Dazed And Confused, As Long As I Have You, and a very long How Many
More Times are truly outstanding and the whole show is a great 1969
Led Zeppelin energetic, loud, powerful, raw, and wonderful document.
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MAY 29 - FILLMORE
EAST, NEW YORK CITY, NEW YORK, NEW YORK (cancelled and rescheduled for
May 30th, 1969) (THURSDAY)
MAY 29 - BOSTON TEA PARTY, BOSTON, MASSACHUSETTS (THURSDAY)
Support from Zephyr.
MAY 30 - FILLMORE
EAST, NEW YORK CITY, NEW YORK, NEW YORK (FRIDAY 8pm and 11:30pm SHOWS)
Support from Woody Herman & His Orchestra and Delaney & Bonnie
& Friends. Psychedelic imaginery was provided by the Joshua Light
Show.
Set
1 Includes:
Bill Graham Introduction [ cut ], The Train Kept A Rollin' [
3:00 ] >> I Can't Quit You Baby [ 6:07 ], Dazed And Confused [
11:33 ], You Shook Me [ 9:26 ], White Summer (<< Black Mountain
Side..) [ 9:53 ], How Many More Times (<< Just A Little Bit, The
Hunter..) [ 15:49 - edit ], [ edit/cut ], Communication
Breakdown [ 3:14 ].
Source: Almost complete fair to good audience
recording. Almost 64 minutes.
Details: The tape is overloaded and distorted,
also somewhat bassy and muddy.
Bootleg
CD Reference(s):
Drive Me Insane (Scorpio "new"), Early Days Latter Days (no
label), & The Legendary Fillmore Tapes Vol. 2 (Savage Beast Music)
Comments:
A short, intense and excellent show in front of a crowd who has fallen
under Led Zeppelin's spell. Robert's voice is fantastic and the band
plows through the set with intensity and fire and Dazed And Confused
and How Many More Times have great performances from all four band members.
Check out Jimmy's mind-blowing solo in You Shook Me ... another triumph!
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MAY 31 - FILLMORE
EAST, NEW YORK CITY, NEW YORK, NEW YORK (SATURDAY 8pm and 11:30 pm SHOWS)
Support from Woody Herman & His Orchestra and Delaney & Bonnie
& Friends with the special guest of Dorothy Morrison. Psychedelic
imaginery was provided by the Joshua Light Show.
JUNE 1 - KIEL AUDITORIUM, ST. LOUIS, MISSOURI (cancelled) (SUNDAY)
Scheduled line-up was The Who, Led Zeppelin, and Joe Cocker. Concert
was advertised with Led Zeppelin as the second billing. However, Led
Zeppelin pulled out of the line-up and the concert went ahead with just
The Who and Joe Cocker.
Led
Zeppelin Fourth U.K. Tour
June 13, 1969 - June 29, 1969
JUNE 13 - TOWN HALL,
BIRMINGHAM, ENGLAND (FRIDAY 7:30pm)
JUNE 15 - FREE TRADE HALL, MANCHESTER, ENGLAND (SUNDAY 7pm)
Billed as Led Zeppelin etc.
JUNE 16 - TASTY POP
SUNDAE, STUDIO 2, AEOLIAN HALL, LONDON, ENGLAND (MONDAY, recording session
between 7:30pm to 11pm)
Broadcast between 10am and 12 noon on "Chris Grant's Tasty Pop
Sundae", June 22, 1969 (Sunday). Also on the show in session were
Marmalade and Vanity Fair. Finally, the whole broadcast (minus interview)
was released on BBC Sessions album in 1997.
Recording
Includes: Interview
with all members of Led Zeppelin [ 6:00 ], [ cut ], The Girl
I Love She Got Long Black Wavy Hair [ 2:59 ], Studio Chatter, Communication
Breakdown (<< Just A Little Bit..) [ 3:09 ], Between Song, What
Is And What Should Never Be [ 4:10 ], Something Else [ 2:04 ].
Source: Complete superb professional pre-FM
soundboard radio recording. 19 minutes.
Details: The tape is an excellent radio
master.
Official
LP Reference(s):
BBC Sessions (Atlantic)
Bootleg
LP Reference(s):
A Collection Of BBC Archives (Archive) & Dazed And Confused (Atlantic)
Official
CD Reference(s):
BBC Sessions (Atlantic)
Bootleg
CD Reference(s):
BBC (Last Stand Disc), Cabala (Osoz), The Complete '69 BBC Classics
(Immigrant), The Complete British Broadcasting Corporation Radio Sessions
(Empress Valley Supreme Disc), The Lost BBC Sessions (Led Note), &
Secret History Of Led Zeppelin (Scorpio "old")
Comments:
Another brilliant broadcast and a truly one of the best studio versions
of Communication Breakdown with snippets of Just A Little Bit thrown
in. But this show is reserved for two never before played songs: The
Girl I Love and Something Else. The first one has similar guitar structure
to the later used on Moby Dick instrumental intro while the second is
a superb rendition to Eddie Cohtan's classic tune and Zeppelin's own
hymn to one of their rock 'n' roll heroes.
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JUNE 19 - DU KREMLIN
BICENTRE (ANTENNE CULTURELLE - TOUS EN SCENE), PARIS, FRANCE (THURSDAY,
recording session)
Whole concert was professionally filmed. The programme bill also bell
boys pretending to be a rock group, jazz and variety acts, and a Salvation
Army band. Aired on France television on September 5, 1969 (Friday).
Re-broadcast on Canal Jimmy, French TV in 1991. Fragments were used
on "Whole Lotta Love" promo video in 1997. Finally, mix of
both versions of Communication Breakdown and all of Dazed And Confused
were used for DVD in 2003.
Recording
Includes: Communication
Breakdown (rehersal), Communication Breakdown, Dazed And Confused [
cut ] [ supposed to be played: White Summer (<< Black Mountain
Side..), Good Times Bad Times - Whole Lotta Love ].
Source: Incomplete (?) excellent color
professional television broadcast with actual sound. Almost 15 minutes.
Details: The tape is an excellent television
master.
Bootleg
CD Reference(s):
The Complete '69 BBC Classics (Immigrant)
Official
Visual Reference(s):
DVD (Warner Music Vision)
Bootleg
Visual Reference(s):
1969 (Cosmic Energy DVD-R), Bring It On Home Part 1 (Eye Thank You),
Early Visions/The Best Of Led Zeppelin Clips Volume One (Celebration
Definitive Masters), Hats Off To John Bonham (Sugar Mama), & Visualize
Vo. II - Tarantura Video Works Volume 2 (Tarantura VHS)
Comments:
This is all that exists from this rather unexpected and fantastic raw
performance. The group performed strong, short set but only Dazed And
Confused and rehearsal and show versions of Communication Breakdown
were recorded. After so much disappointent of broadcast the group never
performed in television again.
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JUNE 20 - CITY HALL,
NEWCASTLE-ON-TYNE, ENGLAND (FRIDAY, START AT 7:30pm)
Support from The Liverpool Scene and Blodwyn Pig.
Recording
Includes: The
Train Kept A Rollin' [ 2:57 ] >> I Can't Quit You Baby [ 6:10
], Dazed And Confused [ 11:06 ], White Summer (<< Black Mountain
Side..) [ 9:52 ], Harmonica/Drums/Bass Interlude [ 0:18 ], You Shook
Me (<< The Lemon Song..) [ 11:21 ], [ cut ], Pat's Delight
[ 12:40 ], [ edit ], How Many More Times (<< Over Under
Sideways Down, There's A Mountain, The Hunter..) [ 19:27 ], Communication
Breakdown (<< Just A Little Bit..) [ 4:04 ].
Source: Almost complete fair audience recording.
85 minutes.
Details: A highly overloaded, distant and
hissy tape makes this recording rather hard to listen.
Bootleg
CD Reference(s):
Blighty (Tarantura2000) & A Decree Of Love (Wendy Records)
Comments:
A truly powerful show just a week before as the band took BBC Playhouse
Theatre's venue on June 27th, 1969. The performance is superb and the
curiosities such as the harmonica/drums/bass interlude before You Shook
Me and some frenetically delivered lines from Donovan's There Is A Mountain
during How Many More Times are priceless. The band and the audience
seem to be having a great time. "You know we do a lot of work in
America but I think this is the best night we've ever had in England,"
says Robert near the end.
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JUNE 21 - COLSTON
HALL, BRISTOL, ENGLAND (SATURDAY, START AT 7:30pm)
Support from Blodwyn Pig (unable to play that night).
JUNE 24 - TOP GEAR,
STUDIO 4, MAIDA VALE, LONDON, ENGLAND (TUESDAY, recording session between
2:30pm to 9:30pm)
Broadcast between 7pm and 9pm on John Peel's "Top Gear", Radio
One, June 29, 1969 (Sunday). Also on the show in session were The Pentagle,
Savoy Brown Blues Band and Idle Rice. The audition was rebroadcast on
"Tommy Vance Friday Rock Show", BBC Radio, London, England
on February 2, 1979 (Friday). Travelling Riverside Blues was first released
as a part of Led Zeppelin box set and also used as a music background
to the promo film under the same title during promotion campaign of
Remasters set in late 1990 by Jimmy Page, mixed along with other miscellaneous
scenes as well as brief parts of July 1973 The Song Remains The Same
and Seattle July 17, 1977 pro shots. Finally, Whole Lotta Love, Communication
Breakdown and Travelling Riverside Blues were released on BBC Sessions
album in 1997.
Recording
Includes: Studio
Chatter, What Is And What Should Never Be [ 4:18 ], Whole Lotta Love
[ 6:05 ], Communication Breakdown [ 2:37 ], Travelling Riverside Blues
(<< The Lemon Song..) [ 5:08 ].
Source: Complete superb professional pre-FM
soundboard radio recording. 18 minutes.
Details: The tape is an excellent radio
master.
Official
LP Reference(s):
BBC Sessions (Atlantic) & Led Zeppelin Box Set (Atlantic)
Bootleg
LP Reference(s):
10th Anniversary (Help), Absence (Toasted Records), Bonham's Rebirth
(The Amazing Kornyphone Rebirth Label), The Complete BBC Performances
(Toasted Records), Dazed And Confused (Atlantic), Hiawatha Express (Ze
Anonym Plattenspieler), In The Light 69-85 (Zipp Zapp), Knebworth Fair
Vol. 1 (K&S Records), The Last Farewell Vol. 2 (Fujiyo Music), Led
Zeppelin (K&S Records, 1LP & Sfot-Cid both issues, 1EP), Led
Zeppelin Film Can (Rock Solid Records), Riverside Blues (The Swingin'
Pig Records), Rock 'N' Roll Circus (Barking Moose Records), Rock 'N'
Roll Circus Special (Ze Anonym Plattenspieler), & Spare Parts (Toasted
Records)
Official
CD Reference(s):
BBC Sessions (Atlantic) & Led Zeppelin Box Set (Atlantic)
Bootleg
CD Reference(s):
BBC (Last Stand Disc), Cabala (Osoz), Classics Off The Air 1 (Neutral
Zone), The Complete '69 BBC Classics (Immigrant), The Complete British
Broadcasting Corporation Radio Sessions (Empress Valley Supreme Disc),
The Lost BBC Sessions (Led Note), Rarities (Fire Power), Riverside Blues
(The Swingin' Pig Records), Secret History Of Led Zeppelin (Scorpio
"old"), & Traveling Riverside Blues (Rockin' Records/The
Pageboys)
Official
Visual Reference(s):
DVD (Warner Music Vision) & Travelling Riverside Blues (promo video)
Comments:
Another studio session that needs no recommendation. During this short
British tour the band was absolutely on peak form and it can be easily
heard on this amazing recording. A fury, power and energy are present
on all the tracks. Whole Lotta Love is psychedelic stand-out and Robert's
yelling during theramin battle is thrilling. Communication Breakdown
is devastating and What Is And What Should Never Be is one of the most
dramatic versions the band ever played. A real pearl, Traveling Riverside
Blues is Zeppelin's bow to the talent and magic of Robert Johnson and
Plant sings some of his "lemon" lyrics.
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JUNE 26 - GUILDHALL,
PORTSMOUTH, ENGLAND (THURSDAY 7:30pm)
JUNE 27 - PLAYHOUSE THEATRE, LONDON, ENGLAND (FRIDAY, rehearsal at 7pm)
JUNE 27 - ONE NIGHT
STAND, PLAYHOUSE THEATRE, LONDON, ENGLAND (FRIDAY, recording session
between 8:45pm to 10:15 pm)
Broadcast between 8pm and 9pm on John Peel's "Top Gear", Radio
One, August 10, 1969 (Sunday). Also on the show in session was The Edgar
Broughton Band. The audition was rebroadcast on "Tommy Vance Friday
Rock Show", BBC Radio, London, England on December 28, 1979 (Friday).
White Summer/Black Mountain Side was released as a part of Led Zeppelin
box set in late 1990. Finally, Communication Breakdown, I Can't Quit
You Baby, You Shook Me and How Many More Times were released on BBC
Sessions album in 1997.
Recording
Includes: Alan
Black Introduction, Communication Breakdown (<< It's Your Thing..)
[ 3:13 ] >> I Can't Quit You Baby [ 6:10 ], Alan Black Interview
with Jimmy Page and Robert Plant, Dazed And Confused [ 11:00 ], Alan
Black Introduction, White Summer [ cut ] (<< Black Mountain
Side..) [ 8:03 ], The Liverpool Scene Sketch with Adrian Henry/Mike
Evans/Andy Roberts, You Shook Me [ 10:12 ], Alan Black Introduction,
How Many More Times (<< The Hunter, The Lemon Song..) [ 12:56
].
Source: Almost superb professional pre-FM
soundboard radio recording. 62 minutes.
Details: The tape is an excellent radio
master.
Recording
Includes: Communication
Breakdown (<< It's Your Thing..) [ 3:12 ] >> I Can't Quit
You Baby [ 6:06 ], Dazed And Confused [ 10:47 ], White Summer (<<
Black Mountain Side..) [ 8:05 ], You Shook Me [ 10:01 ], How Many More
Times (<< The Hunter, The Lemon Song..) [ 12:26 ].
Source: Complete superb professional FM
broadcast. 52 minutes.
Details: The tape is an excellent edited
radio master with almost entire chatter and banter between songs removed.
Official
LP Reference(s):
BBC Sessions (Atlantic) & Led Zeppelin Box Set (Atlantic)
Bootleg
LP Reference(s) FM source:
Best Of Led Zeppelin Vol. 2 (Rock Solid Records), The Big Dope Party
(LZ69 & LZ869), Carnival (Toasted Records), The Complete BBC Performances
(Toasted Records), Dazed And Confused (Royal Sound), The Final Option
(Rock Solid Records & The Swingin' Pig Records), First Concert As
The New Yardbirds (Trade Mark Of Quality), Flight Of The Led Zeppelin
1969 (Jolly Good Sound), Four Symbols (Accord), Idolescence (Volsung),
In The Light 1969 (LZL4 A-D), Led Zeppelin (String Records), Led Zeppelin
Film Can (Rock Solid Records), Live In London 1969 (Elektrecord), London
1969 (Accord Records), My Rider (LZ69), One Night Stand (Atlantic),
Over London (European Fan Club), Stairway To The Moon (no label), White
Summer (The Swingin' Pig Records), The Yardbirds Reform For Marquee
(XL 1543/44/45), & Zep Over Europe (Earthworks)
Official
CD Reference(s):
BBC Sessions (Atlantic) & Led Zeppelin Box Set (Atlantic)
Bootleg
CD Reference(s) pre-FM source:
BBC 1969 (no label), BBC Sessions (Last Stand Disc), BBC Rock Hour (Bumble
Bee), BBC Transcription Service (no label), Classics Off The Air 2 (Neutral
Zone), The Complete British Broadcasting Corporation Radio Sessions
(Empress Valley Supreme Disc), & Rock Hour (Antrabata Reference
Master & Theramin Music)
Bootleg
CD Reference(s) FM source:
BBC (Last Stand Disc), The Complete '69 BBC Classics (Immigrant), &
White Summer (Capricorn Records & The Swingin' Pig Records)
Comments:
This show was recorded for the BBC to broadcast the entire show, and
here it all is. An incredible, compact, tight show that features some
of the best playing ever, with Jones and Bonham shining throughout and
quite possibly the best recording of Plant's voice ever. Add Jimmy's
dazzling guitar work and you have a classic show.
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JUNE 28 - FIRST BATH
FESTIVAL OF BLUES & PROGRESSIVE MUSIC, SHEPTON MALLET, ENGLAND (SATURDAY,
START AT 12 noon)
Shared bill with Ten Years After, Fleetwood Mac, John Mayall, The Nice,
Chicken Shack, Colosseum, Blodwyn Pig, The Keef Hartley Blues Band,
Taste, Roy Harper, Savoy Brown Blues Band, Champion Jack Dupree, Clouds,
Babylon, Group Therapy, Principal Edward's Magic Theatre, The Edgar
Broughton Band, Deep Blues Band, Just Before Dawn, The Liverpool Scene,
and DJ John Peel.
JUNE 29 - POP PROMS, ROYAL ALBERT HALL, LONDON, ENGLAND (members of
The Liverpool Scene and Blodwyn Pig joined Led Zeppelin to the final
encore Long Tall Sally) (SUNDAY 5:30pm and 8:30pm SHOWS)
Support from The Liverpool Scene, Blodwyn Pig, and DJ Jeff Dexter.
Led
Zeppelin Third U.S. Tour
July 5, 1969 - August 31, 1969
JULY 4 - ROOSEVELT
RACEWAY, WESTBURY, NEW YORK (cancelled) (FRIDAY)
JULY 5 - FIRST ATLANTA INTERNATIONAL POP FESTIVAL, GAINESVILLE NR. BYRON,
GEORGIA (concert interrupted by a naked man who jumped on stage and
began to dance, finally dived into John Bonham's drums kit) (SATURDAY)
Shared bill with Blood Sweat & Tears, Booker T. And The MG's, Canned
Heat, Chicago Transit Authority, Chuck Berry, Creedence Clearwater Revival,
Dave Brubeck & Garry Mulligan, Delaney Bonnie & Friends, Ian
& Sylvia, Janis Joplin & His Cosmik Blues Band, Joe Cocker,
Al Kooper, Johnny Rivers, Johnny Winter, Pacific Gas & Electric,
Paul Butterfield Blues Band, Spirit, Staple Singers, Sweetwater, Ten
Wheel Drive, and Tommy Jones & The Shandells.
JULY 6 - SIXTEENTH
ANNUAL NEWPORT JAZZ FESTIVAL, FESTIVAL FIELD, NEWPORT, RHODE ISLAND
(SUNDAY, START AT 8pm)
Shared bill with B. B. King, Jeff Beck Group, Art Blakey, Willie Bobo,
James Brown with Nipsy Russell, Dave Brubeck Trio featuring Gerry Mulligan,
Buddy Rich Orchestra, Gary Burton, Miles Davis, Herbie Hanckock, Illinois
State Band, Jethro Tull, John Mayall, Newport All Stars with Mavis Rivers,
Savage Rose, Sly & The Family Show, O. C. Smith, Ten Years After,
Johnny Winter, World's Greatest Jazz Band with Maxine Sullivan and Stephanie
Grapelli, and Frank Zappa & The Mothers Of Invention. Psychedelic
imaginery was provided by the Joshua Light Show. Led Zeppelin headlined
the fourth night of the festival.
Recording
Includes: [
supposed to be not recorded: Band Announcements ] The Train Kept A Rollin'
[ 2:51 ] >> I Can't Quit You Baby [ 6:05 ], Dazed And Confused
[ 12:29 ], You Shook Me [ 10:33 ], How Many More Times (<< The
Hunter, The Lemon Song..) [ 14:51 ], Communication Breakdown [ 4:26
- cut ].
Source: Incomplete very good to excellent
1st audience recording. Almost 55 minutes.
Details: The recording is very bright and
has all the instruments in great balance except for Plant's vocals that
are lost in the mix very noticeably.
Recording
Includes: [
supposed to be not recorded: Band Announcements ] The Train Kept A Rollin'
[ 2:53 ] >> I Can't Quit You Baby [ 6:14 ], Dazed And Confused
[ 12:52 ], You Shook Me [ 10:56 ], How Many More Times (<< The
Hunter, The Lemon Song..) [ 15:28 ], Communication Breakdown [ 5:07
] >> Long Tall Sally [ 5:14 ], Band Outroduction.
Source: Almost complete very good 2nd audience
recording. 64 minutes.
Details: The tape is clear and close to
the speakers. Plant's vocals are very prominent for most of the recording
with Page's guitar pushed to the rear and the rhythm section somewhere
in the middle.
Recording
Includes: [
supposed to be not recorded: Band Announcements ] The Train Kept A Rollin'
>> I Can't Quit You Baby, Dazed And Confused.
Source: Incomplete good 3rd audience recording.
20 minutes.
Bootleg
LP Reference(s) source 1:
Live At The Newport Jazz Festival (Led)
Bootleg
CD Reference(s) source 1:
New Port '69 (Black Swan)
Bootleg
CD Reference(s) source 2:
Jazz (no label), Live At The Newport Jazz Festival (aka Good Times Bad
Times) (Empress Valley Supreme Disc), Long Tall Sally (Tarantura), Newport
Jazz Festival 7/6/69 (Zeppelin Digital CD-R), & Tales From '69 (Tarantura)
Bootleg
CD Reference(s) source 3:
Newport Jazz Festival (Masterport)
Bootleg
CD Reference(s) source 1 & 2 mixes:
Jazz But Rock (Tarantura2000) & Newport Jazz Festival (Graf Zeppelin)
Comments:
Led Zeppelin closed out the final night of the festival with this extremely
gutsy and intense performance. The audience was rowdy after as the Zeppelin
was reported to be not performed and Plant announced: "A lot of
people though that we weren't gonna come here today. There was a lot
of talk thtat everyone was ill and bad. There was nothing wrong with
us at all and we intended on playing. That's what we've come to America
for. We were coming in the first place so don't get any hassles about
what we were gonna do and what we weren't. We hope you'll enjoy everything
we do tonight and have a ball". Robert's voice is so powerful it
wreaks havoc on the recorder! The band is definitely on and Jones and
Bonham hit some unreal highs throughout the show, as does Jimmy as well.
Some great harmonica soloing from Robert as well and two riotous encores
cap this great show.
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JULY 8 - MIAMI, FLORIDA
(disputed) (TUESDAY)
JULY 9 - TAMPA, FLORIDA (disputed) (WEDNESDAY)
JULY 10 - JACKSONVILLE, FLORIDA (disputed) (THURSDAY)
JULY 11 - LAUREL JAZZ & POP FESTIVAL, LAUREL RACE TRACK, MARYLAND
(FRIDAY, START AT 8pm) (Concert moved from Laurel Racecourse, Maryland.)
Shared bill with Johnny Winter, Jethro Tull, Al Kooper, Buddy Guy, Sly
& The Family Stone, Ten Years After, Jeff Beck, Frank Zappa &
The Mothers Of Invention, Savoy Brown Blues Band, and Guess Who. Led
Zeppelin headlined.
JULY 12 - SPECTRUM SUMMER POP FESTIVAL, THE SPECTRUM, PHILADELPHIA,
PENNSYLVANIA (SATURDAY, START AT 8pm)
Shared bill with Sly & The Family Stone, Frank Zappa & The Mothers
Of Invention, Ten Years After, Jeff Beck, Savoy Brown, Blood Sweat &
Tears, Edwin Hawkins Singers, Johnny Winter, Al Kooper, Jethro Tull,
and Buddy Guy's Blues Band. Led Zeppelin headlined on the last day of
the festival.
JULY 13 - SINGER BOWL, FLUSHING MEADOW, NEW YORK, NEW YORK (John Bonham
joined Jeff Beck for jam of Rice Pudding/The Stripper, then all four
members of Led Zeppelin plus Glen Cornick of Jethro Tull and Alvin Lee
of Ten Years After joining Jeff Beck for jam based on Jailhouse Rock)
(SUNDAY)
Shared bill with Jethro Tull, The Jeff Beck Group, Ten Years After among
others.
JULY 15 - ROCHESTER, NEW YORK (disputed) (TUESDAY)
JULY 16 - DETROIT, MICHIGAN (disputed) (WEDNESDAY)
JULY 17 - CINCINNATI, OHIO (disputed) (THURSDAY)
JULY 18 - KINETIC PLAYGROUND, CHICAGO, ILLINOIS (FRIDAY)
Support from Savoy Brown Blues and The Litter with the special guest
of Jethro Tull.
JULY 19 - KINETIC PLAYGROUND, CHICAGO, ILLINOIS (SATURDAY)
Support from Savoy Brown Blues and The Litter with the special guest
of Jethro Tull.
JULY 20 - MUSICCARNIVAL,
WARRENSVILLE HEIGHTS, CLEVELAND, OHIO (concert married by equipment
problems) (SUNDAY, START AT 7pm)
Shared bill with The James Gang.
Recording
Includes: The
Train Kept A Rollin' [ 2:56 - cut ] >> I Can't Quit You
Baby [ 6:26 ], Dazed And Confused [ 13:52 ], White Summer (<<
Black Mountain Side..) [ 6:32 - edit/cut ], [ cut ], You
Shook Me [ 11:03 - cut ], [ edit ], How Many More Times
(<< The Hunter, The Lemon Song, You Make Me Feel So Young..) [
17:14 - cut ].
Source: Incomplete good audience recording.
Almost 62 minutes.
Details: The tape is a bit thin souding
and distant with Plant in the back. There are some rather large problems
with the channel and speed during White Summer medley. Not to mention
some hiss too.
Bootleg
CD Reference(s):
Cleveland 1969 (The Diagrams Of Led Zeppelin) & The Destroyer 1969
(Tarantura)
Comments:
A very intense and powerful show but plagued with some PA problems.
Plant: "Once again, as last time in the State of Ohio, we find
that the PA system is completely inaudible; but, nevertheless, we'd
like to carry on ... I think I'd better get out of the way ... If we
go up with a flash and a bang...". The first two songs are very
powerful and Robert's voice is simply devastating. Page is playing great
and the rhythm section is unalterable in Dazed And Confused and incendiary
and dynamic in How Many More Times, steering the group through the changes.
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JULY 21 - SCHAEFER
MUSIC FESTIVAL, WOLLMAN RINK, CENTRAL PARK, NEW YORK CITY, NEW YORK,
NEW YORK (MONDAY 7pm and 9:30pm SHOWS)
Approximately 40 minutes of color 16mm film exists along with another
16mm full coat mag track with sound. Shared bill with B.B. King, Joni
Mitchell, Tim Hardin, Mongo Santamaria, Cal Tjader, Ray Barretto, Chucho
Avellanet, Sly & The Family Stone, Slim Harpo, Carlos Montoya, and
Paul Winter Consert. Led Zeppelin headlined on the first day of the
festival.
Set
1 Includes:
The Train Kept A Rollin' [ 2:44 - cut ] >> I Can't Quit
You Baby [ 6:21 ], Dazed And Confused [ 12:41 ], You Shook Me [ 10:41
], White Summer (<< Black Mountain Side..) [ 8:24 ], How Many
More Times (<< Woody Woodpecker Song, For What It's Worth, The
Hunter, The Lemon Song, You Make Me Feel So Young..) [ 16:22 - cut
], Communication Breakdown (<< Just A Little Bit..) [ 3:16 ].
Source: Incomplete very good to excellent
audience recording. 68 minutes.
Details: It is a very clear, detailed and
up front audience recording and a minor miracle considering it comes
from the summer of 1969. One of the best from the era. The only drawback
is the minor amount of tape hiss present here.
Bootleg
LP Reference(s):
Central Park '69 & Central Park '69-Milan '71 (no label), The Dirty
Dozens (Ass Records), & The Final Option (Rock Solid Records &
The Swingin' Pig Records)
Bootleg
CD Reference(s):
Central Park 69 (Scorpio "old"), Complete Central Park 1969
(Sanctuary), Live At Central Park (Empress Valley Supreme Disc), Schaefer
Music Festival (Graf Zeppelin & Rock Calender Records), Summer Of
Love (Beelzebub Records CD-R), Twist (no label), & Woody Woodrocker
Show (Tarantura2000)
Comments:
A wild show! The great recording gives a vibrant atmosphere and the
show is outstanding! Plant's voice is just amazing, and the instrumental
machine is exquisite, soaring and roaring through every song with a
vengeance! I love listening to the Zeppelin festival sets from 1969
because they had a set time to play and they put everything they have
into it and it leaves you breathless! Robert aplogised to the audience
for the lack of new material: "We've got an album coming out in
the second week in August, but at the moment there's a bit of delay
in us getting the numbers together really for stage, because we're still
doing the old ones." Some wacky and exciting surprises in How Many
More Times add to the fun and excitement!
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JULY 25 - MID-WEST
ROCK FESTIVAL, STATE FAIR GROUNDS, MILWAUKEE, WISCONSIN (FRIDAY)
Shared bill with Buffy Saint Marie, 1st Edition, Pacific Gas & Electric,
S.R.C., Shag, Sweetwater, Blind Faith, Delaney & Bonnie & Friends,
Taste, MC5, John Mayall, Jeff Beck, Jethro Tull, Johnny Winter, Bob
Seeger System, Jim Schwall Blues, Joe Cocker & The Grease Band,
Zephyr, and all local acts.
Recording
Includes: Band
Announcements [ cut ], The Train Kept A Rollin' [ 2:49 ] >>
I Can't Quit You Baby [ 5:59 ], [ cut ], Dazed And Confused [
12:08 ], [ cut ], White Summer (<< Black Mountain Side..)
[ 8:25 ], How Many More Times (<< The Hunter, Travelling Riverside
Blues, The Lemon Song [ cut ]..) [ 16:05 ], Communication Breakdown
[ 3:49 ].
Source: Incomplete very good to excellent
audience recording. 52 minutes.
Details: This is primarily a clear and
vibrant recording, though some low end distortion and disturbance do
exist. The rhythm section is slightly in the background with the vocals
and Page's crystal clear guitar to the forefront. Together with July
21st this is the one of the representatives for the Summer 1969 tour
era.
Bootleg
LP Reference(s):
West Allison State (Grasshopper)
Bootleg
CD Reference(s):
Midwest Rock Festival (Graf Zeppelin), Secret History Of Led Zeppelin
(Scorpio "old"), State Fair (Digger Productions), Stroll On!
(The Diagrams Of Led Zeppelin), State Fair Park West Allis WI 7/25/69
(Zeppelin Digital CD-R), & Summer Of Love (Beelzebub Records CD-R)
Comments:
A super-charged festival set! The band plow through this material with
one of the best versions of The Train Kept A Rollin' ever and frenzied
playing throughout. Bonham plays some really inventive patterns and
Jonesy is flying as always. Robert's voice is gutsy and Jimmy is great
as always ... every song is excellent, and the vibrant recording make
this a kicking show!
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JULY 26 - PNE AGRODOME,
VANCOUVER, BRITISH COLUMBIA, CANADA (SATURDAY, START AT 8:30pm)
Support from Vanilla Fudge.
JULY 27 - SEATTLE
POP FESTIVAL, GOLDCREEK PARK, WOODINVILLE, WASHINGTON (SUNDAY)
Shared bill with Chuck Berry, Blacksnake, Tim Buckley, The Byrds, Chicago
Transit Authority, Albert Collins, Alice Cooper, Crome Syrcus, Bo Diddley,
The Doors, Floating Bridge, The Flock, Flying Burrito Brothers, Guess
Who, It's A Beautiful Day, Charles Lloyd, Lonnie Mack, Lee Michaels,
Rockin' Fu, Murray Roman, Santana, Spirit, Ten Years After, Ike &
Tina Turner, Vanilla Fudge, and The Youngbloods.
WARNING! It is reported
that soundboard this tape exists and is currently in the hands of a
tape hoarder. Approach any tapes or CDs that claim to be this date with
caution.
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JULY 29 - KINSMEN
FIELD HOUSE, EDMONTON, ALBERTA, CANADA (TUESDAY)
Shared bill with Vanilla Fudge.
JULY 30 - TERRACE LAGOON BALLROOM, SALT LAKE CITY, UTAH (WEDNESDAY 7pm
and 9:30pm SHOWS)
Support from Vanilla Fudge.
JULY 31 - EUGENE, OREGON (disputed) (THURSDAY)
AUGUST 1 - SANTA BARBARA EARL WARREN SHOWGROUNDS, SANTA BARBARA, CALIFORNIA
(FRIDAY, START AT 7:30pm)
Support from Jethro Tull and Fraternity Of Man.
AUGUST 2 - CIVIC AUDITORIUM, ALBUQUERQUE, NEW MEXICO (SATURDAY)
Support from Vanilla Fudge.
AUGUST 3 - HOUSTON MUSIC HALL, HOUSTON, TEXAS (SUNDAY)
AUGUST 4 - STATE FAIR COLISEUM, DALLAS, TEXAS (MONDAY 8pm)
AUGUST 6 - MEMORIAL AUDITORIUM, SACRAMENTO, CALIFORNIA (WEDNESDAY)
AUGUST 7 - COMMUNITY THEATRE, BERKELEY, CALIFORNIA (THURSDAY)
AUGUST 8 - SWING AUDITORIUM,
SAN BERNARDINO, CALIFORNIA (concert married by Page's guitar problems)
(FRIDAY, START AT 8pm)
Support from Jethro Tull.
Recording
Includes: Band
Announcements [ cut ], The Train Kept A Rollin' [ 2:40 ] >>
I Can't Quit You Baby [ 5:57 ], I Gotta Move/Improvisation [ 2:57 ],
[ cut ], Dazed And Confused [ 11:32 - cut ], [ edit/cut
], White Summer [ 0:56 - cut ], [ edit/cut ], You Shook
Me [ 8:01 - cut ], [ cut ], How Many More Times (<<
The Hunter, The Lemon Song, Schooldays, Hideaway, Hail Hail Rock
'N' Roll..) [ 18:36 ].
Source: Incomplete poor to fair audience
recording. 55 minutes.
Details: This is heavily overloaded and
distorted tape. The taper was much close to Pages amplifier and
he drowns out the rest of the band almost completely, leaving the space
for the others only when Pagey is o out from action. Horrible.
Bootleg
LP Reference(s):
The Summer Of '69 (Rubber Dubber)
Bootleg
CD Reference(s):
Live At Central Park (Empress Valley Supreme Disc) & The Summer
Of '69 (Rubber Dubber)
Comments:
This show is the first recorded performance of the band headlining in
a large auditorium, with this show having taken place at the Swing Auditorium
in San Bernardino, California. As far as the gig itself, the show is
very good. After a solid performance of the first two songs the band
pause for Page to change a string, which prompts the rest of the group
to get into another I Gotta Move jam, like they had done in March 14th,
1969 on the radio. But, before they get into it, something seems to
happen in front of the stage, which causes Plant to laugh and comment:
"How we doin? You must bear with me. Im of slight coordination,
right? So, if youre ready to take it, I can give it." At
which moment a girl can be heard near the recorder yelling out in true
"summer of 69" hippy spirit: "Get high! ... And get with
meeee!" With a nearby audience member responding to her in like
manner: "Be free!"
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AUGUST 9 - ANAHEIM
CONVENTION CENTER, ANAHEIM, CALIFORNIA (SATURDAY, START AT 8pm)
Support from Jethro Tull.
AUGUST 10 - SPORTS ARENA, SAN DIEGO, CALIFORNIA (SUNDAY 8pm)
Support from Jethro Tull.
AUGUST 11 - ICE PALACE, LAS VEGAS, NEVADA (MONDAY)
Support from Pinkiny Canandy and an unknown local group.
AUGUST 13 - CIVIC CENTER MUSIC HALL, LUBBOCK, TEXAS (discredited) (WEDNESDAY)
AUGUST 15 - HEMISFAIR ARENA, SAN ANTONIO, TEXAS (FRIDAY 8pm)
Shared bill with Jethro Tull and Sweet Smoke.
AUGUST 16 - CONVENTION HALL, ASBURY PARK, NEW JERSEY (SATURDAY 7:30
and 9:45pm SHOWS)
Support from Joe Cocker. This date took place the same weekend as the
legendary Woodstock Festival in upstate New York's Bethel. Led Zeppelin
were initially approached to play the festival but group's manager,
Peter Grant, declined.
AUGUST 17 - OAKDALE
MUSICAL THEATRE, WALLINGFORD, CONNECTICUT (SUNDAY 8pm)
The show was performed on a revolving stage, resulting in very uneven
sound.
Recording
Includes: The
Train Kept A Rollin' [ 2:20 - cut ] >> I Can't Quit You
Baby [ 5:59 ] [ supposed to be played: Dazed And Confused, White Summer
(<< Black Mountain Side..), You Shook Me, How Many More Times
(<< The Hunter..) ].
Source: Incomplete fair audience recording.
8 minutes.
Details: A distorted and very distant tape.
Bootleg
CD Reference(s):
Anybody Got A Les Paul? (Equinox), Red Snapper Deluxe (Balboa Productions),
& Tales From '69 (Tarantura)
Comments:
This is all that exists from this show ... I heard that the taper stored
it for years in bad conditions and this is the only undamaged part of
the tape. A very powerful fragment and it leads me to believe the rest
of the show was equally powerful and exciting.
WARNING! Rumors that
the complete tape exists and is currently in the hands of a tape hoarder.
Approach any tapes or CDs that claim to be this information with caution.
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AUGUST 18 - THE ROCK
PILE, TORONTO, ONTARIO, CANADA (MONDAY 8pm and 11:30 pm SHOWS)
Billed as Mighty Monday. Support from Edward Bear.
Set
1 Includes:
Band Announcements [ cut ], The Train Kept A Rollin' [ 2:36 -
cut ] >> I Can't Quit You Baby [ 6:08 ], Dazed And Confused
[ 13:48 - cut ], You Shook Me [ 11:51 ], [ cut ], How
Many More Times (<< The Hunter, The Lemon Song..) [ 16:02 ].
Source: Incomplete fair to good audience
recording. 55 minutes.
Details: The recording is muffled, distant
and very hissy at its worst. It also contains numerous volume fluctuations.
Bootleg
CD Reference(s) afternoon show:
Absolutely Gems (Sanctuary), The Complete Rock Pile Tapes (The Chronicles
Of Led Zeppelin), The Complete Rockpile Shows (The Symbols), & The
Rockpile Tapes (Badgeholders)
Comments:
A great opening set that would be nothing when compared to the scorching
second show here! The recording has many volume fluctuations but is
fairly clear. The playing here is hot, though. Dazed And Confused is
short, compact and powerful, and You Shook Me and How Many More Times
are breathtaking in power and playing, and short to work to a maximum
effect. Just wait until the next show!
Set
2 Includes:
Band Announcements [ cut ], The Train Kept A Rollin' [ 2:48 ]
>> I Can't Quit You Baby [ 6:19 ], Dazed And Confused [ 15:20
], [ cut ], White Summer (<< Black Mountain Side..) [ 11:24
], You Shook Me [ 11:33 - cut ], [ edit ], How Many More
Times (<< Feel So Fine, Over Under Sideways Down, The Hunter,
Truckin' Little Mama, Needle Blues, The Lemon Song, Love Me, Moby Dick..)
[ 21:16 ], [ cut ], Announcer Speech, Communication Breakdown
(<< There's A Mountain..) [ 6:00 ].
Source: Incomplete very good 1st good audience
recording. 83 minutes.
Details: The recording is clear but the
first and last two tracks are very bass heavy to the point of overpowering
the tape. Also there is some hiss and speed issues during White Summer.
Set
2 Includes:
The Train Kept A Rollin' [ 0:10 - cut ] >> I Can't Quit
You Baby [ 6:09 ], Dazed And Confused [ 14:39 ], White Summer (<<
Black Mountain Side..) [ 10:57 ], [ cut ], You Shook Me [ 10:41
- cut ], How Many More Times (<< Feel So Fine, Over Under
Sideways Down, The Hunter, Truckin' Little Mama, Needle Blues, The Lemon
Song, Love Me, Moby Dick..) [ 19:33 ], [ cut ], Communication
Breakdown (<< There's A Mountain..) [ 5:37 ], Band Outroduction
[ cut? ].
Source: Incomplete very good 2nd audience
recording. 75 minutes.
Details: The tape sounds quite crispier
than above recording. It is noticeably overpowered by the music on the
whole run though.
Bootleg
CD Reference(s) source 1:
Absolutely Gems (Sanctuary), The Complete Rock Pile Tapes (The Chronicles
Of Led Zeppelin), The Complete Rockpile Shows (The Symbols), Long Tall
Sally (Tarantura), & The Rockpile Tapes (Badgeholders)
Bootleg
CD Reference(s) source 2:
The Complete Rock Pile Tapes (The Chronicles Of Led Zeppelin)
Comments:
What an excellent show in front of the best crowd you'll ever hear!
The band is just brilliant here and plays their guts out for this great
audience. The band is so exciting to be in Canada after a bad reception
from the side of Texas audience few days before what caused of Plant's
long comments: "It's very nice to be back, but we've got a lot
of problems. We've just come from San Antonio in Texas, wjere all the
geezers thought we should get our hair cut, and we've been through that
and everybody's been feeling rather bad, so we're very pleased to be
here one way or ranother. It's nice to be back. We'd like to say hello
to anybody from the British Isles, including Scotland and two geezers
who used to come from Birmingham in a group called The Yellow Rainbow.
Nice to see you're still nicking gear! And so, if everybody can feel
free and easy, we'd like to see what we can do." How Many More
Times is filled with some tense drama that is broken by Robert laughing
when he can't hit the highest note. A very hot reception caued Plant
to introduce the band in a verry funny mood: "We'd like to try
to draw a conclusion to what's been a very hectic day. We'd like to
tell you that Texas is still as it was when you last read about it and
that England is still what it always will be, and we'd like to see you
very shortly again, but if not you could all move to the Bahamas or
something ... on bass guitar, Hammond organ, and throne ... King John
Paul Jones, on drums John Henry Bonham and on lead guitar and as many
chicks as he can find ... Jimmy Page!" Then Bonham took the microphone
and inctroduced Plant as "straight from the Labour club at Cradley
Heath." Communication Breakdown is a blistering version for an
encore.
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AUGUST 20 - THE AERODROME,
SCHENECTADY, NEW YORK (WEDNESDAY 8pm and 11pm SHOWS)
Support from Spyder and Last Thursday.
AUGUST 21 - CAROUSEL THEATRE, FRAMINGHAM NATICKS, MASSACHUSETTS (THURSDAY)
Support from Orpheus. DJ J. J. Jackson introduced the band on stage.
AUGUST 22 - PIRATES' WORLD, DANIA, FLORIDA (FRIDAY 9:30pm)
Support from The Echo, Royal Ascots, and Brimstone. The band was originally
billed as a member of Bilzen Jazz Festival, Bilzen, Belgium but the
concert was cancelled in favour of extending current U.S. tour. Deep
Purple took their place.
AUGUST 23 - PIRATES' WORLD, DANIA, FLORIDA (SATURDAY 9:30pm)
Support from The Echo, Royal Ascots, and Brimstone.
AUGUST 24 - VETERANS' MEMORIAL COLISEUM, JACKSONVILLE, FLORIDA (SUNDAY
8pm)
AUGUST 25 - DELANO MOTOR LODGE, MONTICELLO, NEW YORK (disputed) (MONDAY
9pm and 11:30pm SHOWS)
AUGUST 27 - CASINO BALLROOM, HAMPTON BEACH, NEW HAVEN (cancelled) (WEDNESDAY
8pm and 10pm SHOWS)
AUGUST 29 - GUITAR VIRTUOSO SHOW, THE SINGER BOWL MUSIC FESTIVAL, STATE
PAVILION, FLUSHING MEADOWS PARK, QUEENS, NEW YORK, NEW YORK (FRIDAY)
Shared bill with Vanilla Fudge, The Jeff Beck Group, Ten Years After,
Edwin Hawkins Singers, Steppenwolf, The Moody Blues, NRBQ, Tim Hardin,
Incredible String Band, Odetta, Tom Paxton, The Pentagle, Ian &
Sylvia, The Chambers Brothers, Pogo, Buddy Guy, Larry Coryell, and James
Brown. Led Zeppelin headlined.
AUGUST 30 - GUITAR VIRTUOSO SHOW, THE SINGER BOWL MUSIC FESTIVAL, STATE
PAVILION, FLUSHING MEADOWS PARK, QUEENS, NEW YORK, NEW YORK (SATURDAY)
Shared bill with Vanilla Fudge, The Jeff Beck Group, Ten Years After,
Edwin Hawkins Singers, Steppenwolf, The Moody Blues, NRBQ, Tim Hardin,
Incredible String Band, Odetta, Tom Paxton, The Pentagle, Ian &
Sylvia, The Chambers Brothers, Poco, Buddy Guy, Larry Coryell, and James
Brown. Led Zeppelin headlined.
AUGUST 31 - TEXAS
INTERNATIONAL POP FESTIVAL, INTERNATIONAL SPEEDWAY, FESTIVAL FIELD,
LEWISVILLE NR. DALLAS, TEXAS (SUNDAY)
Shared bill with Canned Heat, Chicago Transit Authority, James Cotton
Blues Band, Janis Joplin & Kozmic Blues Band, B.B. King, Herbie
Mann, Rotary Connection, Sam & Dave, Chicago Transit Authority,
Delaney & Bonnie & Friends, Incredible String Band, Santana,
Johnny Winter, Nazz, Sly & The Family Stone, Spirit, Sweetwater,
Ten Years After, Tony Joe White, Space Opera, Grand Funk Railroad, Shiva's
Headband, The Quarry, and Ramone Ramone & The 4 Daddios.
Recording
Includes: The
Train Kept A Rollin' [ 2:57 ] >> I Can't Quit You Baby [ 6:13
], Dazed And Confused [ 15:32 ], You Shook Me [ 10:32 ], How Many More
Times (<< Suzie Q, The Hunter, The Lemon Song, Eyesight To The
Blind, Bye Bye Baby [ cut ], All Shook Up [ cut ]..) [
20:49 ], [ cut ], Communication Breakdown [ 4:26 ].
Source: Incomplete fair to good 1st audience
recording. 63 minutes.
Details: The tape is hissy, distand and
muddy, also overloaded. Although all the instruments are still audible,
overall quality is really not impressive and tape ranks good in places
only. Members of the audience are talkative in some places.
Recording
Includes: Opening
Announcements, The Train Kept A Rollin' [ 2:53 ] >> I Can't Quit
You Baby [ 6:01 ], Dazed And Confused [ 15:04 ], You Shook Me [ 10:20
], How Many More Times (<< Suzie Q, The Hunter, The Lemon Song,
Eyesight To The Blind, Bye Bye Baby, All Shook Up..) [ 21:04 ], Announcer
Speech, Communication Breakdown [ 4:21 ], Closing Announcements.
Source: Almost complete very good to excellent
2nd audience recording. 64 minutes.
Details: The recording is very clear but
emphasizes the bass, has noticeable hiss, mic handling noise and the
ocassional audience comment.
Recording
Includes: Opening
Announcements, The Train Kept A Rollin' [ 3:00 ] >> I Can't Quit
You Baby [ 6:02 ], Dazed And Confused [ 14:20 - cut ], You Shook
Me [ 10:26 ], How Many More Times (<< Suzie Q, The Hunter, The
Lemon Song, Eyesight To The Blind, Bye Bye Baby, All Shook Up..) [ 21:18
- cut ], Announcer Speech, Communication Breakdown [ 4:24 ],
Closing Announcements.
Source: Incomplete superb soundboard recording.
Near 63 minutes.
Details: The tape has stunning and dynamic
quality. There is almost absolutely no tape hiss and instruments are
superb balanced.
Recording
Includes: I
Can't Quit You Baby [ cut ], Dazed And Confused [ cut
], You Shook Me [ cut ], How Many More Times [ cut ].
Source: Incomplete 16mm color silent amateur
footage. 6 minutes.
Details: The film is dark and a bit blurry,
but is nonetheless an interesting early visual document of the band
in a true live setting.
Bootleg
LP Reference(s) audience source 1:
The Big Dope Party (LZ69 & LZ869) & Never Healed (Idi Amin)
Bootleg
LP Reference(s) soundboard:
Don't Mess With Texas & Texas International Pop Festival (Oh Boy)
Bootleg
CD Reference(s) audience source 1:
Eyes Big Crowd (Tarantura2000) & Texas International Pop Festival:
Definitive Edition (The Chronicles Of Led Zeppelin)
Bootleg
CD Reference(s) audience source 2:
Plays Pure Bob (Tarantura) & Texas International Pop Festival: Definitive
Edition (The Chronicles Of Led Zeppelin)
Bootleg
CD Reference(s) soundboard:
Best Of 1969 Tour (Forever Standard Series), Cabala (Osoz), Don't Mess
With Texas (Oh Boy), Texas International Pop Festival (Empress Valley
Supreme Disc, Oh Boy & Last Stand Disc), & Texas International
Pop Festival: Definitive Edition (The Chronicles Of Led Zeppelin)
Bootleg
CD Reference(s) audience source 2 & soundboard mixes:
The Only Way To Fly (Empress Valley Supreme Disc) & Texas Blues
(Godfather Records)
Bootleg
DVD Audio Reference(s):
Texas International Pop Festival (Empress Valley Supreme Disc) &
Texas Pop (Genuine Masters)
Bootleg
Visual Reference(s):
Bring It On Home Part 1 (Eye Thank You), Early Visions/The Best Of Led
Zeppelin Clips Volume One (Celebration Definitive Masters), & Film
Noir Volume 1 - 1969~1975 (Hercules DVD-R)
Comments:
An excellent show, perfectly consolidating all of the great playing
that this tour had produced, from the powerful opener to the extended
end of show medley, complete with Plant doing his best adlibs yet. An
easy choice for one of the very best shows of the year. As if the performance
wasn't enough, a superb soundboard, as well as a near-excellent audience
sources circulate for this show. Plant mentioned about the cancelled
August 4th concert: "It's very nice to be back in Texas. Last time
we were here it was a near disaster when we said we weren't doing the
festival and everything. This is the last date before we go back to
England, so we'd really like to have a nice time ... And you can help
us." Plant also apologised for cutting the set short: "We've
got to say goodnight according to the programme. Unfortunately, the
programme has got a little delayed but there's nothing we can do about
it!" Pages amps act up during a few spots in the show, producing
brief crackling sounds, as if his guitar cable or a connection somewhere
was coming loose. Although not at all a distraction for the listener,
this makes for a funny moment during Dazed And Confused and How Many
More Times, when Page's amps can be heard briefly picking up the sound
of the festival security staff speaking on their radios.
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Led
Zeppelin European Interlude
October 3, 1969 - October 13, 1969
OCTOBER 3 - CIRCUS
THEATRE, SCHEVENINGEN, HOLLAND (FRIDAY)
Support from Steamhammer.
OCTOBER 4 - GROTE ZAAL DE DOELEN, ROTTERDAM, HOLLAND (SATURDAY)
Support from After Tea and George Cash.
OCTOBER 5 - CONCERTGEBOUW, AMSTERDAM, HOLLAND (SUNDAY)
Support from Steamhammer.
OCTOBER 7 - KONSERTHUSET, STOCKHOLM, SWEDEN (cancelled and rescheduled
for February 26th, 1970) (TUESDAY)
OCTOBER 8 - KONSERTHUSET, GOTEBORG, SWEDEN (cancelled because the band
have had contracted show in Stockholm already) (WEDNESDAY)
OCTOBER 8 - KONSERTHUSET, STOCKHOLM, SWEDEN (cancelled) (WEDNESDAY)
OCTOBER 9 - COPENHAGEN, DENMARK (cancelled) (THURSDAY)
OCTOBER 9 (or) 10
- CONCERTGEBOUW, HARLEEM, HOLLAND (THURSDAY)
As yet this footage is still not discovered and may have been wiped.
Originally was aired on "Dit is het begin", Dutch VARA networked
TV Show, December 12, 1969 (Friday.) The programme also included Deep
Purple's studio recording Child In Time.
Recording
Includes: Dazed
And Confused [ cut ].
Source: Incomplete excellent professional
colour TV broadcast. 12 minutes.
Bootleg
Visual Reference(s):
Comments:
Not known if the group performed the whole set or just one song. But
if the content was similar to the following two nights then this would
be a real gem!
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OCTOBER 10 - L'OLYMPIA,
PARIS, FRANCE (FRIDAY)
Whole concert was recorded professionally. Originally aired on "Musicorama",
Europe1 on November 2nd, 1969. Rebroadcast on Europe2 on December 7th,
2007 at 22:30.
Recording
Includes: Band
Announcements [ cut ], Good Times Bad Times Intro [ 0:34 ] >>
Communication Breakdown (<< It's Your Thing..) [ 3:11 ] >>
I Can't Quit You Baby [ 6:25 ], Heartbreaker [ 4:18 ], Dazed And Confused
[ 14:53 ], White Summer (<< Black Mountain Side..) [ 10:18 ],
You Shook Me [ 11:31 ], [ supposed to be played: Moby Dick ], How Many
More Times (<< Over Under Sideways Down, Bolero, The Hunter, The
Lemon Song, Boogie Chillun..) [ 22:42 ].
Source: Almost complete (?) superb professional
pre-FM recording. 78 minutes.
Details: Professionally mixed pre-FM master.
Moby Dick was played but not recorded possibly.
Recording
Includes: Band
Announcements [ cut ], Good Times Bad Times Intro [ 0:34 ] >>
Communication Breakdown (<< It's Your Thing..) [ 3:11 ] >>
I Can't Quit You Baby (<< DJ Comments..) [ 6:25 ], Heartbreaker
[ 4:18 ], Dazed And Confused (<< DJ Comments..) [ 14:53 ], DJ
Comments, White Summer (<< DJ Comments, Black Mountain Side..)
[ 10:18 ], DJ Comments, You Shook Me [ 11:31 ], [ supposed to be played:
Moby Dick ], How Many More Times (<< Over Under Sideways Down,
Bolero, DJ Comments, The Hunter, The Lemon Song, Boogie Chillun..) [
22:42 ].
Source: Almost complete (?) superb professional
FM recording. 78 minutes.
Details: Professionally mixed FM master.
During the guitar solo on I Can't Quit You Baby there is a DJ interruption,
then again during bow solo and at the end of Dazed And Confused, near
the beginning of White Summer/Black Mountain Side, and the last one
is during the middle of How Many More Times, when the music was abandoned
for awhile. Moby Dick was played but not recorded or aired possibly.
Bootleg
LP Reference(s) FM source:
Get The Boogie (Whispering Souls Authentic Vinyl Records)
Bootleg
CD Reference(s) pre-FM source:
One Night Stand In Paris (The Chronicles Of Led Zeppelin), Paris 1969
Pre-FM Master (no label), & The Valkyrie's Vigil (Tarantura2000)
Bootleg
CD Reference(s) FM source:
Ain't No Fool (Black Dog Rekords), Good Times Bad Times (Scorpio "new"),
L'Olympia (Godfather Records), Led Zeppelin On Fire (Beelzebub Records
CD-R), N'est Aucun Imbecile (Black Dog Rekords), Olympia 1969 (no label),
One Night Stand In Paris (The Chronicles Of Led Zeppelin), Paris 1969
Pre-FM Master (no label), Paris Olympia 1969 (Wendy Records), Paris
Par Excellence (Empress Valley Supreme Disc), & Whole Lotta Live:
Live Soundboard Collection (no label)
Comments:
Ok, this is what we were looking for a long years! A spectacular and
gutsy show in a stunnig quality. Whole concert is so energetic and powerful
that can be easily compared with August 31st, 1969. Good Times Bad Times
Intro is awesome and Communication Breakdown is filled with some excellent
lyrics. An amazing Heartbreaker shows its power and Plants voice is
dramatic. Very long and intense How Many More Times contains some renditions
to the old Yadbirds' tunes and is a definitive killer of this show.
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OCTOBER 12 - THE SUNDAY
SCENE, THE LYCEUM, LONDON, ENGLAND (SUNDAY, START AT 7:30pm)
Support from Frosty Noses and Audience.
Recording
Includes: Tony
Stratton-Smith Introduction [ cut ], Good Times Bad Times Intro
[ 0:29 ] >> Communication Breakdown [ 3:07 ] >> I Can't
Quit You Baby [ 6:04 ], [ cut ], Heartbreaker [ 4:46 ], [ cut
], You Shook Me [ 7:15 - cut ], [ cut ], What Is And What
Should Never Be [ 4:18 ], [ cut ], Dazed And Confused [ 14:58
], [ cut ], How Many More Times (<< Improvisation based
on Whole Lotta Love theme, Eyesight To The Blind, The Hunter, Boogie
Chillun [ cut ]..) [ 14:48 - cut ].
Source: Incomplete good to very good audience
recording. 59 minutes.
Details: A little distortion, occasional
tape hiss, and slightly weak bass do not prevent this from being a highly
enjoyable document. The drums are clearly audible.
Bootleg
LP Reference(s):
Live At The Lyceum (Grant Musik) & London Live (Right Records)
Bootleg
CD Reference(s):
Good Times Bad Times (Scorpio "new"), Lyceum (Cobra Standard
Series), Lyceum Preview (Immigrant), Triumphant UK Return (Empress Valley
Supreme Disc), & UK 10-12-69 (Totonka)
Comments:
Along with October 10th, 1969 Paris gig, this show is a treat, as the
group previews some songs from the upcoming second album and generally
play their butts off for this audience. A killer show with energy flowing
out of the speakers.
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Led
Zeppelin Fourth U.S. Tour
October 17, 1969 - November 8, 1969
OCTOBER 17 - CARNEGIE
HALL, NEW YORK, NEW YORK (FRIDAY 8:30pm and midnight SHOWS)
OCTOBER 18 - OLYMPIA STADIUM, DETROIT, MICHIGAN (SATURDAY, START AT
8pm)
Support from Lee Michaels and Magic Veil Light Show.
OCTOBER 19 - KINETIC PLAYGROUND, CHICAGO, ILLINOIS (SUNDAY, 3pm and
8 pm SHOWS)
Support from Santana and Lighthouse.
OCTOBER 20 - PARAMOUNT THEATRE, SEATTLE, WASHINGTON (MONDAY)
OCTOBER 21 - ELECTRIC FACTORY, PHILADELPHIA, PENNSYLVANIA (disputed)
(TUESDAY)
OCTOBER 23 - SEATTLE CENTER ARENA, SEATTLE, WASHINGTON (disputed) (THURSDAY)
OCTOBER 24 - PUBLIC AUDITORIUM, CLEVELAND, OHIO (FRIDAY, START AT 8pm)
Support from Grand Funk Railroad.
OCTOBER 25 - FIRST TRIBAL ROCK FESTIVAL, BOSTON GARDEN, BOSTON, MASSACHUSETTS
(concert truncated due to riotous audience) (SATURDAY, START AT 8pm)
Billed as Narragansetts "First Tribal Rock Festival". Support
from Johnny Winter and MC5.
OCTOBER 26 - CHARLOTTE, NORTH CAROLINA (disputed) (SUNDAY)
OCTOBER 30 - KLEINHANS
MUSIC HALL, BUFFALO, NEW YORK (concert interrupted by a man who threw
a glass at Plant) (THURSDAY, START AT 7pm)
Support from The James Gang.
Recording
Includes: Good
Times Bad Times Intro [ 0:34 ] >> Communication Breakdown [ 3:17
] >> I Can't Quit You Baby [ 6:47 ], Heartbreaker [ 5:02 ], Dazed
And Confused [ 16:41 ], White Summer (<< Black Mountain Side..)
[ 11:28 ], What Is And What Should Never Be [ 4:18 ], Moby Dick [ 16:13
], Instrumental Intro [ 1:33 ] >> How Many More Times [ 7:55 -
cut ].
Source: Incomplete good to very good audience
recording. 81 minutes.
Details: The tape is a bit muddy due mostly
to some particularly boomy bass frequencies from Jones. Beside this,
recording is nicely balanced and only a distant spectrum does not help
this tape being more enjoyable. It ends abruptly just before as the
band launched into The Hunter theme.
Bootleg
CD Reference(s):
Headliner (Magnificent Disc), Long Tall Sally (Tarantura), Pat's Delight
(Tecumseh), & When A Glass Was Thrown (Tarantura2000)
Comments:
An extremely powerful, heavy and loud show in front of a rapturous crowd.
The band is amazing and Robert's voice is a true delight ... in its
best shape ever! An interesting thing happens at this show, during I
Can't Quit You Baby, when a member of the audience throws a bottle at
Plant, causing him to insert a warning to the fellow in the following
lyrics: "I cant quit you babe. I'm gonna put you... (pauses)
...you down for a while. Cuz youre messing up a good concert,
you silly fool! You mustve been my one desire! If you think youre
really very smart, then you better come right up here and do that thing
again! Here me talking to ya!? Ohhhhhhhhhhhhhh, you think youre
really smart! I suggest you come right up here and do that simple thing
once again! After the song, Plant addresses the culprit: Thank
you very much. Thank you. Its a great pleasure to be here tonight.
And wed like to welcome our friend. Hes so used to throwing
coconuts in the fairground, he doesnt really know. Thanks for
the glass. The surprise of the night is Pages version of
White Summer. Even though it tended to be the same song night-after-night,
this is a fantastic rendition. Fluid, clean, and precise. A really great
version of what was normally just a routine solo piece. As for the new
songs in the set, they still sound faithful to the album renditions.
Heartbreaker still features Bonham playing a more swinging jazz background,
with Page's solo being short and free of most of the tricks that he
would later incorporate into the piece. What Is And What Should Never
Be likewise has Plant starting out the vocal intro to the song identically
to how it was sung on the album.
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OCTOBER 31 - THE GANSETT
TRIBAL ROCK FESTIVAL, RHODE ISLAND AUDITORIUM, PROVIDENCE, RHODE ISLAND
(FRIDAY, EARLY SHOW)
Support from Dr. John The Night Tripper and Taj Mahal.
OCTOBER 31 - SPRINGFIELD MUNICIPAL AUDITORIUM, SPRINGFIELD, MASSACHUSETTS
(FRIDAY, LATE SHOW)
NOVEMBER 1 - ONONDAGA MEMORIAL AUDITORIUM, SYRACUSE, NEW YORK (SATURDAY)
NOVEMBER 2 - O'KEEFE
CENTRE, TORONTO, ONTARIO, CANADA (SUNDAY 5pm and 8:30pm SHOWS)
Support from Edward Bear.
Recording
Includes: Good
Times Bad Times Intro [ 0:36 ] >> Communication Breakdown (<<
Bluebird..) [ 4:07 ] >> I Can't Quit You Baby [ 6:34 ], [ cut
], Heartbreaker [ 5:30 ], [ cut ], Dazed And Confused (<<
Some Tears..) [ 18:23 - cut ], [ cut ], White Summer (<<
Still I'm Sad, Black Mountain Side..) [ 12:07 ], [ cut ], Babe
I'm Gonna Leave You (<< Be On My Side, Ramble On..) [ 6:48 ],
[ cut ], Moby Dick [ 11:55 - cut ] [ supposed to be played:
How Many More Times (<< The Hunter..) ].
Source: Incomplete very good audience recording.
Near 69 minutes.
Details: The recorder was fairly close
to Jonesy's amplifiers, therefore the bass is upfront, but there is
no distortion. Bonzo is a bit distant than the rest of instruments.
The vocals sound a little distorted and echoey.
Bootleg
CD Reference(s):
Beast Of Toronto (Immigrant) & Listen To My Bluebird (Image Quality)
Comments:
An excellent show, full of energy and classic 1969 Zeppelin. Jones is
all over the place, Jimmy is spectacular, Bonham is amazing and Robert's
voice is so high it is unbelievable. Plant joked with the crowd: "We
intend to try to do as much of the Led Zeppelin IV album as possible,
but we through we'd cut it down by half and do Led Zeppelin II."
There are many other songs thrown in, including a great version of Buffalo
Springfield's Bluebird, Neil Young's Down By The River and The Yardbird's
Still I'm Sad. This is all that is known to exist from this show, and
it is truly a spectacular concert.
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NOVEMBER 4 - MEMORIAL
AUDITORIUM, KITCHENER, ONTARIO, CANADA (TUESDAY, STARTED BETWEEN 4pm
and 8pm)
Support from The Copper Penny.
NOVEMBER 5 - MEMORIAL
HALL, KANSAS CITY, KANSAS (WEDNESDAY, 2 SHOWS)
Support from Morning Star, Bartok's Mountain, Spokesman, Blues Garden,
and Bill Zickos.
Recording
Includes: Good
Times Bad Times Intro [ 0:31 ] >> Communication Breakdown [ 3:19
] >> I Can't Quit You Baby [ 5:32 - cut ], [ cut
], Heartbreaker [ 5:19 - cut ], [ cut ], Dazed And Confused
[ 12:18 ], [ cut ], [ supposed to be played: White Summer (<<
Black Mountain Side..), Instrumental Intro to How many More Times ]
How Many More Times (<< The Hunter, Boogie Chillun, Move On Down
The Line..) [ 12:26 - cut ].
Source: Incomplete good audience recording.
39 minutes.
Details: The tape sounds somewhat flat
but it is still rather clear.
Bootleg
CD Reference(s):
Birth Of The Gods (Balboa Productions) & Tales From '69 (Tarantura)
Comments:
Page is playing as excellently as he had been the past few dates. Jones
as well is spot on. And Plant is in strong voice. But Bonham ... The
story goes that Bonham was so drunk that he couldn't stay awake at this
show. I don't know if that's true, but I wouldn't be surprised, as it
sure sounds like it. The entire night he seems to frequently disappear
from songs, often times crashing in at the wrong time, and playing either
too fast or too slow when he does come in. Some "highlights"
include his drum outro to I Can't Quit You Baby, his on-again-off-again
participation during the return from Page's solo in Heartbreaker, his
total absence during the beginning of Dazed And Confused, and his complete
butchering of The Hunter portion of How Many More Times, among many
other moments of really really bad drumming. Bizarrely, a review of
this show in the Kansas City Star doesn't mention anything about Bonham's
performance. It does mention, however, that the band did not use their
own instruments at this show. Besides not making any sense whatsoever,
this doesn't sound like it was entirely correct. A mystery is from which
show exactly this recording comes from.
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NOVEMBER 6 - WINTERLAND
BALLROOM, SAN FRANCISCO, CALIFORNIA (THURSDAY)
Support from Roland Kirk and Isaac Hayes.
Recording
Includes: [
supposed to be not recorded: Bill Graham Introduction ] Good Times Bad
Times Intro [ 0:32 ] >> Communication Breakdown [ 3:11 ] >>
I Can't Quit You Baby [ 6:39 - edit ], Heartbreaker [ 5:15 ],
Dazed And Confused [ 17:21 ], [ cut ], White Summer (<<
Black Mountain Side..) [ 11:40 - edit ], [ cut ], What
Is And What Should Never Be [ 4:36 ], Moby Dick [ 14:33 - cut?
], [ cut ], Instrumental Intro [ 3:02 - edit ] >>
How Many More Times (<< Over Under Sideways Down, The Hunter,
Boogie Chillun, Move On Down The Line, Truckin' Little Mama, The Lemon
Song..) [ 17:49 - edit ], C'mon Everybody [ 2:43 ] >> Something
Else [ 2:06 ].
Source: Incomplete (?) very good 1st audience
recording. 98 minutes.
Details: This recording is quite clear
but more distant than other source. It does contain some noticeable
tape hiss and distortion.
Recording
Includes: [
supposed to be not recorded: Bill Graham Introduction ] Good Times Bad
Times Intro [ 0:30 ] >> Communication Breakdown [ 3:00 ] >>
I Can't Quit You Baby [ 6:19 ], [ cut ], Heartbreaker [ 5:10
], Dazed And Confused [ 16:39 ], [ cut ], White Summer (<<
Black Mountain Side..) [ 11:12 ], [ cut ], What Is And What Should
Never Be [ 1:12 - cut ], Moby Dick [ 14:20 ], Instrumental Intro
[ 3:00 ] >> How Many More Times (<< Over Under Sideways
Down, The Hunter, Boogie Chillun, Move On Down The Line, Truckin' Little
Mama, The Lemon Song..) [ 17:14 ], [ cut ], C'mon Everybody [
2:27 ] >> Something Else [ 2:13 ].
Source: Incomplete very good 2nd audience
recording. 89 minutes.
Details: The source is more close to the
stage that caused of some rather minor distortion only. The instruments
all rather well balanced. Due to being recorded close to the stage than
above tape, the sound is much more dynamic and bright.
Bootleg
CD Reference(s) source 1:
Blow Up (Immigrant), The End Of '69 (Whole Lotta Live), Final Winterland
(The Chronicles Of Led Zeppelin), Punk! (Tarantura), Pb (Tarantura),
& Room 2/3 (Image Quality)
Bootleg
CD Reference(s) source 2:
C'Mon Everybody (House Of Elrond CD-R), Final Winterland (The Chronicles
Of Led Zeppelin), & Winterland San Francisco Ca. 11/6/69 (Zeppelin
Digital CD-R)
Bootleg
CD Reference(s) source mixes:
Good Old Led Zeppelin (Tarantura2000), Steel Mill Blues (Winston Remasters
CD-R), & Winterland Party (Wendy Records)
Comments:
A very intense and great show. The opening number is brutal in impact
and Zeppelin takes the audience all over the spectrum, from, the great
jamming of Dazed And Confused and the gentleness of White Summer/Black
Mountain Side, through an awesome How Many More Times medley and two
punked-up encores. The "nastiness" of the recording helps
emphasize the intense atmosphere and savage beauty of Robert's voice.
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NOVEMBER 7 - WINTERLAND
BALLROOM, SAN FRANCISCO, CALIFORNIA (FRIDAY)
Support from Roland Kirk and Isaac Hayes.
Recording
Includes: [
supposed to be not recorded: Bill Graham Introduction ] Good Times Bad
Times Intro [ 0:29 ] >> Communication Breakdown [ 3:54 ] >>
I Can't Quit You Baby [ 6:18 ], Heartbreaker (<< Bouree..) [ 5:32
], Dazed And Confused [ 17:18 - edits/cuts ], [ cut ],
White Summer (<< Black Mountain Side..) [ 14:26 - cut ],
[ cut ], Babe I'm Gonna Leave You [ 6:21 - cut ], What
Is And What Should Never Be [ 4:16 ], Moby Dick [ 16:49 - edit/cut
], Suzie Q Intro [ 3:06 - cut? ] >> How Many More Times
(<< The Hunter [ cut ]..) [ 8:35 - edits ].
Source: Incomplete good to very good audience
recording. 91 minutes.
Details: The instruments are also unbalanced
a bit in the mix. The guitar is mostly up-front while the vocals are
in the background. Tape hiss is available.
Bootleg
CD Reference(s):
Final Winterland (The Chronicles Of Led Zeppelin), Good Old Led Zeppelin
(Tarantura2000), Room 2/3 (Image Quality), & Winter Of Our Content
(Missing Link)
Comments:
This is the second to last show from the 4th US Tour of 1969 and a very
exciting show! The beginning of Good Times Bad Times is quite thrilling
and a long and drawn out Communication Breakdown is an early highlight.
Jones plays some great bass ... check out his lines in Heartbreaker.
Jimmy is definitely playing on another level and is out of this world!
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NOVEMBER 8 - WINTERLAND
BALLROOM, SAN FRANCISCO, CALIFORNIA (SATURDAY)
Support from Roland Kirk and Isaac Hayes.
Led
Zeppelin Final European Date
December 6, 1969
DECEMBER 6 - PISTON
'70, L'ECOLE CENTRALE, CHATENAY-MALABRY, PARIS, FRANCE (SATURDAY)
Concert for students only. Not announced to the press. Shared bill with
The Pretty Things, Vibriations, and Triangle.
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